Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Impressed by Light
Author: Roger Taylor
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Publisher: Metropolitan Museum of Art
ISBN: 1588392252
Category : Calotype
Languages : en
Pages : 456
Book Description
Photography emerged in 1839 in two forms simultaneously. In France, Louis Daguerre produced photographs on silvered sheets of copper, while in Great Britain, William Henry Fox Talbot put forward a method of capturing an image on ordinary writing paper treated with chemicals. Talbot’s invention, a paper negative from which any number of positive prints could be made, became the progenitor of virtually all photography carried out before the digital age. Talbot named his perfected invention "calotype," a term based on the Greek word for beauty. Calotypes were characterized by a capacity for subtle tonal distinctions, massing of light and shadow, and softness of detail. In the 1840s, amateur photographers in Britain responded with enthusiasm to the challenges posed by the new medium. Their subjects were wide-ranging, including landscapes and nature studies, architecture, and portraits. Glass-negative photography, which appeared in 1851, was based on the same principles as the paper negative but yielded a sharper picture, and quickly gained popularity. Despite the rise of glass negatives in commercial photography, many gentlemen of leisure and learning continued to use paper negatives into the 1850s and 1860s. These amateurs did not seek the widespread distribution and international reputation pursued by their commercial counterparts, nearly all of whom favored glass negatives. As a result, many of these calotype works were produced in a small number of prints for friends and fellow photographers or for a family album. This richly illustrated, landmark publication tells the first full history of the calotype, embedding it in the context of Britain’s changing fortunes, intricate class structure, ever-growing industrialization, and the new spirit under Queen Victoria. Of the 118 early photographs presented here in meticulously printed plates, many have never before been published or exhibited.
Van Dyke Brown
Author: Peter Mrhar
Publisher: Createspace Independent Publishing Platform
ISBN: 9781514747100
Category : Photographic emulsions
Languages : en
Pages : 0
Book Description
Another amazing practical guide by Peter Mrhar. This time, you have a book before you that will take you step-by-step through the world of the Van Dyke Brown photographic process. Without too much theory, with clear demonstrations, with extensive descriptions of mistake corrections, with descriptions of advanced techniques to increase contrast, print on fabric, brighten photos, toning, etc... In short, another book that will lead you to the mastery of photography without neuroses.
Publisher: Createspace Independent Publishing Platform
ISBN: 9781514747100
Category : Photographic emulsions
Languages : en
Pages : 0
Book Description
Another amazing practical guide by Peter Mrhar. This time, you have a book before you that will take you step-by-step through the world of the Van Dyke Brown photographic process. Without too much theory, with clear demonstrations, with extensive descriptions of mistake corrections, with descriptions of advanced techniques to increase contrast, print on fabric, brighten photos, toning, etc... In short, another book that will lead you to the mastery of photography without neuroses.
Easy Digital Negatives
Author: Peter Mrhar
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 204
Book Description
It has been six years since the first edition of Easy Digital Negatives book was published. And during this time, the book has become one of the most popular manuals for making transparent digital negatives. And, thanks for the trust.The second edition is a rather extended version of the first book. As in the first edition, it first thoroughly explains to you all the necessary knowledge about digital negatives for alternative photography and then explains both manual and computer procedures for making negatives step by step.And why should you read a book?: -The quality of photos is greatly increased by using the EasyDigitalNegatives system.-The process is extremely fast and allows you to make quality negatives and photos after the first few attempts.-The production is so simple that it is easily understood and used by any amateur or professional photographer or printer.-There will be a lot of videos available soon.-The results of corrected transparent digital negatives are reliable.-And you can use any printer to make transparent digital negatives using EasyDigitalNegatives, not just some of the most expensive inkjet printers.-You can use almost all operating systems and image processing programs.-And above all, EasyDigitalNegatives is an extremely widespread system, so you can be helped by many selfless users in case of any problems (you never know).But by purchasing this book, you will probably also become a master of making transparent digital negatives for alternative and historical photography. So don't worry, because the solution is almost at hand this time as well.
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 204
Book Description
It has been six years since the first edition of Easy Digital Negatives book was published. And during this time, the book has become one of the most popular manuals for making transparent digital negatives. And, thanks for the trust.The second edition is a rather extended version of the first book. As in the first edition, it first thoroughly explains to you all the necessary knowledge about digital negatives for alternative photography and then explains both manual and computer procedures for making negatives step by step.And why should you read a book?: -The quality of photos is greatly increased by using the EasyDigitalNegatives system.-The process is extremely fast and allows you to make quality negatives and photos after the first few attempts.-The production is so simple that it is easily understood and used by any amateur or professional photographer or printer.-There will be a lot of videos available soon.-The results of corrected transparent digital negatives are reliable.-And you can use any printer to make transparent digital negatives using EasyDigitalNegatives, not just some of the most expensive inkjet printers.-You can use almost all operating systems and image processing programs.-And above all, EasyDigitalNegatives is an extremely widespread system, so you can be helped by many selfless users in case of any problems (you never know).But by purchasing this book, you will probably also become a master of making transparent digital negatives for alternative and historical photography. So don't worry, because the solution is almost at hand this time as well.
The Paper Negative
Author: Danny Lyon
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 72
Book Description
"Danny Lyon is a photographer and filmmaker. He was a staff member of the Student Non-Violent Coordinating Committee (SNCC), and his pictures first appeared in The movement (1964), a documentary of the Southern civil rights movement. In 1967 he published The bikeriders and in 1971 Conversations with the Dead, a picture of Texas prison life in the late 1960's. His documentary feature films include The abandoned children, Little boy and El Otro Lado. He has received Guggenheim Fellowships in both photography and filmmmaking. Mr. Lyon, who makes his home in New Mexico, is married and has three children."--Back cover.
Publisher:
ISBN:
Category : Documentary photography
Languages : en
Pages : 72
Book Description
"Danny Lyon is a photographer and filmmaker. He was a staff member of the Student Non-Violent Coordinating Committee (SNCC), and his pictures first appeared in The movement (1964), a documentary of the Southern civil rights movement. In 1967 he published The bikeriders and in 1971 Conversations with the Dead, a picture of Texas prison life in the late 1960's. His documentary feature films include The abandoned children, Little boy and El Otro Lado. He has received Guggenheim Fellowships in both photography and filmmmaking. Mr. Lyon, who makes his home in New Mexico, is married and has three children."--Back cover.
Photographic Possibilities
Author: Robert Hirsch
Publisher: Taylor & Francis
ISBN: 0240810139
Category : Photography
Languages : en
Pages : 302
Book Description
A reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images.
Publisher: Taylor & Francis
ISBN: 0240810139
Category : Photography
Languages : en
Pages : 302
Book Description
A reliable source of techniques and ideas for the use of alternative and contemporary photographic processes that photographers have come to depend on. Professional photographers and advanced students seeking to increase their skills will discover modern and classic methods of creating and manipulating images.
Real / Ideal
Author: Karen Hellman
Publisher: Getty Publications
ISBN: 1606065106
Category : Photography
Languages : en
Pages : 244
Book Description
In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography’s status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.
Publisher: Getty Publications
ISBN: 1606065106
Category : Photography
Languages : en
Pages : 244
Book Description
In the years following the announcement of the invention of photography in 1839, practitioners in France gave shape to this intriguing new medium through experimental printing techniques and innovative compositions. The rich body of work they developed proved foundational to the establishment of early photography, from the introduction of the paper negative in the late 1840s to the proliferation of more standardized equipment and photomechanical technology in the 1860s. The essays in this elegant volume investigate the early history of the medium when the ambiguities inherent in the photograph were ardently debated. Focusing on the French photographers who worked with paper negatives, especially the key figures Édouard Baldus, Gustave Le Gray, Henri Le Secq, and Charles Nègre, Real/Ideal explores photography’s status as either fine art or industrial product (or both), its repertoire of subject matter, its ideological functions, and even the ever-experimental photographic process itself.
The Albumen & Salted Paper Book
Author: James M. Reilly
Publisher: HP Trade
ISBN:
Category : Photography
Languages : en
Pages : 152
Book Description
Publisher: HP Trade
ISBN:
Category : Photography
Languages : en
Pages : 152
Book Description
The Photographic News
Author: William Crookes
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 858
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 858
Book Description
Photographs of the Past
Author: Bertrand Lavédrine
Publisher: Getty Publications
ISBN: 0892369574
Category : Photography
Languages : en
Pages : 367
Book Description
In recent years, interest in old photographs has grown significantly among a broad public, from collectors, conservators, and archivists to amateurs seeking to preserve precious family albums. Although the medium of photography is barely 150 years old, its relatively brief history has witnessed the birth of a wide range of photographic processes, each of which poses unique conservation challenges. Photographs of the Past: Processes and Preservation provides a comprehensive introduction to the practice of photograph preservation, bringing together more information on photographic processes than any other single source. Introductory chapters cover issues of terminology; the rest of the book is divided into three parts: positives, negatives, and conservation. Each chapter focuses on a single process--daguerreotypes, albumen negatives, black-and-white prints, and so on--providing an overview of its history and materials and tracing the evolution of its technology. This book will serve as an irreplaceable reference work for conservators, curators, collectors, dealers, conservation students, and photographers, as well as those in the general public seeking information on preserving this ubiquitous form of cultural heritage.
Publisher: Getty Publications
ISBN: 0892369574
Category : Photography
Languages : en
Pages : 367
Book Description
In recent years, interest in old photographs has grown significantly among a broad public, from collectors, conservators, and archivists to amateurs seeking to preserve precious family albums. Although the medium of photography is barely 150 years old, its relatively brief history has witnessed the birth of a wide range of photographic processes, each of which poses unique conservation challenges. Photographs of the Past: Processes and Preservation provides a comprehensive introduction to the practice of photograph preservation, bringing together more information on photographic processes than any other single source. Introductory chapters cover issues of terminology; the rest of the book is divided into three parts: positives, negatives, and conservation. Each chapter focuses on a single process--daguerreotypes, albumen negatives, black-and-white prints, and so on--providing an overview of its history and materials and tracing the evolution of its technology. This book will serve as an irreplaceable reference work for conservators, curators, collectors, dealers, conservation students, and photographers, as well as those in the general public seeking information on preserving this ubiquitous form of cultural heritage.
The British Journal of Photography
Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 496
Book Description
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 496
Book Description