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Author: Wayne E. Franits
Publisher:
ISBN: 9780521498753
Category : Art
Languages : en
Pages : 271
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Book Description
The first systematic analysis of domestic paintings by Dutch artists during the Golden Century.
Author: Wayne E. Franits
Publisher:
ISBN: 9780521498753
Category : Art
Languages : en
Pages : 271
Get Book Here
Book Description
The first systematic analysis of domestic paintings by Dutch artists during the Golden Century.
Author: Wayne E. Franits
Publisher: Cambridge University Press
ISBN: 9780521431293
Category : Art
Languages : en
Pages : 293
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Book Description
Paragons of Virtue is the first systematic analysis of domestic paintings, which were among the most popular and endearing images produced by Dutch artists during the Golden Century. Focusing on their broader function and significance within Dutch culture, this study has made extensive use of sixteenth- and seventeenth-century family treatises that are important sources for understanding these paintings. These hortatory texts are significant, because they reflect contemporary attitudes towards women as they are paradigmatically presented as maidens, housewives skilled in the administration of household affairs, as attentive mothers, and as pious widows. In short, family literature corroborates the existence of general ideals as well as specific ideas about women and domesticity as expressed through art. Through its rich source material and the paintings themselves, Paragons of Virtue sheds further light on the position of women in seventeenth-century Dutch society and on the critical role that art played in early modern Europe in espousing and maintaining the patriarchal status quo.
Author: Martha Hollander
Publisher: Univ of California Press
ISBN: 0520221354
Category : Art
Languages : en
Pages : 293
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Book Description
"How refreshing, how absolutely refreshing, to find a book on Dutch painting that asks readers to begin by simply looking. Hollander is faithful to the possibility--so common in painting, so unusual in scholarship--that the paintings are elusive, evasive, unsystematically ambiguous. Doors ajar, windows onto the street, paintings within paintings, half-drawn curtains, blank mirrors, a man's coat hung on a nail: those are the engines of interpretation, and Hollander tells their history lucidly and entirely persuasively."—James Elkins, author of The Object Stares Back "Hollander offers fresh and compelling readings of key works by Karel van Mander, Gerard Dou, Nicolaes Maes, and Pieter de Hooch. Very few recent books on Dutch art are as rich as this; and few are written in such lucid, unpretentious prose. What shines forth from every page is a genuine love of the pictures. Here is art history well tempered to the objects it interprets."—Joseph L. Koerner, author of The Moment of Self-Portraiture in German Renaissance Art "In recent years, scholars have explored how space signifies in seventeenth-century Dutch art and culture; Hollander's fascinating study is the most comprehensive to date. It examines space--as conceived in the writings of Dutch art theorists, constructed in contemporary architecture, and disposed and made meaningful in the work of Gerard Dou, Nicolaes Maes, Pieter de Hooch, and Karel van Mander. An Entrance for the Eyes lays a firm foundation for research on this intriguing and hitherto understudied aspect of Dutch art."—Wayne E. Franits, author of Paragons of Virtue: Women and Domesticity in Seventeenth-Century Dutch Art
Author: Wayne E. Franits
Publisher: Yale University Press
ISBN: 0300102372
Category : Art
Languages : en
Pages : 342
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Book Description
The appealing genre paintings of great seventeenth-century Dutch artists - Vermeer, Steen, de Hooch, Dou and others - have long enjoyed tremendous popularity. This comprehensive book explores the evolution of genre painting throughout the Dutch Golden Age, beginning in the early 1600s and continuing through the opening years of the next century. Wayne Franits, a well-known scholar of Dutch genre painting, offers a wealth of information about these works as well as about seventeenth-century Dutch culture, its predilections and its prejudices. The author approaches genre paintings from a variety of perspectives, examining their reception among contemporary audiences and setting the works in their political, cultural and economic contexts. The works emerge as distinctly conventional images, Franits shows, as genre artists continually replicated specific styles, motifs and a surprisingly restricted number of themes over the course of several generations. Luxuriously illustrated and with a full representation of the major artists and the cities where genre painting flourished, this book will delight students, scholars and general readers alike.
Author: Christopher White
Publisher: Royal Collection
ISBN: 9781905686469
Category : Painting, Dutch
Languages : en
Pages : 0
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Book Description
Since the publication of Christopher White's originial catalogue in 1982, scholarship in this area has advanced dramatically and many of the paintings in the collection, including several by Rembrandt, have been reattributed. Many of the works under study have also been cleaned and all are now presented here for the first time with full colour illustrations.0The Royal Collection has one of the finest collections of Dutch paintings in the world and this will be the first book in 30 years to do full justice to its richness and importance.
Author: Wayne Franits
Publisher: Routledge
ISBN: 1351546228
Category : Art
Languages : en
Pages : 499
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Book Description
Despite the tremendous number of studies produced annually in the field of Dutch art over the last 30 years or so, and the strong contemporary market for works by Dutch masters of the period as well as the public's ongoing fascination with some of its most beloved painters, until now there has been no comprehensive study assessing the state of research in the field. As the first study of its kind, this book is a useful resource for scholars and advanced students of seventeenth-century Dutch art, and also serves as a springboard for further research. Its 19 chapters, divided into three sections and written by a team of internationally renowned art historians, address a wide variety of topics, ranging from those that might be considered "traditional" to others that have only drawn scholarly attention comparatively recently.
Author: Elizabeth A. Honig
Publisher: Yale University Press
ISBN: 9780300072396
Category : Art
Languages : en
Pages : 374
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Book Description
This study of the ways in which Flemish painting between 1550 and 1650 reflected the burgeoning capitalism of Antwerp, focuses not only on the market-scene paintings, but also on the interaction between painters and markets as it was influenced by merchants, governments and consumers.
Author: Wayne E. Franits
Publisher: Getty Publications
ISBN: 0892368446
Category : Art
Languages : en
Pages : 94
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Book Description
In the hush of early morning, a dutiful mother butters bread for her young son, who patiently stands at her side. This splendid painting captures a trivial moment in a family's daily routine and makes it almost sacrosanct. A Woman Preparing Bread and Butter for a Boy was executed by the Dutch painter Pieter de Hooch (1629-1684) between 1661 and 1663. The J. Paul Getty Museum's canvas is one of the artist's many pictures depicting women and children engaged in daily activities. This book examines the painting in relation to the artist's life and work, exploring his stylistic development and his complex relationship to other painters in the Dutch Republic. The author places the subject matter of the painting within the broader context of seventeenth-century Dutch concepts of domesticity and child rearing and ties it to social and cultural developments in the Netherlands during the second half of the seventeenth century.
Author: Susan Broomhall
Publisher: Routledge
ISBN: 1317146808
Category : Social Science
Languages : en
Pages : 262
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Book Description
Combining historical, historiographical, museological, and touristic analysis, this study investigates how late medieval and early modern women of the Low Countries expressed themselves through texts, art, architecture and material objects, how they were represented by contemporaries, and how they have been interpreted in modern academic and popular contexts. Broomhall and Spinks analyse late medieval and early modern women's opportunities to narrate their experiences and ideas, as well as the processes that have shaped their representation in the heritage and cultural tourism of the Netherlands and Belgium today. The authors study female-authored objects such as familial and political letters, dolls' houses, account books; visual sources, funeral monuments, and buildings commissioned by female patrons; and further artworks as well as heritage sites, streetscapes, souvenirs and clothing with gendered historical resonances. Employing an innovative range of materials from written sources to artworks, material objects, heritage sites and urban precincts, the authors argue that interpretations of late medieval and early modern women's experiences by historians and art scholars interact with presentations by cultural and heritage tourism providers in significant ways that deserve closer interrogation by feminist researchers.
Author: Wayne E. Franits
Publisher:
ISBN: 9780521499453
Category : Art
Languages : en
Pages : 274
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Book Description
Despite the active tradition of scholarship on Dutch painting of the seventeenth century, scholars continue to grapple with the problem of how the strikingly realistic characteristics of art from this period can be reconciled with its possible meanings. With the advent of new methodologies, these debates have gained momentum in the past decade. Looking at Seventeenth-Century Dutch Art, which includes classic essays as well as contributions especially written for this volume, provides a timely survey of the principal interpretative methods and debates, from their origins in the 1960s to current manifestations, while suggesting potential avenues of inquiry for the future. The book offers fascinating insights into the meaning of Dutch art in its original cultural context as well as into the world of scholarship that it has inspired.
