Author: Kathleen M. Morris
Publisher: Clark Art Institute
ISBN: 9780300279689
Category : Art
Languages : en
Pages : 0
Book Description
A striking collection of French tapestries, from the 1940s to today, from the collection of the Mobilier nationale, Paris Beginning in the 1930s, artists, government officials, art dealers, and entrepreneurs sought ways to modernize the ancient tradition of tapestry-making in France to reassert its role as an independent art form available to contemporary artists. What followed was several decades of intense production that brought international attention to a renewed tradition of French tapestry, as well as new opportunities for the historic manufactories of Gobelins and Beauvais, now overseen by the Mobilier national of France. Drawing from the celebrated collection of the Mobilier national from the 1940s to present day, this book explores the works of such artists as Joan Miró, Jean Lurçat, Henri Matisse, and Le Corbusier, who were central to the rapid resurgence of tapestry production. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (December 14, 2024-March 9, 2025)
Wall Power!
Author: Kathleen M. Morris
Publisher: Clark Art Institute
ISBN: 9780300279689
Category : Art
Languages : en
Pages : 0
Book Description
A striking collection of French tapestries, from the 1940s to today, from the collection of the Mobilier nationale, Paris Beginning in the 1930s, artists, government officials, art dealers, and entrepreneurs sought ways to modernize the ancient tradition of tapestry-making in France to reassert its role as an independent art form available to contemporary artists. What followed was several decades of intense production that brought international attention to a renewed tradition of French tapestry, as well as new opportunities for the historic manufactories of Gobelins and Beauvais, now overseen by the Mobilier national of France. Drawing from the celebrated collection of the Mobilier national from the 1940s to present day, this book explores the works of such artists as Joan Miró, Jean Lurçat, Henri Matisse, and Le Corbusier, who were central to the rapid resurgence of tapestry production. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (December 14, 2024-March 9, 2025)
Publisher: Clark Art Institute
ISBN: 9780300279689
Category : Art
Languages : en
Pages : 0
Book Description
A striking collection of French tapestries, from the 1940s to today, from the collection of the Mobilier nationale, Paris Beginning in the 1930s, artists, government officials, art dealers, and entrepreneurs sought ways to modernize the ancient tradition of tapestry-making in France to reassert its role as an independent art form available to contemporary artists. What followed was several decades of intense production that brought international attention to a renewed tradition of French tapestry, as well as new opportunities for the historic manufactories of Gobelins and Beauvais, now overseen by the Mobilier national of France. Drawing from the celebrated collection of the Mobilier national from the 1940s to present day, this book explores the works of such artists as Joan Miró, Jean Lurçat, Henri Matisse, and Le Corbusier, who were central to the rapid resurgence of tapestry production. Distributed for the Clark Art Institute Exhibition Schedule: Clark Art Institute, Williamstown, MA (December 14, 2024-March 9, 2025)
The Architecture of Paris
Author: Andrew Ayers
Publisher: Edition Axel Menges
ISBN: 9783930698967
Category : Architecture
Languages : en
Pages : 422
Book Description
The author here presents an architectural history of Paris, stretching from the 3rd century BC up until the end of the 20th century.
Publisher: Edition Axel Menges
ISBN: 9783930698967
Category : Architecture
Languages : en
Pages : 422
Book Description
The author here presents an architectural history of Paris, stretching from the 3rd century BC up until the end of the 20th century.
Silk
Author: Mary Schoeser
Publisher: Yale University Press
ISBN: 0300117418
Category : Art
Languages : en
Pages : 267
Book Description
Geschiedenis van zijde wat betreft teelt en toepassing in kleding en andere producten, daarnaast komen verschillende modeontwerpers aan bod alsmede de toekomst van deze stof.
Publisher: Yale University Press
ISBN: 0300117418
Category : Art
Languages : en
Pages : 267
Book Description
Geschiedenis van zijde wat betreft teelt en toepassing in kleding en andere producten, daarnaast komen verschillende modeontwerpers aan bod alsmede de toekomst van deze stof.
Le Mobilier National
Author: Gilles Wolkowitsch
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Library Catalog
Author: Metropolitan Museum of Art (New York, N.Y.). Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 846
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 846
Book Description
The Wrightsman Collection. Vols. 1 and 2, Furniture, Gilt Bronze and Mounted Porcelain, Carpets
Author:
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 773
Book Description
Publisher: Metropolitan Museum of Art
ISBN:
Category :
Languages : en
Pages : 773
Book Description
France
Author:
Publisher:
ISBN:
Category : France
Languages : en
Pages : 330
Book Description
Publisher:
ISBN:
Category : France
Languages : en
Pages : 330
Book Description
Joséphine and the Arts of the Empire
Author: Eleanor P. DeLorme
Publisher: Getty Publications
ISBN: 0892368012
Category : Art
Languages : en
Pages : 224
Book Description
This richly illustrated book reveals how Joséphine, Napoléon Bonaparte’s empress, shaped the arts of early nineteenth-century France and beyond. Her incomparable sense of style, her passion for collecting, her love of gardens, and her commissions of works by major artists such as Antonio Canova, Jacques-Louis David, Pierre-Paul Prod’hon, and Pierre-Joseph Redouté set the standard for a new aesthetic. On these pages the opulence of Salon culture is set against the tumultuous era of Revolution and Empire, romance and tragedy—a world in which Joséphine rose to her own momentous role in history with singular grace and elegance.
Publisher: Getty Publications
ISBN: 0892368012
Category : Art
Languages : en
Pages : 224
Book Description
This richly illustrated book reveals how Joséphine, Napoléon Bonaparte’s empress, shaped the arts of early nineteenth-century France and beyond. Her incomparable sense of style, her passion for collecting, her love of gardens, and her commissions of works by major artists such as Antonio Canova, Jacques-Louis David, Pierre-Paul Prod’hon, and Pierre-Joseph Redouté set the standard for a new aesthetic. On these pages the opulence of Salon culture is set against the tumultuous era of Revolution and Empire, romance and tragedy—a world in which Joséphine rose to her own momentous role in history with singular grace and elegance.
Tapestry in the Baroque
Author: Thomas P. Campbell
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588392309
Category : Design
Languages : en
Pages : 575
Book Description
Concrete
Author: Peter Collins
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773525641
Category : Architecture
Languages : en
Pages : 518
Book Description
Collins provides a thorough history of the new nineteenth century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975, this new edition of Concrete includes a foreword by Kenneth Frampton, a scholarly introduction by Réjean Legault, and several additional essays on Perret by Peter Collins. From the Foreword by Kenneth Frampton: "Concrete remains a valuable historical text that in many respects has never been given its due. It is an unmatched pioneering history of the development of reinforced concrete up to 1914. It records and analyses the densely articulated, if provincial, English debate with respect to the aesthetic challenge posed by the increasing popularity of concrete from around 1870 onwards. Finally, until very recently it was the only readily available monograph on Auguste Perret in English. In this regard it is particularly valuable as a thorough and perceptive assessment of Perret's life and career, one that still stands as a point of departure for all current attempts to situate this seminal architect within the wider trajectory of twentieth-century culture."
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773525641
Category : Architecture
Languages : en
Pages : 518
Book Description
Collins provides a thorough history of the new nineteenth century material and goes on to examine the theories on its architectural expression, focussing on determining role of the reinforced concrete frame. He argues that Perret provides the first rational and effective expression of classical principles in modern construction. Published in 1959 and out of print since 1975, this new edition of Concrete includes a foreword by Kenneth Frampton, a scholarly introduction by Réjean Legault, and several additional essays on Perret by Peter Collins. From the Foreword by Kenneth Frampton: "Concrete remains a valuable historical text that in many respects has never been given its due. It is an unmatched pioneering history of the development of reinforced concrete up to 1914. It records and analyses the densely articulated, if provincial, English debate with respect to the aesthetic challenge posed by the increasing popularity of concrete from around 1870 onwards. Finally, until very recently it was the only readily available monograph on Auguste Perret in English. In this regard it is particularly valuable as a thorough and perceptive assessment of Perret's life and career, one that still stands as a point of departure for all current attempts to situate this seminal architect within the wider trajectory of twentieth-century culture."