Author: M. Trull
Publisher: Springer
ISBN: 1137282991
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
Performing Privacy and Gender in Early Modern Literature
Author: M. Trull
Publisher: Springer
ISBN: 1137282991
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
Publisher: Springer
ISBN: 1137282991
Category : Literary Criticism
Languages : en
Pages : 242
Book Description
This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
Performing Privacy and Gender in Early Modern Literature
Author: M. Trull
Publisher: Springer
ISBN: 1137282991
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
Publisher: Springer
ISBN: 1137282991
Category : Literary Criticism
Languages : en
Pages : 213
Book Description
This book argues that the early modern public/private boundary was surprisingly dynamic and flexible in early modern literature, drawing upon authors including Shakespeare, Anne Lock, Mary Wroth, and Aphra Behn, and genres including lyric poetry, drama, prose fiction, and household orders. An epilogue discusses postmodern privacy in digital media.
Early Modern Privacy
Author: Michaël Green
Publisher: BRILL
ISBN: 9004153071
Category : Social Science
Languages : en
Pages : 464
Book Description
Privacy is often considered a modern phenomenon. Early Modern Privacy: Sources and Approaches challenges this view. This collection examines instances, experiences, and spaces of early modern privacy, and opens new avenues to understanding the structures and dynamics that shape early modern societies. Scholars of architectural history, art history, church history, economic history, gender history, history of law, history of literature, history of medicine, history of science, and social history detail how privacy and the private manifest within a wide array of sources, discourses, practices, and spatial programmes. In doing so, they tackle the methodological challenges of early modern privacy, in all its rich, historical specificity. Contributors: Ivana Bičak, Mette Birkedal Bruun, Maarten Delbeke, Willem Frijhoff, Michael Green, Mia Korpiola, Mathieu Laflamme, Natacha Klein Käfer, Hang Lin, Walter S. Melion, Hélène Merlin-Kajman, Lars Cyril Nørgaard, Anne Régent-Susini, Marian Rothstein, Thomas Max Safley, Valeria Viola, Lee Palmer Wandel, and Heide Wunder.
Publisher: BRILL
ISBN: 9004153071
Category : Social Science
Languages : en
Pages : 464
Book Description
Privacy is often considered a modern phenomenon. Early Modern Privacy: Sources and Approaches challenges this view. This collection examines instances, experiences, and spaces of early modern privacy, and opens new avenues to understanding the structures and dynamics that shape early modern societies. Scholars of architectural history, art history, church history, economic history, gender history, history of law, history of literature, history of medicine, history of science, and social history detail how privacy and the private manifest within a wide array of sources, discourses, practices, and spatial programmes. In doing so, they tackle the methodological challenges of early modern privacy, in all its rich, historical specificity. Contributors: Ivana Bičak, Mette Birkedal Bruun, Maarten Delbeke, Willem Frijhoff, Michael Green, Mia Korpiola, Mathieu Laflamme, Natacha Klein Käfer, Hang Lin, Walter S. Melion, Hélène Merlin-Kajman, Lars Cyril Nørgaard, Anne Régent-Susini, Marian Rothstein, Thomas Max Safley, Valeria Viola, Lee Palmer Wandel, and Heide Wunder.
Confession and Memory in Early Modern English Literature
Author: Paul D. Stegner
Publisher: Springer
ISBN: 113755861X
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
This is the first study to consider the relationship between private confessional rituals and memory across a range of early modern writers, including Edmund Spenser, Christopher Marlowe, William Shakespeare, and Robert Southwell.
Publisher: Springer
ISBN: 113755861X
Category : Literary Criticism
Languages : en
Pages : 226
Book Description
This is the first study to consider the relationship between private confessional rituals and memory across a range of early modern writers, including Edmund Spenser, Christopher Marlowe, William Shakespeare, and Robert Southwell.
Women’s Private Practices of Knowledge Production in Early Modern Europe
Author: Natacha Klein Käfer
Publisher: Springer Nature
ISBN: 303144731X
Category : History
Languages : en
Pages : 150
Book Description
This open access book explores knowledge practices by five women from different European contexts. Contributors document, analyze, and discuss how women employed practices of privacy to pursue knowledge that did not necessarily conform with the curriculum prescribed for them. The practices of Jane Lumley in England, Camila Herculiana in Padua, Victorine de Chastenay in Paris, as well as Elisabeth Sophie Marie and Philippine Charlotte in Brunswick-Wolfenbüttel, will help us to exemplify the delicate balance between audacity and obedience that women had to employ to be able to explore science, literature, philosophy, theology, and other types of learned activities. Cases range from the sixteenth to the nineteenth century, presenting continuities and discontinuities across temporal and geographical lines of the strategies that women used to protect their knowledge production and retain intact their reputations as good Christian daughters, wives, and mothers. Taken together, the essays show how having access to privacy—the ability to regulate access to themselves while studying and learning—was a crucial condition for the success of the knowledge activities these women pursued. This is an open access book.
Publisher: Springer Nature
ISBN: 303144731X
Category : History
Languages : en
Pages : 150
Book Description
This open access book explores knowledge practices by five women from different European contexts. Contributors document, analyze, and discuss how women employed practices of privacy to pursue knowledge that did not necessarily conform with the curriculum prescribed for them. The practices of Jane Lumley in England, Camila Herculiana in Padua, Victorine de Chastenay in Paris, as well as Elisabeth Sophie Marie and Philippine Charlotte in Brunswick-Wolfenbüttel, will help us to exemplify the delicate balance between audacity and obedience that women had to employ to be able to explore science, literature, philosophy, theology, and other types of learned activities. Cases range from the sixteenth to the nineteenth century, presenting continuities and discontinuities across temporal and geographical lines of the strategies that women used to protect their knowledge production and retain intact their reputations as good Christian daughters, wives, and mothers. Taken together, the essays show how having access to privacy—the ability to regulate access to themselves while studying and learning—was a crucial condition for the success of the knowledge activities these women pursued. This is an open access book.
Tracing Private Conversations in Early Modern Europe
Author: Johannes Ljungberg
Publisher: Springer Nature
ISBN: 3031466306
Category :
Languages : en
Pages : 358
Book Description
Publisher: Springer Nature
ISBN: 3031466306
Category :
Languages : en
Pages : 358
Book Description
The Matter of Song in Early Modern England
Author: Katherine R. Larson
Publisher: Oxford University Press
ISBN: 0192581937
Category : Music
Languages : en
Pages : 266
Book Description
Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
Publisher: Oxford University Press
ISBN: 0192581937
Category : Music
Languages : en
Pages : 266
Book Description
Given the variety and richness of the sixteenth- and seventeenth-century English 'songscape', it might seem unsurprising to suggest that early modern song needs to be considered as sung. When a reader encounters a song in a sonnet sequence, a romance, and even a masque or a play, however, the tendency is to engage with it as poem rather than as musical performance. Opening up the notion of song from a performance-based perspective The Matter of Song in Early Modern England considers the implications of reading song not simply as lyric text but as an embodied and gendered musical practice. Animating the traces of song preserved in physiological and philosophical commentaries, singing handbooks, poetic treatises, and literary texts ranging from Mary Sidney Herbert's Psalmes to John Milton's Comus, the book confronts song's ephemerality, its lexical and sonic capriciousness, and its airy substance. These features can resist critical analysis but were vital to song's affective workings in the early modern period. The volume foregrounds the need to attend much more closely to the embodied and musical dimensions of literary production and circulation in sixteenth- and seventeenth-century England. It also makes an important and timely contribution to our understanding of women's engagement with song as writers and as performers. A companion recording of fourteen songs featuring Larson (soprano) and Lucas Harris (lute) brings the project's innovative methodology and central case studies to life.
The Matter of Song in Early Modern England
Author: Katherine Rebecca Larson
Publisher:
ISBN: 019884378X
Category : History
Languages : en
Pages : 266
Book Description
This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.
Publisher:
ISBN: 019884378X
Category : History
Languages : en
Pages : 266
Book Description
This volume treats early modern song as a musical and embodied practice and considers the implications of reading song not just as lyric text, but as a musical phenomenon that is the product of the singing body. It draws on a variety of genres, from theatre to psalm translations, sonnets and lyrics, and household drama to courtly masques.
The Early Modern Medea
Author: K. Heavey
Publisher: Springer
ISBN: 1137466243
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.
Publisher: Springer
ISBN: 1137466243
Category : Literary Criticism
Languages : en
Pages : 282
Book Description
This is the first book-length study of early modern English approaches to Medea, the classical witch and infanticide who exercised a powerful sway over literary and cultural imagination in the period 1558-1688. It encompasses poetry, prose and drama, and translation, tragedy, comedy and political writing.
Early Modern Women's Complaint
Author: Sarah C. E. Ross
Publisher: Springer Nature
ISBN: 3030429466
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
This collection examines early modern women’s contribution to the culturally central mode of complaint. Complaint has largely been understood as male-authored, yet, as this collection shows, early modern women used complaint across a surprising variety of forms from the early-Tudor period to the late-seventeenth century. They were some of the mode’s first writers, most influential patrons, and most innovative contributors. Together, these new essays illuminate early modern women’s participation in one of the most powerful rhetorical modes in the English Renaissance, one which gave voice to political, religious and erotic protest and loss across a diverse range of texts. This volume interrogates new texts (closet drama, song, manuscript-based religious and political lyrics), new authors (Dorothy Shirley, Scots satirical writers, Hester Pulter, Mary Rowlandson), and new versions of complaint (biblical, satirical, legal, and vernacular). Its essays pay specific attention to politics, form, and transmission from complaint’s first circulation up to recent digital representations of its texts. Bringing together an international group of experts in early modern women’s writing and in complaint literature more broadly, this collection explores women’s role in the formation of the mode and in doing so reconfigures our understanding of complaint in Renaissance culture and thought.
Publisher: Springer Nature
ISBN: 3030429466
Category : Literary Criticism
Languages : en
Pages : 372
Book Description
This collection examines early modern women’s contribution to the culturally central mode of complaint. Complaint has largely been understood as male-authored, yet, as this collection shows, early modern women used complaint across a surprising variety of forms from the early-Tudor period to the late-seventeenth century. They were some of the mode’s first writers, most influential patrons, and most innovative contributors. Together, these new essays illuminate early modern women’s participation in one of the most powerful rhetorical modes in the English Renaissance, one which gave voice to political, religious and erotic protest and loss across a diverse range of texts. This volume interrogates new texts (closet drama, song, manuscript-based religious and political lyrics), new authors (Dorothy Shirley, Scots satirical writers, Hester Pulter, Mary Rowlandson), and new versions of complaint (biblical, satirical, legal, and vernacular). Its essays pay specific attention to politics, form, and transmission from complaint’s first circulation up to recent digital representations of its texts. Bringing together an international group of experts in early modern women’s writing and in complaint literature more broadly, this collection explores women’s role in the formation of the mode and in doing so reconfigures our understanding of complaint in Renaissance culture and thought.