Pasticcio and Temperance Plays in America PDF Download
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Author: Dale Cockrell
Publisher: Taylor & Francis
ISBN: 1135554056
Category : Music
Languages : en
Pages : 207
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Book Description
The series aims to represent all the major genres and styles of musical theater of the century, from ballad opera through melodrama, plays with incidental music, parlor entertainments, pastiche, temperance shows, ethnic theater, minstrelsy, and operetta, to grand opera. This series of sixteen volumes provides for the first time ever a comprehensive set of works from a full century of musical theater in the United States of America. The two works in this volume seemingly have little in common. They reflect the society in which they were created in quite different ways. Il Pesceballo is an intelligent and subtle parody of operatic conventions, closer to the tradition of literary burlesque. Ten Nights in a Bar-Room is a play with interpolated song, a theatrical vehicle for moral evangelizing. The first, by America’s first great ballad scholar, remained practically unknown and unperformed; the second, by a forgotten actor/playwright, became legendary and widely embedded in the American cultural heritage. Yet both share at least two important features. One is their incorporation of easily recognized music. The works are also related through the purposes for which they were completed and performed.
Author: Dale Cockrell
Publisher: Taylor & Francis
ISBN: 1135554056
Category : Music
Languages : en
Pages : 207
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Book Description
The series aims to represent all the major genres and styles of musical theater of the century, from ballad opera through melodrama, plays with incidental music, parlor entertainments, pastiche, temperance shows, ethnic theater, minstrelsy, and operetta, to grand opera. This series of sixteen volumes provides for the first time ever a comprehensive set of works from a full century of musical theater in the United States of America. The two works in this volume seemingly have little in common. They reflect the society in which they were created in quite different ways. Il Pesceballo is an intelligent and subtle parody of operatic conventions, closer to the tradition of literary burlesque. Ten Nights in a Bar-Room is a play with interpolated song, a theatrical vehicle for moral evangelizing. The first, by America’s first great ballad scholar, remained practically unknown and unperformed; the second, by a forgotten actor/playwright, became legendary and widely embedded in the American cultural heritage. Yet both share at least two important features. One is their incorporation of easily recognized music. The works are also related through the purposes for which they were completed and performed.
Author: Jeffrey H. Richards
Publisher: Oxford University Press
ISBN: 0199731497
Category : Drama
Languages : en
Pages : 593
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Book Description
This volume explores the history of American drama from the eighteenth to the twentieth century. It describes origins of early republican drama and its evolution during the pre-war and post-war periods. It traces the emergence of different types of American drama including protest plays, reform drama, political drama, experimental drama, urban plays, feminist drama and realist plays. This volume also analyzes the works of some of the most notable American playwrights including Eugene O'Neill, Tennessee Williams, and Arthur Miller and those written by women dramatists.
Author: William Everett
Publisher: Routledge
ISBN: 1135848076
Category : Art
Languages : en
Pages : 333
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Book Description
The musical, whether on stage or screen, is undoubtedly one of the most recognizable musical genres, yet one of the most perplexing. What are its defining features? How does it negotiate multiple socio-cultural-economic spaces? Is it a popular tradition? Is it a commercial enterprise? Is it a sophisticated cultural product and signifier? This research guide includes more than 1,400 annotated entries related to the genre as it appears on stage and screen. It includes reference works, monographs, articles, anthologies, and websites related to the musical. Separate sections are devoted to sub-genres (such as operetta and megamusical), non-English language musical genres in the U.S., traditions outside the U.S., individual shows, creators, performers, and performance. The second edition reflects the notable increase in musical theater scholarship since 2000. In addition to printed materials, it includes multimedia and electronic resources.
Author: Susan L. Porter
Publisher: Taylor & Francis
ISBN: 1135551464
Category : Music
Languages : en
Pages : 254
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Book Description
The series aims to represent all the major genres and styles of musical theater of the century, from ballad opera through melodrama, plays with incidental music, parlor entertainments, pastiche, temperance shows, ethnic theater, minstrelsy, and operetta, to grand opera. This series of sixteen volumes provides for the first time ever a comprehensive set of works from a full century of musical theater in the United States of America. Volume 1 presents the earliest works in this series of Nineteenth-Century American Musical Theater. Indeed, the two tides reprinted here were composed in the prior century but enjoyed a currency in the early 1800s that helped establish conventions for generations of native-born dramaturges and composers. Moreover, Children in the Wood 1795 and Blue Beard 1811 are the only two works included in this series that were fully realized abroad, and imported for performance in the United States by musicians trained in the theaters of London. As editor Susan Porter points out in her Introduction, like all stage works, they were then adapted to suit the tastes of the times and places in which they were performed. (Indeed, Blue Beard was already an English adaptation of a French work.)
Author: Julius Eichberg
Publisher: Taylor & Francis
ISBN: 9780815313755
Category : Music
Languages : en
Pages : 192
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Book Description
First Published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.
Author: William A. Everett
Publisher: Cambridge University Press
ISBN: 1107114748
Category : Music
Languages : en
Pages : 503
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Book Description
An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.
Author: Nicholas Everett
Publisher: Cambridge University Press
ISBN: 9780521796392
Category : Music
Languages : en
Pages : 334
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Book Description
The Cambridge Companion to the Musical provides an accessible introduction to one of the liveliest and most popular forms of musical performance. Written by a team of specialists in the field of musical theatre especially for students and theatregoers, it offers a guide to the history and development of the musical in England and America (including coverage of New York s Broadway and London s West End traditions). Starting with the early history of the musical, the volume comes right up to date and examines the latest works and innovations, and includes information on the singers, audience and critical reception, and traditions. There is fresh coverage of the American musical theatre in the eighteenth and nineteenth centuries, the British musical theatre in the middle of the twentieth century, and the rock musical. The Companion contains an extensive bibliography and photos from key productions.
Author: Walter Hölbling
Publisher: LIT Verlag Münster
ISBN: 9783825877347
Category : American literature
Languages : en
Pages : 306
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Book Description
"Identity is one of the central cultural narratives of the US on which both dominant and resistant discourses draw. This critical anthology honors the topic's diversity while concentrating on one central aspect, that of newness. Construction of identities, their invention, reinvention and reformulation are discussed within four thematic categories: New Concepts and Reconsiderations, Migration and Multiple Identities, Individuation and Privatized Identity Construction, and (Re-) Inventions and Virtual Identities. Written by European as well as U. S. scholars, ranging from the 19th century to the utopian future, from mainstream canonized figures to transgender performers, from a critique of individualism to a celebration of loneliness, the articles present a cross-section of current research on U.S. identities. "
Author: Karl Kroeger
Publisher: Routledge
ISBN: 1135552657
Category : Drama
Languages : en
Pages : 383
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Book Description
Part of a series of sixteen volumes that provides for the first time ever a comprehensive set of works from a full century of musical theater in the United States of America. Many of the volumes contain musical scores and librettos that have never before been published. The work that leads off this volume, The Voice of Nature, is generally considered the first melodrama to be performed in America, and the earliest surviving complete work composed for American professional theater. It is also the first to be written by a playwright boom in America.
Author: Orly Leah Krasner
Publisher: Routledge
ISBN: 113555370X
Category : Art
Languages : en
Pages : 359
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Book Description
The most successful American-born composer of operetta at the end of the nineteenth century was Reginald de Koven. The work reprinted in this volume, The Highwayman, is arguably his best work, although he is better known for the earlier Robin Hoodwixh its evergreen wedding ballad "Oh Promise Me." (Robin Hood is available as a reprint in the 1990 volume American Opera and Music for the Stage, in the G.K. Hall series Three Centuries of American Music.) The editor of this volume, Orly Leah Krasner, is a leading scholar of de Koven’s music. She teaches at the City University of New York, and her Ph.D. dissertation, "Reginald de Koven (1859-1920) and American Comic Opera at the Turn of the Century," is also from that university. Her introduction places the work in the tenor of contemporary critical reaction, and lists the sources available for further study. The Highwayman is one of the few complete operettas of its era for which we are fortunate enough to have original performing materials in the composer’s own hand. As the penultimate volume (number 15) in this series, de Koven’s work of 1897 contrasts with two works of the previous year, Walter Damrosch’s opera The Scarlet Letter (volume 16) and John Philip Sousa’s operetta El Capitan (volume 14).
