Painting Politics for Louis-Philippe PDF Download
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Author: Michael Marrinan
Publisher:
ISBN: 9780300038538
Category : Art
Languages : en
Pages : 310
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Book Description
Author: Michael Marrinan
Publisher:
ISBN: 9780300038538
Category : Art
Languages : en
Pages : 310
Get Book Here
Book Description
Author: Victor S Navasky
Publisher: Knopf
ISBN: 0307962148
Category : Political Science
Languages : en
Pages : 257
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Book Description
A lavishly illustrated, witty, and original look at the awesome power of the political cartoon throughout history to enrage, provoke, and amuse. As a former editor of The New York Times Magazine and the longtime editor of The Nation, Victor S. Navasky knows just how transformative—and incendiary—cartoons can be. Here Navasky guides readers through some of the greatest cartoons ever created, including those by George Grosz, David Levine, Herblock, Honoré Daumier, and Ralph Steadman. He recounts how cartoonists and caricaturists have been censored, threatened, incarcerated, and even murdered for their art, and asks what makes this art form, too often dismissed as trivial, so uniquely poised to affect our minds and our hearts. Drawing on his own encounters with would-be censors, interviews with cartoonists, and historical archives from cartoon museums across the globe, Navasky examines the political cartoon as both art and polemic over the centuries. We see afresh images most celebrated for their artistic merit (Picasso's Guernica, Goya's "Duendecitos"), images that provoked outrage (the 2008 Barry Blitt New Yorker cover, which depicted the Obamas as a Muslim and a Black Power militant fist-bumping in the Oval Office), and those that have dictated public discourse (Herblock’s defining portraits of McCarthyism, the Nazi periodical Der Stürmer’s anti-Semitic caricatures). Navasky ties together these and other superlative genre examples to reveal how political cartoons have been not only capturing the zeitgeist throughout history but shaping it as well—and how the most powerful cartoons retain the ability to shock, gall, and inspire long after their creation. Here Victor S. Navasky brilliantly illuminates the true power of one of our most enduringly vital forms of artistic expression.
Author: Barbara Ann Day-Hickman
Publisher: University of Delaware Press
ISBN: 9780874136159
Category : Antiques & Collectibles
Languages : en
Pages : 198
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Book Description
Scholars have long debated the mysterious popularity of the Napoleonic Legend, from the emperor's final defeat in 1815 to the astounding electoral victory of his nephew, Louis-Napoleon Bonaparte, in the presidential elections of 1848. In this book, the author demonstrates how broadsheet illustrations about Napoleon Bonaparte helped shape popular support in regional France for the "new" Bonaparte elected in 1848. Nicholas Pellerin, an avowed republican, and Pierre-Germain Vadet, a veteran of the Imperial wars and staunch bonapartist, promoted representations of Napoleon to criticize and undermine the political status quo. The author reveals how the Pellerin broadsheets about Napoleon sustained anti-Bourbon, anti-Orleanist sentiments during the several decades preceding the revolution of 1848.
Author: Sandy Petrey
Publisher: Cornell University Press
ISBN: 9780801443411
Category : Biography & Autobiography
Languages : en
Pages : 208
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Book Description
Sandy Petrey explores the factors accounting for such consequential innovations in so short a time, so restricted a space. In Petrey's view, these disparate events betoken a common recognition of society's capacity to make and unmake what it recognizes as real."--Jacket.
Author: Ronit Milano
Publisher: BRILL
ISBN: 9004276254
Category : Art
Languages : en
Pages : 242
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Book Description
In The Portrait Bust and French Cultural Politics in the Eighteenth Century, Ronit Milano probes the rich and complex aesthetic and intellectual charge of a remarkably concise art form, and explores its role as a powerful agent of epistemological change during one of the most seismic moments in French history. The pre-Revolutionary portrait bust was inextricably tied to the formation of modern selfhood and to the construction of individual identity during the Enlightenment, while positioning both sitters and viewers as part of a collective of individuals who together formed French society. In analyzing the contribution of the portrait bust to the construction of interiority and the formulation of new gender roles and political ideals, this book touches upon a set of concerns that constitute the very core of our modernity.
Author: David S. Kerr
Publisher: Clarendon Press
ISBN: 0191543047
Category : History
Languages : en
Pages : 254
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Book Description
Charles Philipon (1800-1862) was the founder of the satirical illustrated press in France. With the newspapers he owned and directed, La Caricature and Le Charivari, he led an unprecedentedly coherent and vitriolic campaign of disrespect against King Louis-Philippe and his regime. Using a group of young caricaturists (the most talented of whom were Daumier, Grandville, and Travies) and the collaboration of a gifted team of writers (including Balzac) he crafted a new language of opposition. This book is the first full scholarly study of the structure of the illustrated press in the 1830s, its contribution to political debate in France, the dissemination of caricature and its potential as political propaganda, and the links between caricature and other forms of political-cultural discourse under the July Monarchy.
Author: Gonzalo J. S¾nchez
Publisher: U of Nebraska Press
ISBN: 9780803242555
Category : Art
Languages : en
Pages : 272
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Book Description
One need only remember the role of Jacques Louis David in the French Revolution of 1789 and the quasi-official status of art in French national history to understand the prominence of art and artists in the Fädäration des Artistes of the Paris Commune of 1871. Focusing on artists' political activities rather than their artistic efforts, Gonzalo J. S¾nchez Jr. examines the artists' assembly formed in the Commune, recounts the program and activities of the group and its members, and charts their fate after the fall of the Commune and during the ensuing repression of the Communards. ø Departing from the tradition established by Karl Marx, which views the Commune as a precursor of revolutionary socialism, the author portrays the artists' federation as a complex mixture of conservative and reformist elements, situated at a historical crossroads. These artists?including Gustave Courbet, Jules Häreau, Edouard Lockroy, Jules Dalou, and Läon and August Ottins?were part of a tradition of artists' assemblies dating to 1789 even as they argued for radical change in artists' social status and autonomy. Many of the reforms they advocated were realized during the Third Republic, making the federation a social and political, if not an aesthetic, precursor of modernism.
Author: D. Barry
Publisher: Springer
ISBN: 0230374360
Category : History
Languages : en
Pages : 226
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Book Description
`A lucid and wide-ranging survey of the changing role of women in insurgent movements in nineteenth-century France that will be invaluable for those interested in both women's studies and French history' - Pamela M. Pilbeam, Royal Holloway, University of London. This book provides a broad survey of the development of female insurgency in France between 1789 and 1871, and lays particular emphasis on the conflicts of 1830-51. Drawing on unused archival material, Barry demonstrates that a tradition of women's protest evolved from the 1789 Revolution, assuming particular forms associated with the exclusion of females from political and civil rights, and inviting both praise and vilification. The conclusions challenge the view that in nineteenth-century France women retreated altogether from popular movements.
Author: Philip Dwyer
Publisher: Bloomsbury Publishing
ISBN: 1408891743
Category : History
Languages : en
Pages : 417
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Book Description
'Vibrant and illuminating ... [Dywer] tells a fascinating tale' The Times 'Refreshing scholarship ... Energetic, readable and filled with colourful detail ... Napoleon: Passion, Death and Resurrection is a thoroughly enjoyable book which divides well the reality of exile from the legend that sprang from it' Literary Review This meticulously researched study opens with Napoleon no longer in power, but instead a prisoner on the island of St Helena. This may have been a great fall from power, but Napoleon still held immense attraction. Every day, huge crowds would gather on the far shore in the hope of catching a glimpse of him. Philip Dwyer closes his ambitious trilogy exploring Napoleon's life, legacy and myth by moving from those first months of imprisonment, through the years of exile, up to death and then beyond, examining how the foundations of legend that had been laid by Napoleon during his lifetime continued to be built upon by his followers. This is a fitting and authoritative end to a definitive work.
Author: Daniel Harkett
Publisher: Dartmouth College Press
ISBN: 1512600431
Category : Art
Languages : en
Pages : 322
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Book Description
This collection reconsiders the life and work of Emile Jean-Horace Vernet (1789-1863), presenting him as a crucial figure for understanding the visual culture of modernity. The book includes work by senior and emerging scholars, showing that Vernet was a multifaceted artist who moved with ease across the thresholds of genre and media to cultivate an image of himself as the embodiment of modern France. In tune with his times, skilled at using modern technologies of visual reproduction to advance his reputation, Vernet appealed to patrons from across the political spectrum and made works that nineteenth-century audiences adored. Even Baudelaire, who reviled Vernet and his art and whose judgment has played a significant role in consigning Vernet to art-historical obscurity, acknowledged that the artist was the most complete representative of his age. For those with an interest in the intersection of art and modern media, politics, imperialism, and fashion, the essays in this volume offer a rich reward.
