Author: Peter H. Spectre
Publisher: WoodenBoat Books
ISBN: 9780937822333
Category : Crafts & Hobbies
Languages : en
Pages : 166
Book Description
Well-known as the editor of the best-selling annual Mariner's Book of Days, Peter Spectre lives in Spruce Head, Maine.
Painting & Varnishing
The Painter's Guide to the Art of Varnishing and Polishing, with Directions for House, Coach, Sign and Ornamental Painting [etc.]
Author: J. W. Neil
Publisher:
ISBN:
Category : Guides
Languages : en
Pages : 56
Book Description
Publisher:
ISBN:
Category : Guides
Languages : en
Pages : 56
Book Description
The Painter's Guide to the Art of Varnishing and Polishing, Etc
Author: J. W. NEIL
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 48
Book Description
Traditional Oil Painting
Author: Virgil Elliott
Publisher: Watson-Guptill
ISBN: 9780823030668
Category : Oils and fats
Languages : en
Pages : 0
Book Description
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
Publisher: Watson-Guptill
ISBN: 9780823030668
Category : Oils and fats
Languages : en
Pages : 0
Book Description
"Traditional Oil Painting is that rare sourcebook that comprehensively covers the most advanced techniques and concepts of oil painting"--P. [2] of cover.
The Painter and Varnisher's Guide
Author: Pierre François Tingry
Publisher:
ISBN:
Category : Paint
Languages : en
Pages : 606
Book Description
Publisher:
ISBN:
Category : Paint
Languages : en
Pages : 606
Book Description
Painting and Finishing
Author: Michael M. Dresdner
Publisher: Taunton
ISBN: 9781561584802
Category : Finishes and finishing
Languages : en
Pages : 0
Book Description
Includes how-to information.
Publisher: Taunton
ISBN: 9781561584802
Category : Finishes and finishing
Languages : en
Pages : 0
Book Description
Includes how-to information.
The Varnish and the Glaze
Author: Marjolijn Bol
Publisher: University of Chicago Press
ISBN: 022682036X
Category : Art
Languages : en
Pages : 323
Book Description
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth, however, and after it was revealed as such, the remarkable verisimilitude of his work was attributed instead to a new translucent painting technique, a technique the artist could have only innovated with oil paint already at his disposal: the glaze. Today, most theories about how Van Eyck achieved his visual realism revolve around this idea: that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before and, moreover, that these two techniques were not only explored by painters but were developed by a variety of artisans as part of the medieval material culture of splendor. Artisans embellished metalwork and wood with varnishes and glazes to imitate gems and enamel; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of water, silk, and more. What's more, Bol shows how the explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by nature"--
Publisher: University of Chicago Press
ISBN: 022682036X
Category : Art
Languages : en
Pages : 323
Book Description
"Both medieval panel painters and those working in the fifteenth century created works that evoke the glow of precious stones, the sheen of polished gold and silver, and the colorful radiance of stained glass. Yet their approach to rendering these materials is markedly different. Marjolijn Bol explores some of the reasons behind this radical transformation by telling the history of the two oil painting techniques used to depict everything that glistens and glows-the varnish and the glaze. For more than a century after his death, the fifteenth century painter Jan van Eyck was widely credited with the invention of varnish and oil paint, on account of his unique visual realism. This was a myth, however, and after it was revealed as such, the remarkable verisimilitude of his work was attributed instead to a new translucent painting technique, a technique the artist could have only innovated with oil paint already at his disposal: the glaze. Today, most theories about how Van Eyck achieved his visual realism revolve around this idea: that he was the first to discover or refine the glazing technique. Bol, however, argues that, rather than being a fifteenth-century refinement, varnishing and glazing began centuries before and, moreover, that these two techniques were not only explored by painters but were developed by a variety of artisans as part of the medieval material culture of splendor. Artisans embellished metalwork and wood with varnishes and glazes to imitate gems and enamel; infused rock crystal with oil, resin, and colorants to imitate more precious minerals; and oiled parchment to transform it into the appearance of green glass. Likewise, medieval panel painters used varnishes and glazes to create the look of water, silk, and more. What's more, Bol shows how the explorations of materials and their optical properties by these artists stimulated natural philosophers to come up with theories about transparent and translucent materials produced by nature"--
How to Paint Your Boat
Author: Nigel Clegg
Publisher: Sheridan House, Inc.
ISBN: 1574092235
Category : Sports & Recreation
Languages : en
Pages : 146
Book Description
Format 5 1/2" x 8 1/2" Illus. 40 b&w line drawings and photos - All boat owners need to paint, varnish or antifoul their boat every season - No other book explains how to choose from the wide range of products available - Packed with practical advice and written in non-technical language - Contains a fault-finding chart
Publisher: Sheridan House, Inc.
ISBN: 1574092235
Category : Sports & Recreation
Languages : en
Pages : 146
Book Description
Format 5 1/2" x 8 1/2" Illus. 40 b&w line drawings and photos - All boat owners need to paint, varnish or antifoul their boat every season - No other book explains how to choose from the wide range of products available - Packed with practical advice and written in non-technical language - Contains a fault-finding chart
A short Introduction to the art of Painting and Varnishing. [By J. Smith?]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 16
Book Description
List of Published Material Relating to Paint, Painting, Varnish, Lacquer, Bitumens and Allied Subjects
Author: United States. National Bureau of Standards
Publisher:
ISBN:
Category : Bitumen
Languages : en
Pages : 34
Book Description
Publisher:
ISBN:
Category : Bitumen
Languages : en
Pages : 34
Book Description