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Author: Damiano Acciarino
Publisher:
ISBN: 9780772721952
Category : Aesthetics, Renaissance
Languages : en
Pages : 597
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Book Description
"This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--
Author: Damiano Acciarino
Publisher:
ISBN: 9780772721952
Category : Aesthetics, Renaissance
Languages : en
Pages : 597
Get Book Here
Book Description
"This collection offers a set of new readings on the history, meanings, and cultural innovations of the grotesque as defined by various current critical theories and practices. Since the grotesque frequently manifests itself as striking incongruities, ingenious hybrids, and creative deformities of nature and culture, it is profoundly implicated in early modern debates on the theological, philosophical, and ethical role of images. This consideration serves as the central focus from which the articles in the collection then move outward along different lines of conceptualization, chronology, cultural relevance, place, and site. They cover a wide spectrum of artistic media, from prints to drawings, from sculptures to gardens, from paintings to stuccos. As they do this, they engage with, and bring together, theoretical perspectives from writers as diverse as Plato and Paleotti, Vitruvius and Vasari, Molanus to Montaigne. Whether travelling a short distance from Nero's Domus Aurea to Raphael's Vatican logge, or across the ocean from Italy to New Spain, this volume goes further than any previous study in defining the historic understanding of grotesque and, in so doing, providing us with a more nuanced resource for our understanding of an art form once viewed as peripheral."--
Author: Justin Edwards
Publisher: Routledge
ISBN: 1134105983
Category : Literary Criticism
Languages : en
Pages : 177
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Book Description
Grotesque provides an invaluable and accessible guide to the use (and abuse) of this complex literary term. Justin D. Edwards and Rune Graulund explore the influence of the grotesque on cultural forms throughout history, with particular focus on its representation in literature, visual art and film. The book: presents a history of the literary grotesque from Classical writing to the present examines theoretical debates around the term in their historical and cultural contexts introduce readers to key writers and artists of the grotesque, from Homer to Rabelais, Shakespeare, Carson McCullers and David Cronenberg analyses key terms such as disharmony, deformed and distorted bodies, misfits and freaks explores the grotesque in relation to queer theory, post-colonialism and the carnivalesque. Grotesque presents readers with an original and distinctive overview of this vital genre and is an essential guide for students of literature, art history and film studies.
Author: Lucia Tantardini
Publisher: BRILL
ISBN: 9004679758
Category : Art
Languages : en
Pages : 279
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Book Description
Grotesque and Caricature: Leonardo to Bernini examines these two genres across Renaissance and Early Modern Italy. Although their origins stem from Antiquity, it were Leonardo da Vinci’s early teste caricate that injected fresh life into the tradition, greatly inspiring generations of artists. Critical among them were his Milanese followers, such as Giovanni Paolo Lomazzo, and also Michelangelo and Sebastiano del Piombo as well as, notably, Annibale Carracci, Guercino, and Bernini among others. Their artistic production—drawings, prints, paintings, and sculpture—reveals deep interest in physical, physiognomic, and psychological observations with a penchant for humour and wit. Written by an international group of established and emerging scholars, this volume explores new insights to these complementary artistic genres. Contributors include: Carlo Avilio, Ilaria Bernocchi, Christophe Brouard, Sandra Cheng, Susan Klaiber, Michael W. Kwakkelstein, Tod A. Marder, Rebecca Norris, Lucia Tantardini, Nicholas J. L. Turner, Mary Vaccaro, and Matthias Wivel.
Author: Liam Semler
Publisher: Routledge
ISBN: 0429684789
Category : Literary Criticism
Languages : en
Pages : 325
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Book Description
The Early Modern Grotesque: English Sources and Documents 1500-1700 offers readers a large and fully annotated collection of primary source texts addressing the grotesque in the English Renaissance. The sources are arranged chronologically in 120 numbered items with accompanying explanatory Notes. Each Note provides clarification of difficult terms in the source text, locating it in the context of early modern English and Continental discourses on the grotesque. The Notes also direct readers to further English sources and relevant modern scholarship. This volume includes a detailed introduction surveying the vocabulary, form and meaning of the grotesque from its arrival as a word, concept and aesthetic in 16th century England to its early maturity in the 18th century. The Introduction, Items and Notes, complemented by illustrations and a comprehensive bibliography, provide an unprecedented view of the evolving complexity and diversity of the early modern English grotesque. While giving due credit to Wolfgang Kayser and Mikhail Bakhtin as masters of grotesque theory, this ground-breaking book aims to provoke new, evidence-based approaches to understanding the specifically English grotesque. The textual archive from 1500-1700 is a rich and intriguing record that offers much to interested readers and researchers in the fields of literary studies, theatre studies and art history.
Author: Kébir Sandy
Publisher: GRIN Verlag
ISBN: 3668201765
Category : Literary Criticism
Languages : en
Pages : 27
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Book Description
Scientific Essay from the year 2015 in the subject Literature - General, , language: English, abstract: A good understanding of the grotesque necessitates not only an account of the historical development of the word “grotesque” and its usage, but also the various concepts with which it has often been associated, and the different theories and opinions expressed about it. We begin, first of all, by giving a brief examination of the history of the term, its origin, derivation, and semantic evolution. It is widely agreed that the word “grotesque originated to describe the murals which were discovered, in the course of excavation, beneath the baths of Titus in Rome at the end of the 15th century”. These paintings present a style of art which was completely unknown at the time. It is mainly characterized by its heterogeneous nature; it combines many different and ambivalent elements: human, animal, and vegetable. In English the word “grotesque” was introduced around 1640 to replace other previous forms, which came either from the Italian, like grotesco or crotesco, or the French like, crotesque. In fact, according to the O.E.D. the French form was the first to be recorded in the language. In French, crotesque occurred in 1532 and continued to prevail until the end of the 17th century. As early as the 16th century, the word “grotesque extended in French to non artistic things and literature. In his Essai, Montaigne wrote: “Que sont ce icy aussi (Les Essais) a la vérité que crotesques et corps monstrueux”. And Rabelais used it to refer to parts of the body in "Gargantua et Pantagruel" (1535), (“Couillon crotesque”). From the late 17th century, the word as an adjective knew a large usage. But in both England and Germany, it remained restricted to its early original usage until the 18th century when it got a wide application. It was associated with caricature which provoked too much emphasis on the ridiculous and a neglect of the terrible and terrifying side of the grotesque.
Author: Amanda Bailey
Publisher: Springer
ISBN: 1137561262
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
The first book to put contemporary affect theory into conversation with early modern studies, this volume demonstrates how questions of affect illuminate issues of cognition, political agency, historiography, and scientific thought in early modern literature and culture. Engaging various historical and theoretical perspectives, the essays in this volume bring affect to bear on early modern representations of bodies, passions, and social relations by exploring: the role of embodiment in political subjectivity and action; the interactions of human and non-human bodies within ecological systems; and the social and physiological dynamics of theatrical experience. Examining the complexly embodied experiences of leisure, sympathy, staged violence, courtiership, envy, suicide, and many other topics, the contributors open up new ways of understanding how Renaissance writers thought about the capacities, pleasures, and vulnerabilities of the human body.
Author: Chet Van Duzer
Publisher: BRILL
ISBN: 9004523839
Category : History
Languages : en
Pages : 268
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Book Description
This lavishly illustrated book is the first systematic exploration of cartographic cartouches, the decorated frames that surround the title, or other text or imagery, on historic maps. It addresses the history of their development, the sources cartographers used in creating them, and the political, economic, historical, and philosophical messages their symbols convey. Cartouches are the most visually appealing parts of maps, and also spaces where the cartographer uses decoration to express his or her interests—so they are key to interpreting maps. The book discusses thirty-three cartouches in detail, which range from 1569 to 1821, and were chosen for the richness of their imagery. The book will open your eyes to a new way of looking at maps.
Author: Dr Jacob Wamberg
Publisher: Ashgate Publishing, Ltd.
ISBN: 1472411722
Category : Art
Languages : en
Pages : 307
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Book Description
Are art and technology coming into a closer relationship with nature? Through a selection of innovative readings by international scholars, this book argues that since 1900 we have experienced a renewed negotiation of the convergent triangle of art, technology and nature, analysing its shifting constellations in post-medieval times. Through this negotiation, art becomes truly complementary to technology in understanding nature’s agencies and may gain an important role in adjusting technology’s present utilitarian hegemony.
Author: Lucia Tantardini
Publisher: BRILL
ISBN: 9004435107
Category : Art
Languages : en
Pages : 250
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Book Description
An exploration of the influence of the charismatic Milanese art theorist on his contemporaries in the field of drawing, painting, printmaking, decorative arts, and sculpture.
Author: James Luther Adams
Publisher: Wm. B. Eerdmans Publishing
ISBN: 9780802842671
Category : Art
Languages : en
Pages : 308
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Book Description
The authors focus on the religious and theological significance of grotesque imagery in art and literature, exploring the religious meaning of the grotesque and its importance as a subject for theological inquiry.
