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Author: Iravati
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
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Book Description
The Book Studies The Evolution Of Ancient Indian Theatre: It Deals With The Dramatic Troupes, Abhinaya, The Stage And Auditorium And Visuals Depicting Scenes Etched On Temples And Caves. It Examines The Kinds Of Performing Artistes And Their Contributions.
Author: Iravati
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 324
Get Book Here
Book Description
The Book Studies The Evolution Of Ancient Indian Theatre: It Deals With The Dramatic Troupes, Abhinaya, The Stage And Auditorium And Visuals Depicting Scenes Etched On Temples And Caves. It Examines The Kinds Of Performing Artistes And Their Contributions.
Author: Saba Dewan
Publisher: Context
ISBN: 9395073594
Category : Biography & Autobiography
Languages : en
Pages : 804
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Book Description
About the Book A NUANCED AND POWERFUL MICROHISTORY SET AGAINST THE SWEEP OF INDIAN HISTORY. Dharmman Bibi rode into battle during the revolt of 1857 shoulder to shoulder with her patron lover Babu Kunwar Singh. Sadabahar entranced even snakes and spirits with her music, but eventually gave her voice to Baba Court Shaheed. Her foster mothers Bullan and Kallan fought their malevolent brother and an unjust colonial law all the way to the Privy Council—and lost everything. Their great-granddaughter Teema paid for the family’s ruination with her childhood and her body. Bindo, Asghari, Phoolmani, Pyaari … there are so many stories in this family. And you—one of the best-known tawaifs of your times—remember the stories of your foremothers and your own. This is a history, a multi-generational chronicle of one family of well-known tawaifs with roots in Banaras and Bhabua. Through their stories and self-histories, Saba Dewan explores the nuances that conventional narratives have erased, papered over or wilfully rewritten. In a not-so-distant past, tawaifs played a crucial role in the social and cultural life of northern India. They were skilled singers and dancers, and also companions and lovers to men from the local elite. It is from the art practice of tawaifs that kathak evolved and the purab ang thumri singing of Banaras was born. At a time when women were denied access to the letters, tawaifs had a grounding in literature and politics, and their kothas were centres of cultural refinement. Yet, as affluent and powerful as they were, tawaifs were marked by the stigma of being women in the public gaze, accessible to all. In the colonial and nationalist discourse of the nineteenth and twentieth centuries, this stigma deepened into criminalisation and the violent dismantling of a community. Tawaifnama is the story of that process of change, a nuanced and powerful microhistory set against the sweep of Indian history.
Author: Tarla Mehta
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120810570
Category : Literary Criticism
Languages : en
Pages : 494
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Book Description
Sanskrit Play Production in Ancient India moves through three levels of understanding: (1) What the components of the traditional Natya Production are as described in Natyasastra and other ancient Indian dramaturgical works; how they are interrelated and how they are employed in the staging of Rasa-oriented sanskrit plays?Probing deep into the immense reaches of time to India`s archaic past the author pieces together a fascinatingly intricate design of play production down to the units and subunits of expression and executive.
![A Day in a Working Life [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/oxjOEAAAQBAJ?fife=w80-h100)
Author: Gary Westfahl
Publisher: Bloomsbury Publishing USA
ISBN: 1610694031
Category : History
Languages : en
Pages : 1424
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Book Description
Ideal for high school and college students studying history through the everyday lives of men and women, this book offers intriguing information about the jobs that people have held, from ancient times to the 21st century. This unique book provides detailed studies of more than 300 occupations as they were practiced in 21 historical time periods, ranging from prehistory to the present day. Each profession is examined in a compelling essay that is specifically written to inform readers about career choices in different times and cultures, and is accompanied by a bibliography of additional sources of information, sidebars that relate historical issues to present-day concerns, as well as related historical documents. Readers of this work will learn what each profession entailed or entails on a daily basis, how one gained entry to the vocation, training methods, and typical compensation levels for the job. The book provides sufficient specific detail to convey a comprehensive understanding of the experiences, benefits, and downsides of a given profession. Selected accompanying documents further bring history to life by offering honest testimonies from people who actually worked in these occupations or interacted with those in that field.
Author: Elisa Ganser
Publisher: BRILL
ISBN: 900446705X
Category : Performing Arts
Languages : en
Pages : 425
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Book Description
What is Dance? What is Theatre? What is the boundary between enacting a character and narrating a story? When does movement become tinted with meaning? And when does beauty shine alone as if with no object? These universal aesthetic questions find a theoretically vibrant and historically informed set of replies in the oeuvre of the eleventh-century Kashmirian author Abhinavagupta. The present book offers the first critical edition, translation, and study of a crucial and lesser known passage of his commentary on the Nāṭyaśāstra, the seminal work of Sanskrit dramaturgy. The nature of dramatic acting and the mimetic power of dance, emotions, and beauty all play a role in Abhinavagupta’s thorough investigation of performance aesthetics, now presented to the modern reader.
Author: Margaret E. Walker
Publisher: Routledge
ISBN: 1317117379
Category : Performing Arts
Languages : en
Pages : 174
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Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
![Daily Life of Women [3 volumes] PDF](https://books.google.com/books/content/images/frontcover/KkTPEAAAQBAJ?fife=w80-h100)
Author: Colleen Boyett
Publisher: Bloomsbury Publishing USA
ISBN: 1440846936
Category : History
Languages : en
Pages : 1309
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Book Description
Indispensable for the student or researcher studying women's history, this book draws upon a wide array of cultural settings and time periods in which women displayed agency by carrying out their daily economic, familial, artistic, and religious obligations. Since record keeping began, history has been written by a relatively few elite men. Insights into women's history are left to be gleaned by scholars who undertake careful readings of ancient literature, examine archaeological artifacts, and study popular culture, such as folktales, musical traditions, and art. For some historical periods and geographic regions, this is the only way to develop some sense of what daily life might have been like for women in a particular time and place. This reference explores the daily life of women across civilizations. The work is organized in sections on different civilizations from around the world, arranged chronologically. Within each society, the encyclopedia highlights the roles of women within five broad thematic categories: the arts, economics and work, family and community life, recreation and social customs, and religious life. Included are numerous sidebars containing additional information, document excerpts, images, and suggestions for further reading.
Author: Jas Elsner
Publisher: Reaktion Books
ISBN: 1789149088
Category : Art
Languages : en
Pages : 718
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Book Description
A visual exploration of the Buddhist stupa or reliquary mounds at one of ancient India’s most remarkable monuments at Amarāvatī. In this book, Jaś Elsner presents a fresh perspective on the rich visual culture of ancient South Asia, connecting the stupa’s artistic innovations with advancements in Buddhist philosophy and practice. He offers new insights into early Buddhist art in South India, as well as a new understanding of the relationship between early Buddhism and its material culture. The photographs collected here, particularly those featuring objects from the British Museum in London, reveal in detail how the stupa communicated Buddhist teachings and practices to its followers, making this book an invaluable resource for students and scholars alike.
Author: Manohar Laxman Varadpande
Publisher: Abhinav Publications
ISBN: 9788170172789
Category : Folk drama, Indic
Languages : en
Pages : 372
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Book Description
This volume of the HISTORY OF INDIAN THEATRE presents most enhanting and colourful panorama of folk and traditional theatre flourishing in India since time immemorial. Utilising various sources the author meticulously and systematically builds up the theatre history, which spans over several centuries. It is for the first time an elaborate account of dramatic rituals associated with the Bhuta or the Cult of Spirits is given here. This will enable the students of theatre understand and relationship of ritual and dramatic performance in its correct perspective. Various ritualistic theatre forms such as Teyyam are described and discussed. The book also tells us how the teachnique of ballad singing was dramatized and finally evolved into full-fledged drama in the course of time. The history of narrative forms is traced from the Vedic times to the present. With the emergence of Bhakti cult the spics were dramatized. This gave rise to the Leela Theatre which dedicated itself to portraying the divine acts of incarnations such as Krishna and Rama. Various forms of Leela Theatre are described in the book. Audiences turn to theatre for entertainment. A class of folk theatre arose in India whose main function was secular entertainment. Swang, Tamasha, Nautanki, Khyal entertained the people with dance, music and song, as well as with humour and pathos, love and war. Their enchanting story is narrated here.
Author: Margaret E. Walker
Publisher: Routledge
ISBN: 1317117360
Category : Performing Arts
Languages : en
Pages : 191
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Book Description
Kathak, the classical dance of North India, combines virtuosic footwork and dazzling spins with subtle pantomime and soft gestures. As a global practice and one of India's cultural markers, kathak dance is often presented as heir to an ancient Hindu devotional tradition in which men called Kathakas danced and told stories in temples. The dance's repertoire and movement vocabulary, however, tell a different story of syncretic origins and hybrid history - it is a dance that is both Muslim and Hindu, both devotional and entertaining, and both male and female. Kathak's multiple roots can be found in rural theatre, embodied rhythmic repertoire, and courtesan performance practice, and its history is inextricable from the history of empire, colonialism, and independence in India. Through an analysis both broad and deep of primary and secondary sources, ethnography, iconography and current performance practice, Margaret Walker undertakes a critical approach to the history of kathak dance and presents new data about hereditary performing artists, gendered contexts and practices, and postcolonial cultural reclamation. The account that emerges places kathak and the Kathaks firmly into the living context of North Indian performing arts.
