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Author: Vijay Sharma
Publisher:
ISBN: 9789389136654
Category : Guler painting
Languages : en
Pages : 0
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Book Description
- A detailed survey of the painting styles of Guler and Kangra in the 18th and 19th centuries - Analyses the impact of the Bhakti movement and of Mughal painting on the painting traditions of the region - With more than 150 images of paintings, the book is a visual treat for scholars as well as general readers Painting in the Kangra Valley is an attempt to survey the painting styles of Guler and Kangra, which flourished in the 18th and 19th centuries. The painting activity began with Kashmiri painters, who started receiving royal patronage during the reign of Raja Dalip Singh (1695-1741) of Guler. But it attained culmination during the long reign of Maharaja Sansar Chand (1776-1823) of Kangra. The royal atelier of Kangra produced a large number of paintings covering diverse subjects. The advent of the Bhakti movement in north India had a tremendous impact, resulting in a preference for Krishna themes for the artists of Guler and Kangra. The sentiment of love is the main subject of Guler-Kangra paintings. They illustrate the finest specimens of various kinds of nayika described by the Hindi poets of the riti genre. The female figures seen in these paintings are depicted as graceful and beautiful idealizations, handled by the painters with utmost delicacy and tenderness. Vijay Sharma's analytical approach, based on facts, gives new insights into the origin and development of the Guler school and the marked influence of later Mughal painting on the styles of Manaku and Nainsukh. Featuring around 160 images this book is a significant read for researchers as well as connoisseurs.
Author: Vijay Sharma
Publisher:
ISBN: 9789389136654
Category : Guler painting
Languages : en
Pages : 0
Get Book Here
Book Description
- A detailed survey of the painting styles of Guler and Kangra in the 18th and 19th centuries - Analyses the impact of the Bhakti movement and of Mughal painting on the painting traditions of the region - With more than 150 images of paintings, the book is a visual treat for scholars as well as general readers Painting in the Kangra Valley is an attempt to survey the painting styles of Guler and Kangra, which flourished in the 18th and 19th centuries. The painting activity began with Kashmiri painters, who started receiving royal patronage during the reign of Raja Dalip Singh (1695-1741) of Guler. But it attained culmination during the long reign of Maharaja Sansar Chand (1776-1823) of Kangra. The royal atelier of Kangra produced a large number of paintings covering diverse subjects. The advent of the Bhakti movement in north India had a tremendous impact, resulting in a preference for Krishna themes for the artists of Guler and Kangra. The sentiment of love is the main subject of Guler-Kangra paintings. They illustrate the finest specimens of various kinds of nayika described by the Hindi poets of the riti genre. The female figures seen in these paintings are depicted as graceful and beautiful idealizations, handled by the painters with utmost delicacy and tenderness. Vijay Sharma's analytical approach, based on facts, gives new insights into the origin and development of the Guler school and the marked influence of later Mughal painting on the styles of Manaku and Nainsukh. Featuring around 160 images this book is a significant read for researchers as well as connoisseurs.
Author: M. S. RANDHAWA
Publisher: Publications Division Ministry of Information & Broadcasting
ISBN: 8123024789
Category :
Languages : en
Pages : 125
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Book Description
Kangra Painting draws its inspiration from the Krishna cult which stimulated literary activity in the 16th and 17th centuries. The art of Kangra with its rhythmic line and vibrant colours is one of India's greatest achievements. The book provides an authoritative introduction to the beautiful paintings of this romantic school of painting which has now won world-wide appreciation from lovers of art.
![Kangra Paintings on Love. [With Reproductions.]. PDF](https://books.google.com/books/content/images/frontcover/8yMZzQEACAAJ?fife=w80-h100)
Author: MAHINDAR SINGH RANDHĀVĀ
Publisher:
ISBN:
Category : Love in art
Languages : en
Pages : 209
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Book Description
Author: J. C. French
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
Author: Harsha V. Dehejia
Publisher:
ISBN: 9788124606124
Category : Miniature painting, Indic
Languages : en
Pages : 0
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Book Description
Author: B. N. Goswamy
Publisher:
ISBN: 9788189738761
Category : Guler painting
Languages : en
Pages : 0
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Book Description
About the book To trace the life and career of a painter (of the past) in India isA, as the author says, somewhat akin to following the course of an earthen lamp on swift waters.A' The glow is bright and warm, and one can keep it within sight for a while, but things can quickly turn and uncharted vastness takes over. To trace the life and career of a painter (of the past) in India isA', as the author says, somewhat akin to following the course of an earthen lamp on swift waters.A' The glow is bright and warm, and one can keep it within sight for a while, but things can quickly'
Author: Jiwan Sodhi
Publisher: Abhinav Publications
ISBN: 9788170173472
Category : Miniature painting
Languages : en
Pages : 376
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Book Description
Author: Terence McInerney
Publisher: Metropolitan Museum of Art
ISBN: 1588395901
Category : Art
Languages : en
Pages : 276
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Book Description
As one of the finest holdings of Indian art in the West, the Kronos Collections are particularly distinguished for paintings made between the sixteenth and early nineteenth centuries for the Indian royal courts in Rajasthan and the Punjab Hills. These outstanding works, many of which are published and illustrated here for the first time, are characterized by their brilliant colors and vivid, powerful depictions of scenes from Hindu epics, mystical legends, and courtly life. They also present a new way of seeking the divine through a form of personal devotion—known as bhakti—that had permeated India’s Hindu community. While explaining the gods, demons, lovers, fantastical creatures, and mystical symbols that are central to literature and worship, this publication celebrates the diverse styles and traditions of Indian painting. Divine Pleasures features an informative entry for each work and two essays by scholar Terence McInerney that together outline the history of Indian painting and the Rajput courts, providing fresh insights and interpretations. Also included are a personal essay by expert and collector Steven M. Kossak and an examination of Hindu epic and myth in Mughal painting, which lays important foundations for Rajput painting, by curator Navina Najat Haidar. Through their research and observations, the authors deepen our understanding and underscore the significance of Indian painting. Divine Pleasures presents a nuanced view of a way of life intimately tied to the seasons, the arts, and the divine.
Author: Anna L. Dallapiccola
Publisher: Philip Wilson Publishers
ISBN: 9780856676987
Category : Art
Languages : en
Pages : 96
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Book Description
Ragamala, literally a garland of ragas, is a unique form of Indian miniature painting developed by combining a variety of sources including musical codes and accomanying poetry to indicate the time of day, or season, in which the melody should be performed. These miniatures were executed in India from 1400 and by the late 1700s had died out. This new book, and the exhibition it accompanies, presents a fine and rare collection of twenty-four ragamala from the collection of Claudio Moscatelli, a painting conservator based in London. Over fifteen years he has amassed one of the finest collections of ragamala in Britain comprising three different groups, Pahari, Rajasthani and Deccani, displaying regional variations.
Author: B. N. Goswamy
Publisher:
ISBN: 9788189738464
Category : Art
Languages : en
Pages : 0
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Book Description
Pahari Painting - "Painting from the hills", often subsumed under the broad head, Rajput Painting - has long been acknowledged as one of the great achievements of India in the realm of art. For too long, however, the Pahari painter, the maker of these images, has continued to be seen as belonging to an indeterminate, anonymous group of craftsmen who simply plied predetermined brushes. The present work is aimed at challenging that notion, for it presents the painter as thinking man, faced with, and capable of, exercising choices. It was time that the 'long winter of neglect' in which he had been left by history came to an end.
