Author: Vincent Cronin
Publisher: HarperAudio
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
History of Paris between the wars, one of its most creative periods
Paris
Author: Vincent Cronin
Publisher: HarperAudio
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
History of Paris between the wars, one of its most creative periods
Publisher: HarperAudio
ISBN:
Category : Art
Languages : en
Pages : 376
Book Description
History of Paris between the wars, one of its most creative periods
Paris, City of Light: 1919–1939 (Text Only)
Author: Vincent Cronin
Publisher: HarperCollins
ISBN: 0007584571
Category : History
Languages : en
Pages : 311
Book Description
Paris between the wars: our impression is one of gaiety, frivolity, fashion, of exuberant living – a city whose lights were put out by the terrifyingly rapid advance of the German panzers in 1940.
Publisher: HarperCollins
ISBN: 0007584571
Category : History
Languages : en
Pages : 311
Book Description
Paris between the wars: our impression is one of gaiety, frivolity, fashion, of exuberant living – a city whose lights were put out by the terrifyingly rapid advance of the German panzers in 1940.
Explorations in the City of Light
Author: Studio Museum in Harlem
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 104
Book Description
Historical Abstracts
Author:
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 938
Book Description
Publisher:
ISBN:
Category : History, Modern
Languages : en
Pages : 938
Book Description
Bricktop's Paris
Author: T. Denean Sharpley-Whiting
Publisher: State University of New York Press
ISBN: 143845502X
Category : Social Science
Languages : en
Pages : 400
Book Description
2015 CHOICE Outstanding Academic Title Longlisted for the 2015 American Library in Paris Book Award During the Jazz Age, France became a place where an African American woman could realize personal freedom and creativity, in narrative or in performance, in clay or on canvas, in life and in love. These women were participants in the life of the American expatriate colony, which included F. Scott Fitzgerald, Gertrude Stein, and Cole Porter, and they commingled with bohemian avant-garde writers and artists like Picasso, Breton, Colette, and Matisse. Bricktop's Paris introduces the reader to twenty-five of these women and the city they encountered. Following this nonfiction account, T. Denean Sharpley-Whiting provides a fictionalized autobiography of Ada "Bricktop" Smith, which brings the players from the world of nonfiction into a Paris whose elegance masks a thriving underworld.
Publisher: State University of New York Press
ISBN: 143845502X
Category : Social Science
Languages : en
Pages : 400
Book Description
2015 CHOICE Outstanding Academic Title Longlisted for the 2015 American Library in Paris Book Award During the Jazz Age, France became a place where an African American woman could realize personal freedom and creativity, in narrative or in performance, in clay or on canvas, in life and in love. These women were participants in the life of the American expatriate colony, which included F. Scott Fitzgerald, Gertrude Stein, and Cole Porter, and they commingled with bohemian avant-garde writers and artists like Picasso, Breton, Colette, and Matisse. Bricktop's Paris introduces the reader to twenty-five of these women and the city they encountered. Following this nonfiction account, T. Denean Sharpley-Whiting provides a fictionalized autobiography of Ada "Bricktop" Smith, which brings the players from the world of nonfiction into a Paris whose elegance masks a thriving underworld.
AB Bookman's Weekly
Author:
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 660
Book Description
Publisher:
ISBN:
Category : Antiquarian booksellers
Languages : en
Pages : 660
Book Description
Paris 1919
Author: Margaret MacMillan
Publisher: Random House
ISBN: 0307432963
Category : History
Languages : en
Pages : 626
Book Description
A landmark work of narrative history, Paris 1919 is the first full-scale treatment of the Peace Conference in more than twenty-five years. It offers a scintillating view of those dramatic and fateful days when much of the modern world was sketched out, when countries were created—Iraq, Yugoslavia, Israel—whose troubles haunt us still. Winner of the Samuel Johnson Prize • Winner of the PEN Hessell Tiltman Prize • Winner of the Duff Cooper Prize Between January and July 1919, after “the war to end all wars,” men and women from around the world converged on Paris to shape the peace. Center stage, for the first time in history, was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and wildly idealistic in his dream of a League of Nations that would resolve all future conflict peacefully, Wilson is only one of the larger-than-life characters who fill the pages of this extraordinary book. David Lloyd George, the gregarious and wily British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam. For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes received ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War. Praise for Paris 1919 “It’s easy to get into a war, but ending it is a more arduous matter. It was never more so than in 1919, at the Paris Conference. . . . This is an enthralling book: detailed, fair, unfailingly lively. Professor MacMillan has that essential quality of the historian, a narrative gift.” —Allan Massie, The Daily Telegraph (London)
Publisher: Random House
ISBN: 0307432963
Category : History
Languages : en
Pages : 626
Book Description
A landmark work of narrative history, Paris 1919 is the first full-scale treatment of the Peace Conference in more than twenty-five years. It offers a scintillating view of those dramatic and fateful days when much of the modern world was sketched out, when countries were created—Iraq, Yugoslavia, Israel—whose troubles haunt us still. Winner of the Samuel Johnson Prize • Winner of the PEN Hessell Tiltman Prize • Winner of the Duff Cooper Prize Between January and July 1919, after “the war to end all wars,” men and women from around the world converged on Paris to shape the peace. Center stage, for the first time in history, was an American president, Woodrow Wilson, who with his Fourteen Points seemed to promise to so many people the fulfillment of their dreams. Stern, intransigent, impatient when it came to security concerns and wildly idealistic in his dream of a League of Nations that would resolve all future conflict peacefully, Wilson is only one of the larger-than-life characters who fill the pages of this extraordinary book. David Lloyd George, the gregarious and wily British prime minister, brought Winston Churchill and John Maynard Keynes. Lawrence of Arabia joined the Arab delegation. Ho Chi Minh, a kitchen assistant at the Ritz, submitted a petition for an independent Vietnam. For six months, Paris was effectively the center of the world as the peacemakers carved up bankrupt empires and created new countries. This book brings to life the personalities, ideals, and prejudices of the men who shaped the settlement. They pushed Russia to the sidelines, alienated China, and dismissed the Arabs. They struggled with the problems of Kosovo, of the Kurds, and of a homeland for the Jews. The peacemakers, so it has been said, failed dismally; above all they failed to prevent another war. Margaret MacMillan argues that they have unfairly been made the scapegoats for the mistakes of those who came later. She refutes received ideas about the path from Versailles to World War II and debunks the widely accepted notion that reparations imposed on the Germans were in large part responsible for the Second World War. Praise for Paris 1919 “It’s easy to get into a war, but ending it is a more arduous matter. It was never more so than in 1919, at the Paris Conference. . . . This is an enthralling book: detailed, fair, unfailingly lively. Professor MacMillan has that essential quality of the historian, a narrative gift.” —Allan Massie, The Daily Telegraph (London)
Bulletin of the Public Library of the City of Boston
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1054
Book Description
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 1054
Book Description
Bulletin of the Public Library of the City of Boston
Author: Boston Public Library
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 446
Book Description
Louis Kahn's Situated Modernism
Author: Sarah Williams Goldhagen
Publisher: Yale University Press
ISBN: 9780300077865
Category : Architecture
Languages : en
Pages : 316
Book Description
She demonstrates instead that Kahn's architecture is grounded in his deeply held modernist political, social, and artistic ideals, which guided him as he sought to rework modernism into a socially transformative architecture appropriate for the postwar world.".
Publisher: Yale University Press
ISBN: 9780300077865
Category : Architecture
Languages : en
Pages : 316
Book Description
She demonstrates instead that Kahn's architecture is grounded in his deeply held modernist political, social, and artistic ideals, which guided him as he sought to rework modernism into a socially transformative architecture appropriate for the postwar world.".