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Author: Benjamin Boretz
Publisher: Greenwood
ISBN:
Category : Composers
Languages : en
Pages : 312
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Book Description
Contains the first collected representation of the recent thoughts on the musical conjunction of Schoenberg and Stravinsky from within the community of American composers and the first of a projected series of anthologies dervied principally from "Perspectives of new music"--Princeton University's journal from The Fromm Music Foundation.
Author: Benjamin Boretz
Publisher: Greenwood
ISBN:
Category : Composers
Languages : en
Pages : 312
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Book Description
Contains the first collected representation of the recent thoughts on the musical conjunction of Schoenberg and Stravinsky from within the community of American composers and the first of a projected series of anthologies dervied principally from "Perspectives of new music"--Princeton University's journal from The Fromm Music Foundation.
Author: Benjamin Boretz
Publisher: Princeton University Press
ISBN: 1400878438
Category : Music
Languages : en
Pages : 296
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Book Description
Perspectives on Schoenberg and Stravinsky is an analytical and historical study of the twentieth century's most influential figures, by Milton Babbitt, Arthur Berger, Edward T. Cone, Robert Craft, Claudio Spies, and others; with new bibliographic and discographic studies prepared especially for this revised edition. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Benjamin Boretz
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Author: A. Schönberg
Publisher:
ISBN:
Category :
Languages : en
Pages : 284
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Book Description
Author: James Kenneth Wright
Publisher: Peter Lang
ISBN: 9783039112876
Category : Art
Languages : en
Pages : 196
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Book Description
In 2006, Schoenberg, Wittgenstein, and the Vienna Circle received a Lewis Lockwood Award (Finalist) from the American Musicological Society, for outstanding new books on musicological topics. This study examines relativistic aspects of Arnold Schoenberg's harmonic and aesthetic theories in the light of a framework of ideas presented in the early writings of Ludwig Wittgenstein, the logician, philosopher of language, and Schoenberg's contemporary and Austrian compatriot. The author has identified correspondences between the writings of Schoenberg, the early Wittgenstein (the Tractatus Logico-Philosophicus, in particular), and the Vienna Circle of philosophers, on a wide range of topics and themes. Issues discussed include the nature and limits of language, musical universals, theoretical conventionalism, word-to-world correspondence in language, the need for a fact- and comparison-based approach to art criticism, and the nature of music-theoretical formalism and mathematical modeling. Schoenberg and Wittgenstein are shown to have shared a vision that is remarkable for its uniformity and balance, one that points toward the reconciliation of the positivist/relativist dualism that has dominated recent discourse in music theory. Contrary to earlier accounts of Schoenberg's harmonic and aesthetic relativism, this study identifies a solid epistemological core underlying his thought, a view that was very much in step with Wittgenstein and the Vienna Circle, and thereby with the most vigorous and pivotal developments in early twentieth century intellectual history
Author: Joseph N. Straus
Publisher: Cambridge University Press
ISBN: 9780521602884
Category : Music
Languages : en
Pages : 284
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Book Description
The first book to be devoted to the music of Stravinsky's last compositional period.
Author: Jonathan Cross
Publisher: Cambridge University Press
ISBN: 1139826190
Category : Music
Languages : en
Pages : 348
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Book Description
Stravinsky's work spanned the major part of the twentieth century and engaged with nearly all its principal compositional developments. This Companion reflects the breadth of Stravinsky's achievement and influence in essays by leading international scholars on a wide range of topics. It is divided into three parts dealing with the contexts within which Stravinsky worked (Russian, modernist and compositional), with his key compositions (Russian, neoclassical and serial), and with the reception of his ideas (through performance, analysis and criticism). The volume concludes with an interview with the leading Dutch composer Louis Andriessen and a major re-evaluation of 'Stravinsky and Us' by Richard Taruskin.
Author: Pieter C. van den Toorn
Publisher: Cambridge University Press
ISBN: 1107021006
Category : Biography & Autobiography
Languages : en
Pages : 337
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Book Description
A fresh look at Stravinsky's musical style, from a variety of analytical, critical and aesthetic angles.
Author: Meredith Oakes
Publisher: Bloomsbury Publishing
ISBN: 1849433755
Category : Music
Languages : en
Pages : 47
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Book Description
Mr Modernsky tells a story about two heavyweights of twentieth-century classical music: Igor Stravinsky and Arnold Schoenberg. It traces the gradual change there has been in the way these two great rivals are perceived, looks in their music for the reasons and reflects on the nature of modernity in art and the sometimes pernicious effects of ideology. Meredith Oakes explores the tension between futuristic and historical elements in the work of these parallel artists and asks: is modernity merely about technical innovation? Must progress always mean exclusion of the past?
Author: Pieter C. van den Toorn
Publisher: CRC Press
ISBN: 1000821757
Category : Music
Languages : en
Pages : 515
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Book Description
The most celebrated of Western composers in the twentieth century, Igor Stravinsky may have been the greatest as well. Stretching across forty or so years, the essays in this volume address the dynamics of Igor Stravinsky’s music from a variety of analytical, critical, and aesthetic angles. Underscored are the features of melody, harmony, rhythm, and form that would remain consistently a part of Stravinsky’s oeuvre regardless of the changes in orientation from the Russian period to the neoclassical and the early serial. The Rite of Spring (1913), Les Noces (1917–23), the Symphony of Psalms (1930), and the Symphony in Three Movements (1945) are discussed in detail, as are many of the circumstances attending their conception. Other concerns include the composer’s "formalist" aesthetics and the strict performing style he pursued as an interpreter and conductor of his music.
