Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020
Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
The Harvard Dictionary of Music
Author: Don Michael Randel
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020
Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
Publisher: Harvard University Press
ISBN: 9780674011632
Category : Music
Languages : en
Pages : 1020
Book Description
This classic reference work, the best one-volume music dictionary available, has been brought completely up to date in this new edition. Combining authoritative scholarship and lucid, lively prose, the Fourth Edition of The Harvard Dictionary of Music is the essential guide for musicians, students, and everyone who appreciates music. The Harvard Dictionary of Music has long been admired for its wide range as well as its reliability. This treasure trove includes entries on all the styles and forms in Western music; comprehensive articles on the music of Africa, Asia, Latin America, and the Near East; descriptions of instruments enriched by historical background; and articles that reflect today’s beat, including popular music, jazz, and rock. Throughout this Fourth Edition, existing articles have been fine-tuned and new entries added so that the dictionary fully reflects current music scholarship and recent developments in musical culture. Encyclopedia-length articles by notable experts alternate with short entries for quick reference, including definitions and identifications of works and instruments. More than 220 drawings and 250 musical examples enhance the text. This is an invaluable book that no music lover can afford to be without.
The Keyboard in Baroque Europe
Author: Christopher Hogwood
Publisher: Cambridge University Press
ISBN: 9780521810555
Category : Music
Languages : en
Pages : 274
Book Description
Table of contents
Publisher: Cambridge University Press
ISBN: 9780521810555
Category : Music
Languages : en
Pages : 274
Book Description
Table of contents
Passacaglio and Ciaccona
Author: Richard Hudson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 346
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 346
Book Description
Desire and Pleasure in Seventeenth-Century Music
Author: Susan McClary
Publisher: Univ of California Press
ISBN: 0520952065
Category : Music
Languages : en
Pages : 239
Book Description
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
Publisher: Univ of California Press
ISBN: 0520952065
Category : Music
Languages : en
Pages : 239
Book Description
In this book, Susan McClary examines the mechanisms through which seventeenth-century musicians simulated extreme affective states—desire, divine rapture, and ecstatic pleasure. She demonstrates how every major genre of the period, from opera to religious music to instrumental pieces based on dances, was part of this striving for heightened passions by performers and listeners. While she analyzes the social and historical reasons for the high value placed on expressive intensity in both secular and sacred music, and she also links desire and pleasure to the many technical innovations of the period. McClary shows how musicians—whether working within the contexts of the Reformation or Counter-Reformation, Absolutists courts or commercial enterprises in Venice—were able to manipulate known procedures to produce radically new ways of experiencing time and the Self.
A Guide to the Harpsichord
Author: Ann Bond
Publisher: Hal Leonard Corporation
ISBN: 9781574670639
Category : Music
Languages : en
Pages : 272
Book Description
This practical guide treats the mechanics and evolution of the instrument, and offers a survey of its literature. The author provides valuable advice on touch and technique, including articulation and fingering, with a lucid exposition of the issues involved in historical performance practice and a clear explanation of ornamentation. The repertoire of each of the great national schools is presented and discussed, with four representative pieces singled out for detailed analysis. More advanced players will welcome the author's suggestions on continuo playing and the helpful discussion of tuning and temperaments. From advice on acquiring a harpsichord, to wise counsel on how to play it and what music to choose, to suggestions on maintenance and tuning, A Guide to the Harpsichord is an indispensable companion for both beginning and advanced harpsichordists.
Publisher: Hal Leonard Corporation
ISBN: 9781574670639
Category : Music
Languages : en
Pages : 272
Book Description
This practical guide treats the mechanics and evolution of the instrument, and offers a survey of its literature. The author provides valuable advice on touch and technique, including articulation and fingering, with a lucid exposition of the issues involved in historical performance practice and a clear explanation of ornamentation. The repertoire of each of the great national schools is presented and discussed, with four representative pieces singled out for detailed analysis. More advanced players will welcome the author's suggestions on continuo playing and the helpful discussion of tuning and temperaments. From advice on acquiring a harpsichord, to wise counsel on how to play it and what music to choose, to suggestions on maintenance and tuning, A Guide to the Harpsichord is an indispensable companion for both beginning and advanced harpsichordists.
The Cambridge Companion to the Harpsichord
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
String Virtuosi in Eighteenth-Century Naples
Author: Guido Olivieri
Publisher: Cambridge University Press
ISBN: 1009273655
Category : Music
Languages : en
Pages : 571
Book Description
Drawing on extensive archival work, this book examines the crucial contribution of Neapolitan string virtuosi to the dissemination of instrumental music and to the development of string practices and musical culture in Europe. It presents a fresh look at the central place of instrumental music in early modern Naples and considers aspects of music pedagogy, performance practices, patronage, and musicians' social mobility. Music examples, paintings, and lists of personnel of major music institutions inform the discussion and illustrate the opportunities for social mobility afforded by the music profession. Music production and consumption are considered within their cultural, political, and economic contexts and in connection with the rapid political changes of eighteenth-century Naples. This substantial contribution to the understanding of a previously under-studied repertory places the cultivation of Neapolitan instrumental music at the centre of aesthetic and cultural developments across eighteenth-century Europe.
Publisher: Cambridge University Press
ISBN: 1009273655
Category : Music
Languages : en
Pages : 571
Book Description
Drawing on extensive archival work, this book examines the crucial contribution of Neapolitan string virtuosi to the dissemination of instrumental music and to the development of string practices and musical culture in Europe. It presents a fresh look at the central place of instrumental music in early modern Naples and considers aspects of music pedagogy, performance practices, patronage, and musicians' social mobility. Music examples, paintings, and lists of personnel of major music institutions inform the discussion and illustrate the opportunities for social mobility afforded by the music profession. Music production and consumption are considered within their cultural, political, and economic contexts and in connection with the rapid political changes of eighteenth-century Naples. This substantial contribution to the understanding of a previously under-studied repertory places the cultivation of Neapolitan instrumental music at the centre of aesthetic and cultural developments across eighteenth-century Europe.
American Musicological Society
Author: Mark Germer
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162
Book Description
Publisher: The AMS
ISBN:
Category : Bulletin of the American Musicological Society
Languages : en
Pages : 162
Book Description
The Accompaniment in "Unaccompanied" Bach
Author: Stanley Ritchie
Publisher: Indiana University Press
ISBN: 0253022088
Category : Music
Languages : en
Pages : 136
Book Description
Known around the world for his advocacy of early historical performance and as a skilled violin performer and pedagogue, Stanley Ritchie has developed a technical guide to the interpretation and performance of J. S. Bach's enigmatic sonatas and partitas for solo violin. Unlike typical Baroque compositions, Bach's six solos are uniquely free of accompaniment. To add depth and texture to the pieces, Bach incorporated various techniques to bring out a multitude of voices from four strings and one bow, including arpeggios across strings, multiple stopping, opposing tonal ranges, and deft bowing. Published in 1802, over 80 years after its completion in 1720, Bach's manuscript is without expression marks, leaving the performer to freely interpret the dynamics, fingering, bowings, and articulations. Marshaling a lifetime of experience, Stanley Ritchie provides violinists with deep insights into the interpretation and technicalities at the heart of these challenging pieces.
Publisher: Indiana University Press
ISBN: 0253022088
Category : Music
Languages : en
Pages : 136
Book Description
Known around the world for his advocacy of early historical performance and as a skilled violin performer and pedagogue, Stanley Ritchie has developed a technical guide to the interpretation and performance of J. S. Bach's enigmatic sonatas and partitas for solo violin. Unlike typical Baroque compositions, Bach's six solos are uniquely free of accompaniment. To add depth and texture to the pieces, Bach incorporated various techniques to bring out a multitude of voices from four strings and one bow, including arpeggios across strings, multiple stopping, opposing tonal ranges, and deft bowing. Published in 1802, over 80 years after its completion in 1720, Bach's manuscript is without expression marks, leaving the performer to freely interpret the dynamics, fingering, bowings, and articulations. Marshaling a lifetime of experience, Stanley Ritchie provides violinists with deep insights into the interpretation and technicalities at the heart of these challenging pieces.
Dieterich Buxtehude
Author: Kerala J. Snyder
Publisher: University Rochester Press
ISBN: 9781580462532
Category : Biography & Autobiography
Languages : en
Pages : 586
Book Description
An enlightening, revised edition of the definitive biography on celebrated organist and composer, Dieterich Buxtehude. This book is a new edition of the most comprehensive life-and-works study of the great Baroque-era organist and composer Dieterich Buxtehude (ca. 1637-1707), released to celebrate the tercentenary of the composer's death. Originally published in 1987 and long out of print, Dieterich Buxtehude: Organist in Lübeck is considered by most musicologists to be the definitive biography. It also includes close description of Buxtehude's compositional output, from trio sonatas to the famed Abendmusiken: Buxtehude's yearly oratorio presentations. The young J. S. Bach traveled to Lübeck on foot in 1705 to learn as much as he could from the great master of the organ and of Lutheranchurch music. The revised edition contains new information on the organs that Buxtehude played in Scandinavia and Lübeck, excerpts from the newly available account books from St. Mary's in Lübeck, a discussion of newly discovered sources, including one written by J. S. Bach, an evaluation of recent scholarship on Buxtehude, and an extensive bibliography. Written for both the casual reader and the serious scholar. The accompanying music CD (this material is now provided on a companion website) provides examples of all genres discussed in the book -- vocal works, a trio sonata, harpsichord music, and organ music newly recorded on the North German meantone organ in Gothenburg, Sweden, by a noted specialist in this repertoire, Hans Davidsson, who is professor of organ at the University of Rochester's Eastman School of Music and the founder of the Göteborg Organ Art Center (GOArt). Kerala J.Snyder is Professor Emerita of Musicology, Eastman School of Music (University of Rochester).
Publisher: University Rochester Press
ISBN: 9781580462532
Category : Biography & Autobiography
Languages : en
Pages : 586
Book Description
An enlightening, revised edition of the definitive biography on celebrated organist and composer, Dieterich Buxtehude. This book is a new edition of the most comprehensive life-and-works study of the great Baroque-era organist and composer Dieterich Buxtehude (ca. 1637-1707), released to celebrate the tercentenary of the composer's death. Originally published in 1987 and long out of print, Dieterich Buxtehude: Organist in Lübeck is considered by most musicologists to be the definitive biography. It also includes close description of Buxtehude's compositional output, from trio sonatas to the famed Abendmusiken: Buxtehude's yearly oratorio presentations. The young J. S. Bach traveled to Lübeck on foot in 1705 to learn as much as he could from the great master of the organ and of Lutheranchurch music. The revised edition contains new information on the organs that Buxtehude played in Scandinavia and Lübeck, excerpts from the newly available account books from St. Mary's in Lübeck, a discussion of newly discovered sources, including one written by J. S. Bach, an evaluation of recent scholarship on Buxtehude, and an extensive bibliography. Written for both the casual reader and the serious scholar. The accompanying music CD (this material is now provided on a companion website) provides examples of all genres discussed in the book -- vocal works, a trio sonata, harpsichord music, and organ music newly recorded on the North German meantone organ in Gothenburg, Sweden, by a noted specialist in this repertoire, Hans Davidsson, who is professor of organ at the University of Rochester's Eastman School of Music and the founder of the Göteborg Organ Art Center (GOArt). Kerala J.Snyder is Professor Emerita of Musicology, Eastman School of Music (University of Rochester).