Author: Innocent Himbaza
Publisher:
ISBN: 9783161593239
Category : Bible
Languages : en
Pages : 163
Book Description
The objective of the present volume is to put the connection between philology and textual criticism on the agenda once again. It addresses such questions as in what way philological study guides the textual critic and how textual criticism comes to the aid of the philologist; whether philology and textual criticism are necessarily linked, or the connections between them merely accidental; whether philology can justify conjectural emendations, and, if so, on what conditions; and inquires after the place of philological hypotheses in a text-critical apparatus or commentary. The contributors discuss these theoretical questions and analyze case studies illustrating the principles at issue.
Philology and Textual Criticism
Author: Innocent Himbaza
Publisher:
ISBN: 9783161593239
Category : Bible
Languages : en
Pages : 163
Book Description
The objective of the present volume is to put the connection between philology and textual criticism on the agenda once again. It addresses such questions as in what way philological study guides the textual critic and how textual criticism comes to the aid of the philologist; whether philology and textual criticism are necessarily linked, or the connections between them merely accidental; whether philology can justify conjectural emendations, and, if so, on what conditions; and inquires after the place of philological hypotheses in a text-critical apparatus or commentary. The contributors discuss these theoretical questions and analyze case studies illustrating the principles at issue.
Publisher:
ISBN: 9783161593239
Category : Bible
Languages : en
Pages : 163
Book Description
The objective of the present volume is to put the connection between philology and textual criticism on the agenda once again. It addresses such questions as in what way philological study guides the textual critic and how textual criticism comes to the aid of the philologist; whether philology and textual criticism are necessarily linked, or the connections between them merely accidental; whether philology can justify conjectural emendations, and, if so, on what conditions; and inquires after the place of philological hypotheses in a text-critical apparatus or commentary. The contributors discuss these theoretical questions and analyze case studies illustrating the principles at issue.
The Nay Science
Author: Vishwa Adluri
Publisher: Oxford University Press
ISBN: 0199931356
Category : Religion
Languages : en
Pages : 513
Book Description
The Nay Science offers a new perspective on the problem of scientific method in the human sciences. Taking German Indological scholarship on the Mahabharata and the Bhagavadgita as their example, Adluri and Bagchee develop a critique of the modern valorization of method over truth in the humanities. The authors show how, from its origins in eighteenth-century Neo-Protestantism onwards, the critical method was used as a way of making theological claims against rival philosophical and/or religious traditions. Via discussions of German Romanticism, the pantheism controversy, scientific positivism, and empiricism, they show how theological concerns dominated German scholarship on the Indian texts. Indology functions as a test case for wider concerns: the rise of historicism, the displacement of philosophical concerns from thinking, and the belief in the ability of a technical method to produce truth. Based on the historical evidence of the first part of the book, Adluri and Bagchee make a case in the second part for going beyond both the critical pretensions of modern academic scholarship and the objections of its post-structuralist or post-Orientalist critics. By contrasting German Indology with Plato's concern for virtue and Gandhi's focus on praxis, the authors argue for a conception of the humanities as a dialogue between the ancients and moderns and between eastern and western cultures.
Publisher: Oxford University Press
ISBN: 0199931356
Category : Religion
Languages : en
Pages : 513
Book Description
The Nay Science offers a new perspective on the problem of scientific method in the human sciences. Taking German Indological scholarship on the Mahabharata and the Bhagavadgita as their example, Adluri and Bagchee develop a critique of the modern valorization of method over truth in the humanities. The authors show how, from its origins in eighteenth-century Neo-Protestantism onwards, the critical method was used as a way of making theological claims against rival philosophical and/or religious traditions. Via discussions of German Romanticism, the pantheism controversy, scientific positivism, and empiricism, they show how theological concerns dominated German scholarship on the Indian texts. Indology functions as a test case for wider concerns: the rise of historicism, the displacement of philosophical concerns from thinking, and the belief in the ability of a technical method to produce truth. Based on the historical evidence of the first part of the book, Adluri and Bagchee make a case in the second part for going beyond both the critical pretensions of modern academic scholarship and the objections of its post-structuralist or post-Orientalist critics. By contrasting German Indology with Plato's concern for virtue and Gandhi's focus on praxis, the authors argue for a conception of the humanities as a dialogue between the ancients and moderns and between eastern and western cultures.
Philology and Its Histories
Author: Sean Gurd
Publisher:
ISBN: 9780814255070
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
"There has never been any shortage of interest in philology, its status, its history, or its origins. Today, after more than twenty years of serial “returns to philology” under the banner of deconstruction, the new medieval studies, critical bibliography, and a particular kind of globally aware activist criticism, philology has again become available as a respectable posture for contemporary literary scholars. But what is “philology,” and how can we attend to it, either as a contemporary practice or as an age-old object of endorsement and critique? In this volume, edited by Sean Gurd, noted scholars discuss the history of philology from antiquity to the present. This book addresses a wide variety of authors, documents, and movements, among them Greek papyri, Latin textual traditions, the Renaissance, eighteenth-century antiquarianism, and deconstruction. It is too easy to see philology as the bearer of an antiquated but forceful authority. When philologists take up the tools of textual criticism, they contribute to the very form of texts; seeking to articulate the protocols of correct interpretation, they aspire to be the legislators of reading practice. Nonetheless, Philology and Its Histories argues that philology is not a conservative or ideologically loaded master-discourse, but a tradition of searching, fundamentally ungrounded, dealing with the insecurity of questions rather than the safety of answers. For good or ill, philology is where literature happens; we do well to pay heed to it and to its changes over the course of millennia." -- provided by the publisher.
Publisher:
ISBN: 9780814255070
Category : Literary Criticism
Languages : en
Pages : 0
Book Description
"There has never been any shortage of interest in philology, its status, its history, or its origins. Today, after more than twenty years of serial “returns to philology” under the banner of deconstruction, the new medieval studies, critical bibliography, and a particular kind of globally aware activist criticism, philology has again become available as a respectable posture for contemporary literary scholars. But what is “philology,” and how can we attend to it, either as a contemporary practice or as an age-old object of endorsement and critique? In this volume, edited by Sean Gurd, noted scholars discuss the history of philology from antiquity to the present. This book addresses a wide variety of authors, documents, and movements, among them Greek papyri, Latin textual traditions, the Renaissance, eighteenth-century antiquarianism, and deconstruction. It is too easy to see philology as the bearer of an antiquated but forceful authority. When philologists take up the tools of textual criticism, they contribute to the very form of texts; seeking to articulate the protocols of correct interpretation, they aspire to be the legislators of reading practice. Nonetheless, Philology and Its Histories argues that philology is not a conservative or ideologically loaded master-discourse, but a tradition of searching, fundamentally ungrounded, dealing with the insecurity of questions rather than the safety of answers. For good or ill, philology is where literature happens; we do well to pay heed to it and to its changes over the course of millennia." -- provided by the publisher.
Philology
Author: James Turner
Publisher: Princeton University Press
ISBN: 069116858X
Category : Philosophy
Languages : en
Pages : 574
Book Description
A prehistory of today's humanities, from ancient Greece to the early twentieth century Many today do not recognize the word, but "philology" was for centuries nearly synonymous with humanistic intellectual life, encompassing not only the study of Greek and Roman literature and the Bible but also all other studies of language and literature, as well as history, culture, art, and more. In short, philology was the queen of the human sciences. How did it become little more than an archaic word? In Philology, the first history of Western humanistic learning as a connected whole ever published in English, James Turner tells the fascinating, forgotten story of how the study of languages and texts led to the modern humanities and the modern university. The humanities today face a crisis of relevance, if not of meaning and purpose. Understanding their common origins—and what they still share—has never been more urgent.
Publisher: Princeton University Press
ISBN: 069116858X
Category : Philosophy
Languages : en
Pages : 574
Book Description
A prehistory of today's humanities, from ancient Greece to the early twentieth century Many today do not recognize the word, but "philology" was for centuries nearly synonymous with humanistic intellectual life, encompassing not only the study of Greek and Roman literature and the Bible but also all other studies of language and literature, as well as history, culture, art, and more. In short, philology was the queen of the human sciences. How did it become little more than an archaic word? In Philology, the first history of Western humanistic learning as a connected whole ever published in English, James Turner tells the fascinating, forgotten story of how the study of languages and texts led to the modern humanities and the modern university. The humanities today face a crisis of relevance, if not of meaning and purpose. Understanding their common origins—and what they still share—has never been more urgent.
Texts, Editors, and Readers
Author: Richard John Tarrant
Publisher: Cambridge University Press
ISBN: 0521766575
Category : History
Languages : en
Pages : 205
Book Description
A critical reassessment of the methods of Latin textual criticism and editing, in a form accessible to non-specialists.
Publisher: Cambridge University Press
ISBN: 0521766575
Category : History
Languages : en
Pages : 205
Book Description
A critical reassessment of the methods of Latin textual criticism and editing, in a form accessible to non-specialists.
Music Philology
Author: Georg Feder
Publisher:
ISBN: 9781576471135
Category : Music
Languages : en
Pages : 195
Book Description
In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) "the most important contribution to date" on textual criticism in music and "the only one that considers the full range of critical issues in editing" (Grier, p. 14). Pendragon Press's edition of Feder's Music Philology now makes available in English translation this essential, intellectually engaging but concise discussion of the complex and multi-faceted tasks in traditional scholarly editing of music. From the Middle Ages to the present, music has been written down and disseminated in notated form. In evaluating music notation, philological methods have been used more and more. These methods come from linguistic disciplines and are linked with specifically musical traditions and subjects. Starting with the relationships of music and language, tradition and understanding, work and text, Feder describes the fundamentals of music philology and its tasks. In addition to the musical sources themselves, theoretical and historical sources enable the critical study of questions about authenticity, dating, origin, and dissemination.
Publisher:
ISBN: 9781576471135
Category : Music
Languages : en
Pages : 195
Book Description
In The Critical Editing of Music (1996) James Grier called Georg Feder's Musikphilologie (Darmstadt: Wissenschaftliche Buchgesellschaft, 1987) "the most important contribution to date" on textual criticism in music and "the only one that considers the full range of critical issues in editing" (Grier, p. 14). Pendragon Press's edition of Feder's Music Philology now makes available in English translation this essential, intellectually engaging but concise discussion of the complex and multi-faceted tasks in traditional scholarly editing of music. From the Middle Ages to the present, music has been written down and disseminated in notated form. In evaluating music notation, philological methods have been used more and more. These methods come from linguistic disciplines and are linked with specifically musical traditions and subjects. Starting with the relationships of music and language, tradition and understanding, work and text, Feder describes the fundamentals of music philology and its tasks. In addition to the musical sources themselves, theoretical and historical sources enable the critical study of questions about authenticity, dating, origin, and dissemination.
The Ethics of Criticism
Author: Tobin Siebers
Publisher: Cornell University Press
ISBN: 1501721429
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Tobin Siebers asserts that literary criticism is essentially a form of ethics. The Ethics of Criticism investigates the moral character of contemporary literary theory, assessing a wide range of theoretical approaches in terms of both the ethical presuppositions underlying the critical claims and the attitudes fostered by the approaches. Building on analyses of the moral legacies of Plato, Kant, Nietzsche, and Freud, Siebers identifies the various fronts on which the concerns of critical theory impinge on those of ethics.
Publisher: Cornell University Press
ISBN: 1501721429
Category : Literary Criticism
Languages : en
Pages : 267
Book Description
Tobin Siebers asserts that literary criticism is essentially a form of ethics. The Ethics of Criticism investigates the moral character of contemporary literary theory, assessing a wide range of theoretical approaches in terms of both the ethical presuppositions underlying the critical claims and the attitudes fostered by the approaches. Building on analyses of the moral legacies of Plato, Kant, Nietzsche, and Freud, Siebers identifies the various fronts on which the concerns of critical theory impinge on those of ethics.
Quantitative Criticism and Digital Philology of Medieval Literature
Author: Francesco Stella
Publisher:
ISBN: 9782503588018
Category :
Languages : en
Pages : 200
Book Description
Building on The Carolingian Revolution: Unconventional Approaches to Medieval Latin Literature I, this is the second of two volumes proposing ways of reading medieval Latin texts which, up to now, have had little or no attention within literary studies. This volume is founded on the belief that 'the unprecedented empirical power of digital tools and archives offers a unique chance to rethink the categories of literary study' (F. Moretti). The book's first section presents cases studies applying 'quantitative' criticism based on the linguistic and stylistic use of frequency wordlists which, thanks to digital tools and to a larger literature, are becoming more easily accessible and more powerful. The chapters of this section lead the reader from an application of stylometry within a traditional critical exercise, via the structured use of frequency indexing as a warning light for cultural or stylistic phenomena undetectable to the naked eye, to more technical corpus analysis experiments based on linguistic evolution or authorship attribution. The second section explores the encoding problems the author has faced when working on the realisation of digital editing projects such as the Corpus Rhythmorum Musicum, the Archivio della Latinita Italiana del Medioevo (ALIM), Lexicon, and the Eurasian Latin Archive (ELA), and proposes reflections on the typology of digital philological editions.
Publisher:
ISBN: 9782503588018
Category :
Languages : en
Pages : 200
Book Description
Building on The Carolingian Revolution: Unconventional Approaches to Medieval Latin Literature I, this is the second of two volumes proposing ways of reading medieval Latin texts which, up to now, have had little or no attention within literary studies. This volume is founded on the belief that 'the unprecedented empirical power of digital tools and archives offers a unique chance to rethink the categories of literary study' (F. Moretti). The book's first section presents cases studies applying 'quantitative' criticism based on the linguistic and stylistic use of frequency wordlists which, thanks to digital tools and to a larger literature, are becoming more easily accessible and more powerful. The chapters of this section lead the reader from an application of stylometry within a traditional critical exercise, via the structured use of frequency indexing as a warning light for cultural or stylistic phenomena undetectable to the naked eye, to more technical corpus analysis experiments based on linguistic evolution or authorship attribution. The second section explores the encoding problems the author has faced when working on the realisation of digital editing projects such as the Corpus Rhythmorum Musicum, the Archivio della Latinita Italiana del Medioevo (ALIM), Lexicon, and the Eurasian Latin Archive (ELA), and proposes reflections on the typology of digital philological editions.
Critics, Compilers, and Commentators
Author: James E. G. Zetzel
Publisher: Oxford University Press
ISBN: 0195380517
Category : Foreign Language Study
Languages : en
Pages : 449
Book Description
"To teach correct Latin and to explain the poets" were the two standard duties of Roman teachers. Not only was a command of literary Latin a prerequisite for political and social advancement, but a sense of Latin's history and importance contributed to the Romans' understanding of their own cultural identity. Put plainly, philology-the study of language and texts-was important at Rome. Critics, Compilers, and Commentators is the first comprehensive introduction to the history, forms, and texts of Roman philology. James Zetzel traces the changing role and status of Latin as revealed in the ways it was explained and taught by the Romans themselves. In addition, he provides a descriptive bibliography of hundreds of scholarly texts from antiquity, listing editions, translations, and secondary literature. Recovering a neglected but crucial area of Roman intellectual life, this book will be an essential resource for students of Roman literature and intellectual history, medievalists, and historians of education and language science.
Publisher: Oxford University Press
ISBN: 0195380517
Category : Foreign Language Study
Languages : en
Pages : 449
Book Description
"To teach correct Latin and to explain the poets" were the two standard duties of Roman teachers. Not only was a command of literary Latin a prerequisite for political and social advancement, but a sense of Latin's history and importance contributed to the Romans' understanding of their own cultural identity. Put plainly, philology-the study of language and texts-was important at Rome. Critics, Compilers, and Commentators is the first comprehensive introduction to the history, forms, and texts of Roman philology. James Zetzel traces the changing role and status of Latin as revealed in the ways it was explained and taught by the Romans themselves. In addition, he provides a descriptive bibliography of hundreds of scholarly texts from antiquity, listing editions, translations, and secondary literature. Recovering a neglected but crucial area of Roman intellectual life, this book will be an essential resource for students of Roman literature and intellectual history, medievalists, and historians of education and language science.
Iphigenias at Aulis
Author: Sean Alexander Gurd
Publisher: Cornell University Press
ISBN: 1501725386
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
How should a literary scholar approach a text characterized not by stability but by variation and flux? This book offers a radical new perspective on the limits—and the accomplishments—of the modern traditions of textual criticism in classics.Sean Alexander Gurd takes as his starting point the case of a single Greek tragedy by Euripides, one of his last. According to ancient accounts, the Iphigenia at Aulis was produced at the city Dionysia, the great festival of Athenian tragedy, sometime after Euripides died (between 407 and 405 BCE). Whether the text performed then was entirely the work of Euripides, and whether the version that appears in the manuscripts reflects either that performance or its defunct author's design, are unknown. But since the mid-eighteenth-century the mysteries and conflicting evidence concerning Iphigenia at Aulis have given rise to an array of different attempts to reconstruct the original, and every generation has seen a version of the play that is radically different from those that came before. Gurd pioneers a literary philology comfortable with this textual multiplicity, capable of reading Iphigenias at Aulis in the plural.Regarding the dossier of successive editions of Iphigenia at Aulis as a symbol for the condition of modern textual reason, Gurd shows lovers of classical literature exactly how contingent the texts they read really are.
Publisher: Cornell University Press
ISBN: 1501725386
Category : Literary Criticism
Languages : en
Pages : 204
Book Description
How should a literary scholar approach a text characterized not by stability but by variation and flux? This book offers a radical new perspective on the limits—and the accomplishments—of the modern traditions of textual criticism in classics.Sean Alexander Gurd takes as his starting point the case of a single Greek tragedy by Euripides, one of his last. According to ancient accounts, the Iphigenia at Aulis was produced at the city Dionysia, the great festival of Athenian tragedy, sometime after Euripides died (between 407 and 405 BCE). Whether the text performed then was entirely the work of Euripides, and whether the version that appears in the manuscripts reflects either that performance or its defunct author's design, are unknown. But since the mid-eighteenth-century the mysteries and conflicting evidence concerning Iphigenia at Aulis have given rise to an array of different attempts to reconstruct the original, and every generation has seen a version of the play that is radically different from those that came before. Gurd pioneers a literary philology comfortable with this textual multiplicity, capable of reading Iphigenias at Aulis in the plural.Regarding the dossier of successive editions of Iphigenia at Aulis as a symbol for the condition of modern textual reason, Gurd shows lovers of classical literature exactly how contingent the texts they read really are.