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Author: IVAN. GASKELL
Publisher: Routledge
ISBN: 9781032092638
Category : Painting
Languages : en
Pages : 230
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Book Description
This book is an exploration of how art--specifically paintings in the European manner--can be mobilized to make knowledge claims about the past. No type of human-made tangible thing makes more complex and bewildering demands in this respect than paintings. Ivan Gaskell argues that the search for pictorial meaning in paintings yields limited results and should be replaced by attempts to define the point of such things, which is cumulative and ever subject to change. He shows that while it is not possible to define what art is--other than being an open kind--it is possible to define what a painting is, as a species of drawing, regardless of whether that painting is an artwork or not at any given time. The book demonstrates that things can be artworks on some occasions but not necessarily on others, though it is easier for a thing to acquire artwork status than to lose it. That is, the movement of a thing into and out of the artworld is not symmetrical. All such considerations are properly matters not of ontology--what is and what is not an artwork--but of use; that is, how a thing might or might not function as an artwork under any given circumstances. These considerations necessarily affect the approach to paintings that at any given time might be able to function as an artwork or might not be able to function as such. Only by taking these factors into account can anyone make viable knowledge about the past. This lively discussion ranges over innumerable examples of paintings, from Rembrandt to Rothko, as well as plenty of far less familiar material from contemporary Catholic devotional works to the Chinese avant garde. Its aim is to enhance philosophical acuity in respect of the analysis of paintings, and to increase their amenability to philosophically satisfying historical use. Paintings and the Past is a must-read for all advanced students and scholars concerned with philosophy of art, aesthetics, historical method, and art history.
Author: IVAN. GASKELL
Publisher: Routledge
ISBN: 9781032092638
Category : Painting
Languages : en
Pages : 230
Get Book Here
Book Description
This book is an exploration of how art--specifically paintings in the European manner--can be mobilized to make knowledge claims about the past. No type of human-made tangible thing makes more complex and bewildering demands in this respect than paintings. Ivan Gaskell argues that the search for pictorial meaning in paintings yields limited results and should be replaced by attempts to define the point of such things, which is cumulative and ever subject to change. He shows that while it is not possible to define what art is--other than being an open kind--it is possible to define what a painting is, as a species of drawing, regardless of whether that painting is an artwork or not at any given time. The book demonstrates that things can be artworks on some occasions but not necessarily on others, though it is easier for a thing to acquire artwork status than to lose it. That is, the movement of a thing into and out of the artworld is not symmetrical. All such considerations are properly matters not of ontology--what is and what is not an artwork--but of use; that is, how a thing might or might not function as an artwork under any given circumstances. These considerations necessarily affect the approach to paintings that at any given time might be able to function as an artwork or might not be able to function as such. Only by taking these factors into account can anyone make viable knowledge about the past. This lively discussion ranges over innumerable examples of paintings, from Rembrandt to Rothko, as well as plenty of far less familiar material from contemporary Catholic devotional works to the Chinese avant garde. Its aim is to enhance philosophical acuity in respect of the analysis of paintings, and to increase their amenability to philosophically satisfying historical use. Paintings and the Past is a must-read for all advanced students and scholars concerned with philosophy of art, aesthetics, historical method, and art history.
Author: Delphi Classics
Publisher: Delphi Classics
ISBN: 1786565080
Category : Art
Languages : en
Pages : 594
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Book Description
This stunning eBook is a concise illustrated guide, evaluating the masterpieces that have changed the course of art as we know it. Whether an art novice or a cultivated connoisseur, this eBook offers you an intriguing overview of the world’s most famous and iconic artworks. Illustrated with over 500 full colour images, it builds upon Delphi’s groundbreaking Masters of Art Series — the world’s first digital e-Art books. Through the analysis of 50 famous and innovative paintings, the eBook charts the shifting movements and styles of Western art, from the early beginnings of the Italian Renaissance to the daring wonders of the twentieth century. (Version 1) * Includes reproductions of art’s most monumental paintings * Concise introductions to the masterpieces, giving valuable contextual information on each artist and artwork * Enlarged ‘Detail’ images, allowing you to explore the celebrated works in detail, as featured in traditional print art books * Hundreds of images in colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Easily locate the paintings you wish to view with a linked contents table * Chart the history of art in chronological order Please note: due to existing copyrights, Picasso and Matisse are unable to appear in the eBook. CONTENTS: SCENES FROM THE LIFE OF JOACHIM by Giotto THE EXPULSION FROM THE GARDEN OF EDEN by Masaccio THE ARNOLFINI PORTRAIT by Jan van Eyck THE BAPTISM OF CHRIST by Piero della Francesca PRIMAVERA by Sandro Botticelli THE LAST SUPPER by Leonardo da Vinci SELF PORTRAIT, 1498 by Albrecht Dürer PORTRAIT OF DOGE LEONARDO LOREDAN by Giovanni Bellini MONA LISA by Leonardo da Vinci THE LAST JUDGMENT by Michelangelo THE SCHOOL OF ATHENS by Raphael SLEEPING VENUS by Giorgione ASSUMPTION OF THE VIRGIN by Titian THE PEASANT WEDDING by Pieter Bruegel the Elder THE LAST SUPPER by Tintoretto CALLING OF SAINT MATTHEW by Caravaggio JUDITH SLAYING HOLOFERNES by Artemisia Gentileschi ET IN ARCADIA EGO by Nicolas Poussin THE EMBARKATION OF THE QUEEN OF SHEBA by Claude Lorrain LAS MENINAS by Diego Velázquez PEACE AND WAR by Sir Peter Paul Rubens THE GIRL WITH THE PEARL EARRING by Johannes Vermeer SELF PORTRAIT WITH PALETTE AND BRUSHES by Rembrandt van Rijn THE ENTRANCE TO THE GRAND CANAL, VENICE by Canaletto THE MARRIAGE SETTLEMENT by William Hogarth THE SWING by Jean-Honoré Fragonard THE BLUE BOY by Thomas Gainsborough OATH OF THE HORATII by Jacques-Louis David THE NUDE MAJA by Francisco de Goya THE HAY WAIN by John Constable WANDERER ABOVE THE SEA OF FOG by Caspar David Friedrich LIBERTY LEADING THE PEOPLE by Eugène Delacroix THE FIGHTING TEMERAIRE by J. M. W. Turner OLYMPIA by Édouard Manet IMPRESSION, SUNRISE by Claude Monet PROSERPINE by Dante Gabriel Rossetti THE DANCING CLASS by Edgar Degas NOCTURNE IN BLACK AND GOLD: THE FALLING ROCKET by James Abbott McNeill Whistler AT THE MOULIN DE LA GALETTE by Pierre-Auguste Renoir MADAME X by John Singer Sargent STILL LIFE: VASE WITH TWELVE SUNFLOWERS by Vincent van Gogh THE SCREAM by Edvard Munch WHERE DO WE COME FROM? WHAT ARE WE? WHERE ARE WE GOING? by Paul Gauguin THE LARGE BATHERS by Paul Cézanne THE KISS by Gustav Klimt PORTRAIT OF WALLY by Egon Schiele SMALL PLEASURES by Wassily Kandinsky SEATED NUDE by Amedeo Modigliani RED BALLOON by Paul Klee TABLEAU I by Piet Mondrian Please visit www.delphiclassics.com to browse through our range of exciting titles or to buy the whole Art series as a Super Set
Author: James Elkins
Publisher: Routledge
ISBN: 113595013X
Category : Art
Languages : en
Pages : 218
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Book Description
This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.
Author: Mick Manning
Publisher: Franklin Watts
ISBN: 9781445150031
Category :
Languages : en
Pages : 0
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Book Description
A friendly and inspiring introduction to art history, telling the stories of the world's greatest paintings and artists from prehistory to the modern day The Story of Paintings begins with the cave paintings of our Stone Age ancestors and continues through to the modern day. Mick Manning and Brita Granström take your on a tour of their personally selected gallery which showcases the work of some of the world's most famous artists and few a less well-known ones. The artists featured include van Eyck, da Vinci, Bruegel, Rembrandt, Velázquez, JMW Turner, Van Gogh, Monet, Matisse, Georgia O'Keefe, Picasso, Frida Kahlo and Jackson Pollock as well as Dame Laura Knight and Kalan Khan. The friendly text and illustrations help children to appreciate the art, highlighting interesting biographical details and picking out key details to spot. The book's large format means the art is reproduced on a wonderfully impactful scale. This really is a book to give and treasure. The creative team of Mick Manning and Brita Granström are well-known for their ground breaking children's information books. Their many awards range the TES Information Book Award for What's Under the Bed? and the English Association Non-fiction award for Charlie's War Illustrated.
Author: Jamie Camplin
Publisher: Getty Publications
ISBN: 1606065866
Category : Art
Languages : en
Pages : 14
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Book Description
“Why do artists love books?” This volume takes this tantalizingly simple question as a starting point to reveal centuries of symbiosis between the visual and literary arts. First looking at the development of printed books and the simultaneous emergence of the modern figure of the artist, The Art of Reading appraises works by the many great masters who took inspiration from the printed word. Authors Jamie Camplin and Maria Ranauro weave together an engaging cultural history that probes the ways in which books and paintings represent a key to understanding ourselves and the past. Paintings contain a world of information about religion, class, gender, and power, but they also reveal details of everyday life often lost in history texts. Such artworks show us not only how books have been valued over time but also how the practice of reading has evolved in Western society. Featuring over one hundred works by artists from across Europe and the United States and all painting genres, The Art of Reading explores the two-thousand-year story of the great painters and the preeminent information-providing, knowledge-endowing, solace-giving, belief-supporting, leisure-enriching, pleasure-delivering medium of all time: the book.
Author: Alfred Friedrich Gottfried Albert Woltmann
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 540
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Book Description
Author: Mark Salber Phillips
Publisher: McGill-Queen's/Beaverbrook Can
ISBN: 9780773558960
Category : Art
Languages : en
Pages : 0
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Book Description
How the most prestigious genre of painting collapsed into obscurity, only to rise again in new guises.
Author: Carol Strickland
Publisher: Sterling Publishing Company, Inc.
ISBN: 9781402736032
Category : Art
Languages : en
Pages : 140
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Book Description
From cave paintings to Jeff Koons--that’s where this stunningly illustrated history of art takes you. Filled with pictures of paintings, sculptures, museum artifacts, and architectural standouts, and a cross-cultural approach that encompasses European, American, Asian, and Islamic masterpieces, it proceeds on a thrilling visual tour. Carol Strickland--author of the bestselling Annotated Mona Lisa (300,000 copies sold)--serves as guide, and delivers superb background that sets the stage for each era’s timeline, as well as informative sidebars that reveal the broader implications of new styles and movements.
Author: Sarah E. Betzer
Publisher: University of Pennsylvania Press
ISBN: 9780271048758
Category : Portrait painting
Languages : en
Pages : 332
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Book Description
An exploration of the portrait art of Jean Auguste Dominique Ingres, focusing on his studio practice and his training of students.
Author: Matthew Hayes
Publisher: Getty Publications
ISBN: 160606696X
Category : Art
Languages : en
Pages : 210
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Book Description
This handsomely illustrated volume traces the intersections of art history and paintings restoration in nineteenth-century Europe. Repairing works of art and writing about them—the practices that became art conservation and art history—share a common ancestry. By the nineteenth century the two fields had become inseparably linked. While the art historical scholarship of this period has been widely studied, its restoration practices have received less scrutiny—until now. This book charts the intersections between art history and conservation in the treatment of Italian Renaissance paintings in nineteenth-century Europe. Initial chapters discuss the restoration of works by Giotto and Titian framed by the contemporary scholarship of art historians such as Jacob Burckhardt, G. B. Cavalcaselle, and Joseph Crowe that was redefining the earlier age. Subsequent chapters recount how paintings conservation was integrated into museum settings. The narrative uses period texts, unpublished archival materials, and historical photographs in probing how paintings looked at a time when scholars were writing the foundational texts of art history, and how contemporary restorers were negotiating the appearances of these works. The book proposes a model for a new conservation history, object-focused yet enriched by consideration of a wider cultural horizon.
