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Author: Noelle Streeton
Publisher:
ISBN: 9781904982708
Category : Art
Languages : en
Pages : 0
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Book Description
Technical examinations of the Ghent Altarpiece have yielded an immense body of data since the 1950s. Conservators and art historians have relied heavily on this information to support theories about the working methods and materials of Jan van Eyck, but should these theories be directly applied to van Eyck's other paintings? A review of conservation dossiers for works attributed to van Eyck, his contemporaries and earlier artists has, together with physical examinations of paintings carried out for this study, highlighted many common painterly practices. These investigations have also identified demonstrable differences between the Ghent panels and other paintings in the Eyckian corpus - differences that are considered in detail here in terms of the appearance and allocation of pigments in the paint structure. This exploration of technique and physical format has opened a path for new responses to questions about the production of some of the most iconic images in the history of art.
Author: Noelle Streeton
Publisher:
ISBN: 9781904982708
Category : Art
Languages : en
Pages : 0
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Book Description
Technical examinations of the Ghent Altarpiece have yielded an immense body of data since the 1950s. Conservators and art historians have relied heavily on this information to support theories about the working methods and materials of Jan van Eyck, but should these theories be directly applied to van Eyck's other paintings? A review of conservation dossiers for works attributed to van Eyck, his contemporaries and earlier artists has, together with physical examinations of paintings carried out for this study, highlighted many common painterly practices. These investigations have also identified demonstrable differences between the Ghent panels and other paintings in the Eyckian corpus - differences that are considered in detail here in terms of the appearance and allocation of pigments in the paint structure. This exploration of technique and physical format has opened a path for new responses to questions about the production of some of the most iconic images in the history of art.
Author: Alison Smith
Publisher: National Gallery London
ISBN: 9781857096194
Category : Art, British
Languages : en
Pages : 0
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Book Description
In 1842, Jan van Eyck's Arnolfini Portrait (1434) was acquired by the National Gallery in London. It quickly exerted an influence on British artists, none more so than the young painters of the nascent Pre-Raphaelite Brotherhood, who were drawn to van Eyck's luminous palette, attention to detail, and refined manipulation of oil paints. This book presents the Arnolfini Portrait with a selection of Pre-Raphaelite paintings it inspired. The authors explore how Dante Gabriel Rossetti, Sir John Everett Millais, and William Holman Hunt, among others, were influenced by the Arnolfini Portrait, informing their belief in empirical observation and inspiring them to explore how everyday objects could be endowed with symbolic meanings. Published by National Gallery Company/Distributed by Yale University Press Exhibition Schedule: National Gallery, London (10/02/17-04/02/18)
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Author: Noah Charney
Publisher: PublicAffairs
ISBN: 1586489240
Category : Art
Languages : en
Pages : 338
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Book Description
Jan van Eyck's Ghent Altarpiece is on any art historian's list of the ten most important paintings ever made. Often referred to by the subject of its central panel, The Adoration of the Mystic Lamb, it represents the fulcrum between the Middle Ages and the Renaissance. It is also the most frequently stolen artwork of all time. Since its completion in 1432, this twelve-panel oil painting has been looted in three different wars, burned, dismembered, forged, smuggled, illegally sold, censored, hidden, attacked by iconoclasts, hunted by the Nazis and Napoleon, used as a diplomatic tool, ransomed, rescued by Austrian double-agents, and stolen a total of thirteen times. In this fast-paced, real-life thriller, art historian Noah Charney unravels the stories of each of these thefts. In the process, he illuminates the whole fascinating history of art crime, and the psychological, ideological, religious, political, and social motivations that have led many men to covet this one masterpiece above all others.
Author: Till-Holger Borchert
Publisher: National Geographic Books
ISBN: 050002345X
Category : Art
Languages : en
Pages : 0
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Book Description
This stunning compilation of the work of Jan van Eyck, the master Flemish painter, is being published to coincide with a once-in-a-lifetime exhibition in Ghent. Flemish painter Jan van Eyck (1390–1441) towered above his contemporaries. With his unprecedented technique, scientific knowledge, and unparalleled powers of observation, Van Eyck lifted oil painting to previously unknown heights and helped determine the course of Western art. In 2020, the Museum of Fine Arts in Ghent will host the largest ever exhibition of Van Eyck’s work. Van Eyck: An Optical Revolution includes artwork by Van Eyck, several pieces from his studio, and international masterpieces from the late Middle Ages while making the world of Van Eyck more tangible than ever. This tie-in exhibition catalog unravels some of the myths that surround Van Eyck and his techniques, while showing his complete oeuvre and influence in a new perspective. Including essays by leading experts from around the world, Van Eyck will prove to be an indispensable resource for Van Eyck fans and scholars alike.
Author: Maryan W. Ainsworth
Publisher: Metropolitan Museum of Art
ISBN: 0810964821
Category : Painting, Renaissance
Languages : en
Pages : 246
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Book Description
This study is an important new account of the life and work of the flemish master Petrus Christus. It is the first volume to focus specifically on the physical characteristics of his works as criteria for judging attribution, dating, and the extent to which he was indebted to Jan Van Eyck and other artists for the development of his technique and style.
Author: Paula Nuttall
Publisher:
ISBN: 9780300102444
Category : Art
Languages : en
Pages : 307
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Book Description
02 This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area. This innovative book presents a fresh view of fifteenth-century Netherlandish art and the significance of its contributions to contemporary Italian art, notably in such areas as oil painting, landscape, and portraiture. Focusing on Florence, a prime center of Renaissance culture, the book explores for the first time the profound impact of Netherlandish works on Italian painters including Leonardo, Perugino, and Ghirlandaio.Paula Nuttall discusses Italian ownership of Netherlandish paintings in the fifteenth century and the shared artistic concerns of Florentine and Netherlandish painters. She examines in depth the various means by which artistic contact occurred, the growth in demand for Netherlandish art in Florence, and the holdings of the Medici and other collectors. With particular emphasis on the period 1460–1500, when the vogue for Netherlandish painting was at its height, the author shows that the consequences of Italian exposure to Netherlandish art were far more sweeping than has been understood before.Paula Nuttall is an independent scholar. She teaches at the Victoria and Albert Museum in London and at other U.K. institutions. She is a specialist on relationships between Netherlandish painting and Italy and has published widely in this area.
Author: Christina Currie
Publisher:
ISBN: 9789042934153
Category : Dessin sous-jacent
Languages : en
Pages : 0
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Book Description
Since Paul Coreman's ground-breaking 'L'Agneau mystique au laboratoire' in 1953, the 'Ghent Altarpiece', masterwork of the Van Eyck brothers, has been a major focus of research at the Royal Institute for Cultural Heritage (KIK-IRPA, Brussels). Some sixty years later, in the wake of a new conservation campaign in which KIK-IRPA is again playing the leading role, the art of Hubert and Jan van Eyck took centre stage at the Symposium XVIII for the Study of Underdrawing and Technology in Painting (Brussels, 19-21 September 2012). The event was organised by the KIK-IRPA and the Centre for the Study of the Flemish Primitives in collaboration with the Laboratoire d'étude des œuvres d'art par des méthodes scientifiques (Université catholique de Louvain-la-Neuve), and Illuminare - Centre for the Study of Medieval Art (Katholieke Universiteit Leuven). This book captures the variety of thirty-seven papers presented at the symposium and provides state-of-the-art knowledge on one of the most significant painters of all time. It should be read in conjunction with the widely acclaimed website "Closer to Van Eyck", which offers the scientific imagery of the 'Ghent Altarpiece' in glorious high resolution.
Author: Till Borchert
Publisher:
ISBN: 9780500238837
Category : Art
Languages : en
Pages : 552
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Book Description
Brings together work by two great masters, Van Eyck and Dürer, along with work by their contemporaries to illustrate the interaction between Flemish and Central European artists in the fifteenth and sixteenth centuries.
Author: Craig Harbison
Publisher: University of Washington Press
ISBN:
Category : Painting
Languages : en
Pages : 236
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Book Description
Jan van Eyck's surviving work comprises a series of painstakingly detailed oil paintings of astonishing verisimilitude. In a fascinating recovery of the neglected human dimension that is clearly present in these works, Craig Harbison interrogates the personal histories of the worldly participants of such masterpieces as the Virgin and Child with George van der Paele, the Arnolfini Double Portrait and the Virgin and Child with Nicolas Rolin. With the aid of abundant visual evidence in color and in black and white, Harbison reveals how van Eyck presented his contemporaries with a more subtle and complex view of the value of appearances as a route to understanding the meaning of life. "I found this an enthralling study"--"The Sunday Telegraph "A fascinating investigation into the nature of the great pioneer's clients ... some fine photo details"--"Art Review Copyright © Libri GmbH. All rights reserved.
