Persona and Decorum in Milton's Prose PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download Persona and Decorum in Milton's Prose PDF full book. Access full book title Persona and Decorum in Milton's Prose by Reuben Sánchez. Download full books in PDF and EPUB format.
Author: Reuben Sánchez
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636800
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Get Book Here
Book Description
Sanchez traces the movement in Milton's thought and self-presentation from dependence on public covenant to revaluation of public covenant as dependent on private covenant.
Author: Reuben Sánchez
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838636800
Category : Language Arts & Disciplines
Languages : en
Pages : 278
Get Book Here
Book Description
Sanchez traces the movement in Milton's thought and self-presentation from dependence on public covenant to revaluation of public covenant as dependent on private covenant.
Author: Reuben Sánchez
Publisher: Springer
ISBN: 1137397802
Category : Art
Languages : en
Pages : 282
Get Book Here
Book Description
This book analyzes the iconographic traditions of Jeremiah and of melancholy to show how Donne, Herbert, and Milton each fashions himself after the icons presented in Rembrandt's Jeremiah Lamenting the Destruction of Jerusalem , Sluter's sculpture of Jeremiah in the Well of Moses, and Michelangelo's fresco of Jeremiah in the Sistine Chapel.
Author: John Milton
Publisher: John Wiley & Sons
ISBN: 1118325648
Category : Literary Criticism
Languages : en
Pages : 652
Get Book Here
Book Description
Regarded by many as the equal of Shakespeare in poetic imagination and expression, Milton was also a prolific writer of prose, applying his potent genius to major issues of domestic, religious and political liberty. This superbly annotated new publication is the most authoritative single-volume anthology yet of Milton's major prose works. Uses Milton's original language, spelling and punctuation Freshly and extensively annotated Notes provide unrivalled contextual analysis as well as illuminating the wealth of Milton's allusions and references Will appeal to a general readership as well as to scholars across the humanities
Author: Mary Ann Radzinowicz
Publisher: Princeton University Press
ISBN: 1400860458
Category : Poetry
Languages : en
Pages : 246
Get Book Here
Book Description
The Psalms were of intense interest to Milton, who read them not only as impassioned voices conveying significant moments in life's journey, but also as examples of various genres, each containing rhetorical and poetical conventions appropriate to the expressive intent of the speaker. In this book Mary Ann Radzinowicz describes the pervasive influence of these biblical works on Paradise Lost and Paradise Regained. She shows that the dramatic moments when Milton's characters respond to the numinous are shaped by his appreciation of the lyricism of the Psalms and by his studies of their thematic relationships. This book traces the density of poetic voices in the epicsvoices arising from the echoing of psalm kindsand the ironic paralleling of important episodes in them. At the same time, Radzinowicz's book relates to each other Milton's two remarkable poetic oeuvres derived from the Old and New Testaments: one an anonymous, powerful, ancient, worship-centered, lyric work, the other an individually determined, revolutionary, heroic work. Originally published in 1989. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Peter C. Herman
Publisher: Cambridge University Press
ISBN: 1107379563
Category : Literary Criticism
Languages : en
Pages : 267
Get Book Here
Book Description
The New Milton Criticism seeks to emphasize ambivalence and discontinuity in Milton's work and interrogate the assumptions and certainties in previous Milton scholarship. Contributors to the volume move Milton's open-ended poetics to the centre of Milton studies by showing how analysing irresolvable questions – religious, philosophical and literary critical – transforms interpretation and enriches appreciation of his work. The New Milton Criticism encourages scholars to embrace uncertainties in his writings rather than attempt to explain them away. Twelve critics from a range of countries, approaches and methodologies explore these questions in these new readings of Paradise Lost and other works. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies.
Author: James S. Baumlin
Publisher: Lexington Books
ISBN: 0739169610
Category : Literary Criticism
Languages : en
Pages : 314
Get Book Here
Book Description
James S. Baumlin’s Theologies of Language in English Renaissance Literature offers a revisionist history of discourse, taking Shakespeare, Donne, and Milton as its touchstones. Their works mark stages in dieEntzauberung or “disenchantment,” as Max Weber has termed it: that is, in the “elimination of magic from the world.” Shakespeare’s Hamlet questions the word-magic associated with medieval Catholicism; Donne’s love lyrics ironize the sacramental gestures of their poetic-priestly speakers; more radical still, Milton’s major poems and polemical prose empty language of sacral power, repudiating human persuasion entirely over matters of “saving faith.” Baumlin describes four archetypes of historical rhetoric: sophism, skepticism, incarnationism, and transcendence. Undergirding the age’s competing theologies, each makes unique assumptions regarding the powers of language (both communicative and performative); the nature of being (including transcendent being or deity); the structure of the psyche (whether sin-weakened or self-sufficient); and the capacities of human knowing (whether certain knowledge is communicable—or even possible). Working within divergent theologies of language, the poets here studied take theological controversies as explicit themes. The crisis of Hamlet begins not in a king’s murder simply, but in his dying without benefit of the sacraments. As if compensating for their loss, young Hamlet “minister[s]” to Gertrude while acting as “scourge” to Claudius. Alternating between soul-cursing and soul-curing, Hamlet plays sorcerer and priest indiscriminately. Appropriating the speech-acts of Catholic sacramentalism, Donne’s lyrics describe a private “religion of Love,” over which the poet-lover presides as officiant. Or rather, some lyrics present him as Love’s Priest, there being as many personae as there are theologies of language. Beyond Love’s Priest, Baumlin describes three such personae: Love’s Apostate, Love’s Atheist, and Love’s Reformer. Focusing on “Lycidas” and De Doctrina Christiana, Baumlin outlines Milton’s plerophoristic “rhetoric of certitude.” Such texts as these explore the problematic status of preaching. (Can human eloquencecontribute to salvation?) They explore competing definitions (Aristotelian vs. Pauline) of pistis—meaningalternatively (religious) “faith” and (rhetorical) “persuasion.” And they invoke conflicting typologies (classical vs. Hebraic) of authorial ethos. Baumlin’s study ends with a glance at the Restoration and Royal Society’s final “disenchantment” or secularization of discourse.
Author: Brooke Conti
Publisher: University of Pennsylvania Press
ISBN: 0812209214
Category : Literary Criticism
Languages : en
Pages : 236
Get Book Here
Book Description
As seventeenth-century England wrestled with the aftereffects of the Reformation, the personal frequently conflicted with the political. In speeches, political pamphlets, and other works of religious controversy, writers from the reign of James I to that of James II unexpectedly erupt into autobiography. John Milton famously interrupts his arguments against episcopacy with autobiographical accounts of his poetic hopes and dreams, while John Donne's attempts to describe his conversion from Catholicism wind up obscuring rather than explaining. Similar moments appear in the works of Thomas Browne, John Bunyan, and the two King Jameses themselves. These autobiographies are familiar enough that their peculiarities have frequently been overlooked in scholarship, but as Brooke Conti notes, they sit uneasily within their surrounding material as well as within the conventions of confessional literature that preceded them. Confessions of Faith in Early Modern England positions works such as Milton's political tracts, Donne's polemical and devotional prose, Browne's Religio Medici, and Bunyan's Grace Abounding to the Chief of Sinners as products of the era's tense political climate, illuminating how the pressures of public self-declaration and allegiance led to autobiographical writings that often concealed more than they revealed. For these authors, autobiography was less a genre than a device to negotiate competing political, personal, and psychological demands. The complex works Conti explores provide a privileged window into the pressures placed on early modern religious identity, underscoring that it was no simple matter for these authors to tell the truth of their interior life—even to themselves.
Author: Thomas N. Corns
Publisher: John Wiley & Sons
ISBN: 0470998628
Category : Literary Criticism
Languages : en
Pages : 544
Get Book Here
Book Description
The diverse and controversial world of contemporary Milton studies is brought alive in this stimulating Companion. Winner of the Milton Society of America's Irene Samuels Book Award in 2002. Invites readers to explore and enjoy Milton's rich and fascinating work. Comprises 29 fresh and powerful readings of Milton's texts and the contexts in which they were created, each written by a leading scholar. Looks at literary production and cultural ideologies, issues of politics, gender and religion, individual Milton texts, other relevant contemporary texts and responses to Milton over time. Devotes a whole chapter to each major poem, and four to Paradise Lost. Conveys the excitement of recent developments in the field.
Author: Stephen M. Fallon
Publisher: Cornell University Press
ISBN: 1501732412
Category : Literary Criticism
Languages : en
Pages : 300
Get Book Here
Book Description
Despite writing about himself extensively and repeatedly, John Milton, the archetypal Puritan author, resolutely avoids the obligatory Augustinian narrative of sinfulness, conviction of sin, reception of the Word, regeneration of the spirit, and sanctification. The doctrine of fall, grace, and regeneration, so well illustrated in Paradise Lost, has no discernible effect on Milton's overt self-representations. Exploring this anomaly in his new book, Stephen M. Fallon contends that Milton, despite his deep engagement with theology, is not a religious writer. Why, Fallon asks, does Milton write about himself so compulsively? Why does he substitute, for the otherwise universal theological script, a story of precocious and continued virtue, even, it seems, a narrative of sinlessness? What pressures does this decision to reject the standard narrative exert on his work? In Milton's Peculiar Grace, Fallon argues that Milton writes about himself to gain immortality, secure authority for his arguments, and exert control over his readers' interpretations. He traces the return of the repressed narrative of fallenness in the author's unacknowledged and displaced self-representations, which in turn account for much of the power of the late poems. Fallon's book, based on close readings of Milton's "self-constructions" in prose and poetry throughout his career, provides a new view of Milton's life and his importance for contemporary literary theory-in particular for continued questions about authorial intention.
Author: Thomas N. Corns
Publisher: John Wiley & Sons
ISBN: 1118827821
Category : Literary Criticism
Languages : en
Pages : 671
Get Book Here
Book Description
A New Companion to Milton builds on the critically-acclaimed original, bringing alive the diverse and controversial world of contemporary Milton studies while reflecting the very latest advances in research in the field. Comprises 36 powerful readings of Milton's texts and the contexts in which they were created, each written by a leading scholar Retains 28 of the award-winning essays from the first edition, revised and updated to reflect the most recent research Contains a new section exploring Milton's global impact, in China, India, Japan, Korea, in Spanish speaking American and the Arab-speaking world Includes eight completely new full-length essays, each of which engages closely with Milton's poetic oeuvre, and a new chronology which sets Milton's life and work in the context of his age Explores literary production and cultural ideologies, issues of politics, gender and religion, individual Milton texts, and responses to Milton over time
