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Author: John Mullarkey
Publisher: Springer
ISBN: 0230582311
Category : Performing Arts
Languages : en
Pages : 300
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Book Description
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Žižek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.
Author: John Mullarkey
Publisher: Springer
ISBN: 0230582311
Category : Performing Arts
Languages : en
Pages : 300
Get Book Here
Book Description
This is the first book to explore all central issues surrounding the relationship between the film-image and philosophy. It tackles the work of particular philosophers of film (Žižek, Deleuze and Cavell) as well as general philosophical positions (Cognitivist and Culturalist), and analyses the ability of film to teach and create philosophy.
Author: Noël Carroll
Publisher: Oxford University Press
ISBN: 0190683325
Category : Philosophy
Languages : en
Pages : 304
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Book Description
A wide-ranging, eclectic collection of essays on philosophy and the moving image by a pre-eminent philosopher of art This volume presents a selection of philosopher Noël Carroll's essays-several of which appear in print here for the first time-at the intersection of philosophy, film, and television. The volume begins with broad, foundational issues-what the moving image is, the nature of the medium of film and how we should evaluate it-engaging critically with the most essential problems and puzzles in the field. Carroll then moves to more focused issues in the philosophy of film and television. He reflects on whether ethical defects in fictional characters such as Tony Soprano have an impact on artistic excellence; the role of films in political debates (using the examples of Star Trek and Planet of the Apes); the question of whether film can do philosophy in its own way; and philosophical themes in avant-garde cinema. His analysis touches on a broad range of areas in philosophy including metaphysics, epistemology, ethics, politics, and aesthetics. The book then concludes with philosophical re-assessments of key figures in the philosophy of the moving image-Sergei Eisenstein, Arthur Danto, Bela Balasz, and Stanley Cavell. A wide-ranging and eclectic collection of work by a major figure in aesthetics and the philosophy of film and television, this volume will appeal to scholars, students, and cinephiles alike.
Author: Noël Carroll
Publisher: John Wiley & Sons
ISBN: 140515201X
Category : Philosophy
Languages : en
Pages : 432
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Book Description
Designed for classroom use, this authoritative anthology presentskey selections from the best contemporary work in philosophy offilm. The featured essays have been specially chosen for theirclarity, philosophical depth, and consonance with the current movetowards cognitive film theory Eight sections with introductions cover topics such as thenature of film, film as art, documentary cinema, narration andemotion in film, film criticism, and film's relation to knowledgeand morality Issues addressed include the objectivity of documentary films,fear of movie monsters, and moral questions surrounding the viewingof pornography Replete with examples and discussion of moving picturesthroughout
Author: Adrian J. Ivakhiv
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1554589061
Category : Performing Arts
Languages : en
Pages : 433
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Book Description
This book presents an ecophilosophy of cinema: an account of the moving image in relation to the lived ecologies – material, social, and perceptual relations – within which movies are produced, consumed, and incorporated into cultural life. If cinema takes us on mental and emotional journeys, the author argues that those journeys that have reshaped our understanding of ourselves, life, and the Earth and universe. A range of styles are examined, from ethnographic and wildlife documentaries, westerns and road movies, sci-fi blockbusters and eco-disaster films to the experimental and art films of Tarkovsky, Herzog, Malick, and Brakhage, to YouTube’s expanding audio-visual universe.
Author: Noel Carroll
Publisher: Yale University Press
ISBN: 0300133073
Category : Performing Arts
Languages : en
Pages : 448
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Book Description
Noël Carroll, a brilliant and provocative philosopher of film, has gathered in this book eighteen of his most recent essays on cinema and television—what Carroll calls “moving images.” The essays discuss topics in philosophy, film theory, and film criticism. Drawing on concepts from cognitive psychology and analytic philosophy, Carroll examines a wide range of fascinating topics. These include film attention, the emotional address of the moving image, film and racism, the nature and epistemology of documentary film, the moral status of television, the concept of film style, the foundations of film evaluation, the film theory of Siegfried Kracauer, the ideology of the professional western, and films by Sergei Eisenstein and Yvonne Rainer. Carroll also assesses the state of contemporary film theory and speculates on its prospects. The book continues many of the themes of Carroll’s earlier work Theorizing the Moving Image and develops them in new directions. A general introduction by George Wilson situates Carroll’s essays in relation to his view of moving-image studies.
Author: D. N. Rodowick
Publisher: University of Chicago Press
ISBN: 022651319X
Category : Art
Languages : en
Pages : 164
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Book Description
The memory of cinema -- The queer attractions of perceptual belief -- A virtual presence in space -- Harun Farocki's liberated consciousness -- The force of small gestures -- Epilogue: welcome to this situation
Author: Robert Sinnerbrink
Publisher: A&C Black
ISBN: 1441153438
Category : Philosophy
Languages : en
Pages : 258
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Book Description
A concise but comprehensive student guide to studying Emily Bronte's classic novel Wuthering Heights. It covers adaptations such as film and TV versions of the novel and student-friendly features include discussion points and a comprehensive guide to further reading.
Author: Noël Carroll
Publisher: Springer Nature
ISBN: 3030196011
Category : Philosophy
Languages : en
Pages : 1047
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Book Description
This handbook brings together essays in the philosophy of film and motion pictures from authorities across the spectrum. It boasts contributions from philosophers and film theorists alike, with many essays employing pluralist approaches to this interdisciplinary subject. Core areas treated include film ontology, film structure, psychology, authorship, narrative, and viewer emotion. Emerging areas of interest, including virtual reality, video games, and nonfictional and autobiographical film also have dedicated chapters. Other areas of focus include the film medium’s intersection with contemporary social issues, film’s kinship to other art forms, and the influence of historically seminal schools of thought in the philosophy of film. Of emphasis in many of the essays is the relationship and overlap of analytic and continental perspectives in this subject.
Author: Berys Gaut
Publisher: Cambridge University Press
ISBN: 0521822440
Category : Performing Arts
Languages : en
Pages : 339
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Book Description
A wide-ranging and accessible study of cinema as an art form, discussing traditional photographic films, digital cinema, and videogames.
Author: David LaRocca
Publisher: Lexington Books
ISBN: 1498504523
Category : Philosophy
Languages : en
Pages : 645
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Book Description
The spirit that founded the volume and guided its development is radically inter- and transdisciplinary. Dispatches have arrived from anthropology, communications, English, film studies (including theory, history, criticism), literary studies (including theory, history, criticism), media and screen studies, cognitive cultural studies, narratology, philosophy, poetics, politics, and political theory; and as a special aspect of the volume, theorist-filmmakers make their thoughts known as well. Consequently, the critical reflections gathered here are decidedly pluralistic and heterogeneous, inviting—not bracketing or partitioning—the dynamism and diversity of the arts, humanities, social sciences, and even natural sciences (in so far as we are biological beings who are trying to track our cognitive and perceptual understanding of a nonbiological thing—namely, film, whether celluloid-based or in digital form); these disciplines, so habitually cordoned off from one another, are brought together into a shared conversation about a common object and domain of investigation. This book will be of interest to theorists and practitioners of nonfiction film; to emerging and established scholars contributing to the secondary literature; and to those who are intrigued by the kinds of questions and claims that seem native to nonfiction film, and who may wish to explore some critical responses to them written in engaging language.
