Photography and the American Civil War PDF Download
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Author: Jeff L. Rosenheim
Publisher: Metropolitan Museum of Art
ISBN: 0300191804
Category : History
Languages : en
Pages : 290
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Book Description
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Author: Jeff L. Rosenheim
Publisher: Metropolitan Museum of Art
ISBN: 0300191804
Category : History
Languages : en
Pages : 290
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Book Description
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Author: Alexander Gardner
Publisher: Courier Corporation
ISBN: 0486227316
Category : Photography
Languages : en
Pages : 220
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Book Description
Photographs taken in the field provide an extraordinary commentary upon the Civil War
Author: Eleanor Jones Harvey
Publisher: Yale University Press
ISBN: 0300187335
Category : Art
Languages : en
Pages : 353
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Book Description
Collects the best artwork created before, during and following the Civil War, in the years between 1859 and 1876, along with extensive quotations from men and women alive during the war years and text by literary figures, including Emily Dickinson, Mark Twain and Walt Whitman. 15,000 first printing.
Author: Jackie Napolean Wilson
Publisher: Macmillan
ISBN: 9780312267476
Category : History
Languages : en
Pages : 148
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Book Description
Few images of black Americans in the Civil War period exist or have survived, but now the granddaughter of a South Carolina slave has assembled the most comprehensive and significant collection of such rare images ever compiled. Bringing the truth of their daily lives to light, scenes of maternal affection, matrimony, war, and the grim reality of the master-slave relationship will help readers focus their perceptions of the black American experience in ways not otherwise available in modern history studies.
Author: Alexander Gardner
Publisher: Delano Greenridge Editions
ISBN:
Category : History
Languages : en
Pages : 224
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Book Description
This volume contains one hundred of the greatest war pictures ever taken. Union troops in battle, Lincoln at Antietam, the ruins of Richmond, Lee's surrender at Appomattox, and more. It became the Civil War's best-known visual record and helped define how viewers would come to know the war. This classic also became foundational in the history of American photography, combining, for the first time, words and images in a sophisticated and moving account.
Author: James Matthew Gallman
Publisher: University of Georgia Press
ISBN: 0820348104
Category : Biography & Autobiography
Languages : en
Pages : 270
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Book Description
This set of essays by twenty-seven historians of the Civil War describes a wide array of the war's photographs, examining them in unfamiliar ways.
Author: Andrew J. Russell
Publisher: Courier Dover Publications
ISBN:
Category : History
Languages : en
Pages : 136
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Book Description
Gathers photos of arsenals, barracks, stables, railroad depots, prisons, forts, pontoon bridges, blockhouses, and Alexandria, Richmond, and Washington.
Author: Jeff Rosenheim
Publisher: Metropolitan Museum of Art
ISBN: 1588394867
Category : History
Languages : en
Pages : 290
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Book Description
Published to coincide with the 150th anniverary of the battle of Gettysburg, features both familiar and rarely seen Civil War images from such photographers as George Barnard, Mathew Brady, and Timothy O'Sullivan.
Author: Francis Trevelyan Miller
Publisher: Hartford, Connecticut
ISBN:
Category : History
Languages : en
Pages : 226
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Book Description
This is undoubtedly the most valuable collection of historic photographs in America. It is believed to be the first time that the camera was used so extensively and practically on the battle-field. It is the first known collection of its size on the Western Continent and it is the only witness of the scenes enacted during the greatest crisis in the annals of the American nation. As a contribution to history it occupies a position that the higher art of painting, or scholarly research and literal description, can never usurp. It records a tragedy that neither the imagination of the painter nor the skill of the historian can so dramatically relate. The existence of this collection is unknown by the public at large. Even while this book has been in preparation eminent photographers have pronounced it impossible, declaring that photography was not sufficiently advanced at that period to prove of such practical use in War. Distinguished veterans of the Civil War have informed me that they knew positively that there were no cameras in the wake of the army. This incredulity of men in a position to know the truth enhances the value of the collection inasmuch that its genuineness is officially proven by the testimony of those who saw the pictures taken, by the personal statement of the man who took them, and by the Government Records. For forty-two years the original negatives have been in storage, secreted from public view, except as an occasional proof is drawn for some special use. How these negatives came to be taken under most hazardous conditions in the storm and stress of a War that threatened to change the entire history of the world is itself an interesting historical incident. Moreover, it is one of the tragedies of genius. While the clouds were gathering, which finally broke into the Civil War in the United States, there died in London one named Scott-Archer, a man who had found one of the great factors in civilization, but died poor and before his time because he had overstrained his powers in the cause of science. It was necessary to raise a subscription for his widow, and the government settled upon the children a pension of fifty pounds per annum on the ground that their father was "the discoverer of a scientific process of great value to the nation, from which the inventor had reaped little or no benefit." This was in 1857, and four years later, when the American Republic became rent by a conflict of brother against brother, Mathew B. Brady of Washington and New York, asked the permission of the Government and the protection of the Secret Service to demonstrate the practicability of Scott-Archer's discovery in the severest test that the invention had ever been given. Brady was an artist by temperament and gained his technical knowledge of portraiture in the rendezvous of Paris. He had been interested in the discoveries of Niepce and Daguerre and Fox-Talbot along the crude lines of photography but with the introduction of the collodion process of Scott-Archer he accepted the science as a profession and, during twenty-five years of labor as a pioneer photographer, took the likenesses of the political celebrities of the epoch and of eminent men and women throughout the country. Brady's request was granted and he invested heavily in cameras which were made specially for the hard usage of warfare. These cameras were cumbersome and were operated by what is known as the old wet-plate process, requiring a dark room which was carried with them onto the battle-fields. The experimental operations under Brady proved so successful that they attracted the immediate attention of President Lincoln, General Grant and Allan Pinkerton, known as Major Allen and chief of the Secret Service. Equipments were hurried to all divisions of the great army and some of them found their way into the Confederate ranks. To be continue in this ebook...
Author: William C Davis
Publisher:
ISBN: 9785559503677
Category :
Languages : en
Pages :
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Book Description
America's great conflict was also the first war to be extensively documented with the new invention, photography. Now, noted expert William C. Davis compiles historic images, including many newly discovered and previously unpublished, to re-tell the story of the War Between the States. More than 2000 photographers plied their varying processes from 1861 to 1865, covering almost every aspect of the war and in every theater. The Civil War in Photographs presents more than 350 of these images. They portray the soldiers in camp, the battlefields, the ships and navies, the dashing cavalrymen, the big guns of the artillery, as well as the people at home; capturing the bravery, destruction, desolation, and self-sacrifice that define this war in ways no words can match.
