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Author: Vita Daphna Arbel
Publisher: Bloomsbury Publishing
ISBN: 0567700070
Category : Religion
Languages : en
Pages : 197
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Book Description
Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song's feminine protagonist: “the most beautiful woman”. Arbel treats “the most beautiful woman” as a culturally constructed and performed representation of “woman,” and situates this representation within the cultural-discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes “womanhood” as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs' female protagonist with a heuristic examination of Mark Chagall's Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song's protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the “most beautiful woman” and about multiple femininities.
Author: Vita Daphna Arbel
Publisher: Bloomsbury Publishing
ISBN: 0567700070
Category : Religion
Languages : en
Pages : 197
Get Book Here
Book Description
Vita Daphna Arbel uses critical theories of gender to offer an alternative reading of the multilayered conceptualization of the Song of Song's feminine protagonist: “the most beautiful woman”. Arbel treats “the most beautiful woman” as a culturally constructed and performed representation of “woman,” and situates this representation within the cultural-discursive contexts in which the Song partly emerged. She examines the gender norms and cultural ideologies it both reflects and constructs, and considers the manner in which this complex representation disrupts rigid, ahistorical notions of femininity, and how it consequently indirectly characterizes “womanhood” as dynamic and diverse. Finally, Arbel examines the reception and impact of these ideas on later conceptualizations of the Song of Songs' female protagonist with a heuristic examination of Mark Chagall's Song of Songs painting cycle, Le Cantique des Cantiques. These compositions-selected for their diverse depictions of the Song's protagonist, their impact on European art, and their vast popularity and bearing in the broader cultural imagination-illustrate a fascinating dialogue between the present and the past about the “most beautiful woman” and about multiple femininities.
Author: Elaine T. James
Publisher: Oxford University Press
ISBN: 0190619031
Category : Religion
Languages : en
Pages : 249
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Book Description
In this masterful new study of the ancient poetry of the Song of Songs, Elaine T. James explores the Song's underlying interest in the natural world. Engaging with the fields of geography, landscape architecture, and literature, James critiques the tendency of scholars to reify a perceived dichotomy between "nature" and "culture" and instead argues that the poetic attention to landscape indicates an awareness of a viewer. Nature is here a poetic device that informs James's close-readings of agrarianism, gardens, cities, social control, and feminism and the gaze in the Song. With this two-fold emphasis on landscape and lyric, Landscape of the Song of Songs shows how the Song persistently envisions a world in which human lovers are embedded in the natural world, complexly enfolded in relationships of fragility and care.
Author: Jeremy Cohen
Publisher: Cornell University Press
ISBN: 1501764756
Category : Religion
Languages : en
Pages : 287
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Book Description
The Salvation of Israel investigates Christianity's eschatological Jew: the role and characteristics of the Jews at the end of days in the Christian imagination. It explores the depth of Christian ambivalence regarding these Jews, from Paul's Epistle to the Romans, through late antiquity and the Middle Ages, to the Puritans of the seventeenth century. Jeremy Cohen contends that few aspects of a religion shed as much light on the character and the self-understanding of its adherents as its expectations for the end of time. Moreover, eschatological beliefs express and mold an outlook toward nonbelievers, situating them in an overall scheme of human history and conditioning interaction with them as that history unfolds. Cohen's close readings of biblical commentary, theological texts, and Christian iconography reveal the dual role of the Jews of the last days. For rejecting belief and salvation in Jesus Christ, they have been linked to the false messiah—the Antichrist, the agent of Satan and the exemplary embodiment of evil. Yet from its inception, Christianity has also hinged its hopes for the second coming on the enlightenment and repentance of the Jews; for then, as Paul prophesized, "all Israel will be saved." In its vast historical scope, from the ancient Mediterranean world of early Christianity to seventeenth-century England and New England, The Salvation of Israel offers a nuanced and insightful assessment of Christian attitudes toward Jews, rife with inconsistency and complexity, thus contributing significantly to our understanding of Jewish-Christian relations.
Author: Jonathan Kaplan
Publisher: Oxford University Press
ISBN: 0190463635
Category : Religion
Languages : en
Pages : 245
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Book Description
Most studies of the history of interpretation of Song of Songs focus on its interpretation from late antiquity to modernity. In My Perfect One, Jonathan Kaplan examines earlier rabbinic interpretation of this work by investigating an underappreciated collection of works of rabbinic literature from the first few centuries of the Common Era, known as the tannaitic midrashim. In a departure from earlier scholarship that too quickly classified rabbinic interpretation of Song of Songs as allegorical, Kaplan advocates a more nuanced reading of the approach of the early sages, who read Song of Songs through a mode of typological interpretation concerned with the correspondence between Scripture and ideal events in Israel's history. Throughout the book Kaplan explores ways in which this portrayal helped shape a model vision of rabbinic piety as well as of an idealized vision of their beloved, God, in the wake of the destruction, dislocation, and loss the Jewish community experienced in the first two centuries of the Common Era. The archetypal and idealized language of Song of Songs provided, as Kaplan argues, a textual landscape in which to imagine an idyllic construction of Israel's relationship to her beloved, marked by mutual devotion and fidelity. Through this approach to Song of Songs, the Tannaim helped lay the foundations for later Jewish thought of a robust theology of intimacy in God's relationship with the Jewish people.
Author: Ronald L. Troxel
Publisher: Penn State Press
ISBN: 1575065622
Category : History
Languages : en
Pages : 536
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Book Description
Michael V. Fox, long-time professor in the Dept. of Hebrew and Semitic Studies at the University of Wisconsin—Madison, is known both for his scholarship and his teaching. As the editors of this volume in his honor note, the care and sensitivity of his reading of the Hebrew text are well known, and he lavishes equal attention on his own writing, to the benefit of all who read his work, which now includes the first of two volumes in the Anchor Bible commentary on Proverbs (the next volume is in preparation), as well as monographs on wisdom literature in ancient Israel and elsewhere, and many articles. The rigor that he brought to his own work he also inflicted on his students, and they and a number of his colleagues honor him with their contributions to this volume. Contributors include: Menahem Haran, Kelvin G. Friebel, Cynthia L. Miller, Theron Young, Adele Berlin, William P. Brown, James L. Crenshaw, John A. Cook, Robert D. Holmstedt, Shamir Yona, Christine Roy Yoder, Carol R. Fontaine, Nili Shupak, Victor Avigdor Horowitz, Tova Forti, Richard L. Schultz, J. Cheryl Exum, Dennis R. Magary, Theodore J. Lewis, Sidnie White Crawford, Ronald L. Troxel, Karl V. Kutz, Heidi M. Szpek, Claudia V. Camp, Johann Cook, Leonard Greenspoon, Stephen G. Burnett, Carol A. Newsom, Shemaryahu Talmon, and Frederick E. Greenspahn. The book is organized around themes that reflect Prof. Fox’s interests and work: Part 1: “Seeking Out Wisdom and Concerned with Prophecies” (Sir 39:1): Studies in Biblical Texts”; Part 2: “Preserving the Sayings of the Famous” (Sir 39:2): Text, Versions, and Method.
Author: J. Cheryl Exum
Publisher: Bloomsbury Publishing
ISBN: 0567674738
Category : Religion
Languages : en
Pages : 137
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Book Description
The Song of Songs, also known as the Song of Solomon, is an unusual book to find in the Bible. As the Bible's only love poem, the Song offers a unique picture of relations between the sexes in biblical times. Unlike other biblical books, it consists entirely of dialogue. It looks at love from both a woman's and a man's point of view, and shows the reader what love is like exclusively through what lovers say about it. There are few issues in Song of Songs interpretation that are not open to debate, which makes it a fascinating book to study. In this Guide, Cheryl Exum provides a concise survey of the principal questions encountered in Song of Songs scholarship. She also takes the discussion beyond the traditional research questions to introduce readers to new and ongoing areas in Song of Songs research. Bibliographies and suggestions for further reading at the end of each chapter provide additional resources for readers interested in pursuing specific topics and exploring new directions in the study of the Song of Songs.
Author: Ryan P. Hoselton
Publisher: Penn State Press
ISBN: 027109320X
Category : Religion
Languages : en
Pages : 392
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Book Description
This collection of essays showcases the variety and complexity of early awakened Protestant biblical interpretation and practice while highlighting the many parallels, networks, and exchanges that connected the Pietist and evangelical traditions on both sides of the Atlantic. A yearning to obtain from the Word spiritual knowledge of God that was at once experiential and practical lay at the heart of the Pietist and evangelical quest for true religion, and it significantly shaped the courses and legacies of these movements. The myriad ways in which Pietists and evangelicals read, preached, translated, and practiced the Bible were inextricable from how they fashioned new forms of devotion, founded institutions, engaged the early Enlightenment, and made sense of their world. This volume provides breadth and texture to the role of Scripture in these related religious traditions. The contributors probe an assortment of primary source material from various confessional, linguistic, national, and regional traditions and feature well-known figures—including August Hermann Francke, Cotton Mather, and Jonathan Edwards—alongside lesser-known lay believers, women, people of color, and so-called radicals and separatists. Pioneering and collaborative, this volume contributes fresh insight into the history of the Bible and the entangled religious cultures of the eighteenth-century Atlantic world. Along with the editors, the contributors to this volume include Ruth Albrecht, Robert E. Brown, Crawford Gribben, Bruce Hindmarsh, Kenneth P. Minkema, Adriaan C. Neele, Benjamin M. Pietrenka, Isabel Rivers, Douglas H. Shantz, Peter Vogt, and Marilyn J. Westerkamp.
Author: F. W. Dobbs-Allsopp
Publisher: Oxford University Press, USA
ISBN: 0199766908
Category : Literary Criticism
Languages : en
Pages : 620
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Book Description
On Biblical Poetry considers the characteristics of biblical Hebrew Poetry beyond its currently best-known feature, parallelism. F.W. Dobbs-Allsopp demonstrates the many interesting and valuable interpretations that yield from a series of programmatic essays on major facets of biblical verse, careful attention to prosody, and close reading.
Author: Robert D. Miller
Publisher: Wipf and Stock Publishers
ISBN: 1666736643
Category :
Languages : en
Pages : 141
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Book Description
We approach Raphael’s “Agony in the Garden” or Fra Angelico’s “Crucifixion” for their beauty and not primarily to learn about fifteenth-century fashion or even to decode the iconography. Yet the many books on the Song of Songs, whether they try to read the book as an ancient Near Eastern love song or a Christian allegory, miss the main point of this book: its aesthetic elements. “Aesthetics” is the appreciation of beauty. Aesthetics examines literary form as a response to content, the way poetics works with contents, the use of loaded semantic terms, even the sound created by words and what cognitive science tells us it does to listeners. This book uses the commentary format to accompany an individual’s reading of the Song of Songs, focusing on these neglected aspects of the text. It both reads the book as it is meant to be read and opens up a new vista on this magnificent biblical text.
Author: Kimberley Stratton
Publisher: BRILL
ISBN: 9004334491
Category : Religion
Languages : en
Pages : 433
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Book Description
This volume celebrates the scholarship of Alan Segal. During his prolific career, Alan published ground-breaking studies that shifted scholarly conversations about Christianity, rabbinic Judaism, Hellenism and Gnosticism. Like the subjects of his research, Alan crossed many boundaries. He understood that religions do not operate in academically defined silos, but in complex societies populated by complicated human beings. Alan’s work engaged with a variety of social-scientific theories that illuminated ancient sources and enabled him to reveal new angles on familiar material. This interdisciplinary approach enabled Alan to propose often controversial theories about Jewish and Christian origins. A new generation of scholars has been nurtured on this approach and the fields of early Judaism and Christianity emerge radically redefined as a result.
