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Author: Brooks Johnson
Publisher: Aperture
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
Produced in conjunction with the pre-eminent Chrysler Museum in Norfolk, Virginia, Aperture's essential series Photography Speaks will be reissued as one newly revised and expanded edition in the fall of 2004.
Author: Brooks Johnson
Publisher: Aperture
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
Produced in conjunction with the pre-eminent Chrysler Museum in Norfolk, Virginia, Aperture's essential series Photography Speaks will be reissued as one newly revised and expanded edition in the fall of 2004.
Author: Robert Herman
Publisher: Proof Positive Press, Incorporated
ISBN: 9780615734910
Category : New York (N.Y.)
Languages : en
Pages : 0
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Book Description
The New Yorkers is a glorious look at a city bursting with colour and life. It is a body of work full of frozen moments, serendipity and reflection. Through Robert Herman s work we recognise the New York we knew and the New York we still know today. His street photography freezes people and places in this city at decisive moments, with spontaneity and authenticity. In this book the city waves at us, looks us right in the eye and brushes past us, without seeing. It layers images upon images like the best graffiti -- always renewing and reforming itself. Features a Foreword by Sean Corocoran, Curator of Prints and Photographs, Museum of the City of New York and an Essay by Stella Kramer, Pulitzer Prize Winning Photo Editor.
Author: Josh Ellenbogen
Publisher: Penn State Press
ISBN: 0271052597
Category : Photography
Languages : en
Pages : 281
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Book Description
"Examines three projects in late nineteenth-century scientific photography: the endeavors of Alphonse Bertillon, Francis Galton, and Etienne-Jules Marey. Develops new theoretical perspectives on the history of photographic technology, as well as the history of scientific imaging more generally"--
Author: John Tagg
Publisher: U of Minnesota Press
ISBN: 9780816624058
Category : Photography
Languages : en
Pages : 260
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Book Description
Photographs are used as documents, evidence, and records every day in courtrooms, hospitals, and police work, on passports, permits, and licenses. But how did such usages come to be established and accepted, and when? What kinds of photographs were seen seen as purely instrumental and able to function in this way? What sorts of agencies and institutions had the power to give them this status? And more generally, what conception of photographic representation did this involve, and what were its consequences?
Author: Baran, Mette Lise
Publisher: IGI Global
ISBN: 1799810275
Category : Reference
Languages : en
Pages : 315
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Book Description
Research that has been presented primarily by quantitative research can benefit from the voice of the participants and the added value of the different perspective that qualitative research can provide. The purpose of mixed methods research is to draw from the positive aspects of both research paradigms to better answer the research question. This type of research is often used in schools, businesses, and non-profit organizations as they strive to address and resolve questions that will impact their organizations. Applied Social Science Approaches to Mixed Methods Research is an academic research publication that examines more traditional and common research methods and how they can be complimented through qualitative counterparts. The content within this publication covers an array of topics such as entrepreneurship, social media, and marginalization. It is essential for researchers, academicians, non-profit professionals, business professionals, and higher education faculty, and specifically targets master or doctoral students committed to writing their theses, dissertations, or scholarly articles, who may not have had the benefit of working on a traditional research team.
Author: Roland Barthes
Publisher: Macmillan
ISBN: 0374521344
Category : Philosophy
Languages : en
Pages : 134
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Book Description
"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.
Author: Joel Sartore
Publisher: National Geographic Books
ISBN: 1426217773
Category : Nature
Languages : en
Pages : 404
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Book Description
This book of photography represents National Geographic's Photo Ark, a major cross-platform initiative and lifelong project by photographer Joel Sartore to make portraits of the world's animals -- especially those that are endangered. His message: to know these animals is to save them. Sartore intends to photograph every animal in captivity in the world. He is circling the globe, visiting zoos and wildlife rescue centers to create studio portraits of 12,000 species, with an emphasis on those facing extinction. He has photographed more than 6,000 already and now, thanks to a multi-year partnership with National Geographic, he may reach his goal. This book showcases his animal portraits: from tiny to mammoth, from the Florida grasshopper sparrow to the greater one-horned rhinoceros. Paired with the prose of veteran wildlife writer Douglas Chadwick, this book presents an argument for saving all the species of our planet.
Author: Erskine Caldwell
Publisher: University of Georgia Press
ISBN: 082031692X
Category : Photography
Languages : en
Pages : 134
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Book Description
In the middle years of the Great Depression, Erskine Caldwell and photographer Margaret Bourke-White spent eighteen months traveling across the back roads of the Deep South--from South Carolina to Arkansas--to document the living conditions of the sharecropper. Their collaboration resulted in You Have Seen Their Faces, a graphic portrayal of America's desperately poor rural underclass. First published in 1937, it is a classic comparable to Jacob Riis's How the Other Half Lives, and James Agee and Walker Evans's Let Us Now Praise Famous Men, which it preceded by more than three years. Caldwell lets the poor speak for themselves. Supported by his commentary, they tell how the tenant system exploited whites and blacks alike and fostered animosity between them. Bourke-White, who sometimes waited hours for the right moment, captures her subjects in the shacks where they lived, the depleted fields where they plowed, and the churches where they worshipped.
Author: Charlotte Cotton
Publisher: Aperture Direct
ISBN: 9781683950172
Category :
Languages : en
Pages : 384
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Book Description
Photography Is Magic draws together current ideas about the use of photography as an invaluable medium in the contemporary art world. Edited and with an essay by leading photography writer and curator Charlotte Cotton, this critical publication surveys the work of a diverse group of artists, many working at the borders of the "art world" and the "photography world," all of whom are engaged with experimental ideas concerning photographic practice and its place in a shifting photographic landscape being reshaped by digital techniques. Readers are shown the scope of photographic possibilities in the context of the contemporary creative process. From Michele Abeles and Walead Beshty to Daniel Gordon and Matthew Lipps, Cotton has selected artists who are consciously reframing photographic practices using mixed media, appropriation and a recalibration of analog processes. Cotton brings these artists together around the idea of magic, the properties of illusion and material transformation that uniquely characterize photography. Beautifully produced and critically rigorous, Photography Is Magic is aimed at younger photo aficionados, students and anyone interested in gaining a deeper understanding of contemporary photography. It includes images and text by more than 80 artists, including Sara Cwynar, Shannon Ebner, Annette Kelm, Josh Kline, Elad Lassry, Jon Rafman, Shirana Shahbazi and Sara VanDerBeek, among many others.
Author: Andy Stafford
Publisher: Liverpool University Press
ISBN: 1846310520
Category : Photography
Languages : en
Pages : 257
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Book Description
What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality.
