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Author: Andrew Sansom
Publisher: Texas A&M University Press
ISBN: 1623495342
Category : Art
Languages : en
Pages : 167
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Book Description
In Of Texas Rivers and Texas Art, Andrew Sansom, a leading Texas conservationist, and William E. Reaves, an influential Texas art collector and historian, have teamed up to showcase some of the finest contemporary river art detailing the gorgeous traits of Texas landscapes. The featured artwork comes from Randy Bacon, Mary Baxter, David Caton, Margie Crisp, Keith Davis, Fidencio Duran, Jon Flaming, Charles Ford, Pat Gabriel, Hunter George, Billy Hassell, Lee Jamison, Robb Kendrick, Laura Lewis, William Montgomery, Noe Perez, Jeri Salter, Erik Sprohge, Debbie Stevens, and William Young. Art in service of conservation is nothing new, as Sansom and Reaves note in their introductions. And rivers have figured prominently in the artistic imagination for all of recorded history and probably before that, as evidenced by flood stories and myths preserved in almost all the religious and folk traditions of the world. The collection of work included in this book is exemplary of the strong inspiration that rivers have provided for a vast current of literature, music, and art, in turn shaping their place in life and culture and bringing about a greater appreciation of the stunning beauty of our natural world. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.
Author: Andrew Sansom
Publisher: Texas A&M University Press
ISBN: 1623495342
Category : Art
Languages : en
Pages : 167
Get Book Here
Book Description
In Of Texas Rivers and Texas Art, Andrew Sansom, a leading Texas conservationist, and William E. Reaves, an influential Texas art collector and historian, have teamed up to showcase some of the finest contemporary river art detailing the gorgeous traits of Texas landscapes. The featured artwork comes from Randy Bacon, Mary Baxter, David Caton, Margie Crisp, Keith Davis, Fidencio Duran, Jon Flaming, Charles Ford, Pat Gabriel, Hunter George, Billy Hassell, Lee Jamison, Robb Kendrick, Laura Lewis, William Montgomery, Noe Perez, Jeri Salter, Erik Sprohge, Debbie Stevens, and William Young. Art in service of conservation is nothing new, as Sansom and Reaves note in their introductions. And rivers have figured prominently in the artistic imagination for all of recorded history and probably before that, as evidenced by flood stories and myths preserved in almost all the religious and folk traditions of the world. The collection of work included in this book is exemplary of the strong inspiration that rivers have provided for a vast current of literature, music, and art, in turn shaping their place in life and culture and bringing about a greater appreciation of the stunning beauty of our natural world. To learn more about The Meadows Center for Water and the Environment, sponsors of this book's series, please click here.
Author: Pauline A. Pinckney
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 0
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Book Description
Author: Shirley Reece-Hughes
Publisher: Texas A&M University Press
ISBN: 1623498899
Category : Art
Languages : en
Pages : 412
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Book Description
Everett Spruce came to Texas from his Arkansas home in 1925 to study at the Dallas Art Institute. Over the next seven decades, he became one of the most important painters and teachers in the region. One of the “Dallas Nine,” a group of influential Texas Regionalists that included Jerry Bywaters, Otis Dozier, William Lester, and others, Spruce was among the artists who lobbied the Texas Centennial Commission for a greater role in the Centennial Exposition of 1936. These efforts, though unsuccessful, nevertheless led to greater recognition and influence for Texas art and artists. Spruce was assistant director and taught art at the Dallas Museum of Fine Arts until 1940 when he joined the faculty of the University of Texas at Austin. He painted and taught at the university for the next 38 years, guiding and shaping the next generation of Texas artists, including Roger Winter, William Hoey, and others. Spruce died in 2002 at the age of 94. Texas Made Modern: The Art of Everett Spruce traces Spruce’s artistic evolution from his early experimental work of the 1920s through the mysterious, surrealist-imbued landscapes of the 1930s. The work addresses his boldly expressionistic imagery of the 1940s and his abstract expressionist–inspired paintings of the mid-twentieth century. Departing from previous accounts of Spruce, which label him a prototypical regionalist, this study reveals the nuanced meanings behind the artist’s shifting approaches to Texas subject matter and resituates his artwork within the broader narrative of American art.
Author: Katie Robinson Edwards
Publisher: University of Texas Press
ISBN: 0292756593
Category : Art
Languages : en
Pages : 393
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Book Description
Before Abstract Expressionism of New York City was canonized as American postwar modernism, the United States was filled with localized manifestations of modern art. One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of Midcentury Modern Art in Texas. Presenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's "Americans" exhibitions. The first full-length treatment of abstract art in Texas during this vital and canon-defining period, Midcentury Modern Art in Texas gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.
Author: Pauline A. Pinckney
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
Introduction by Jerry Bywaters.
Author: Ronnie C. Tyler
Publisher: Texas Christian University Press
ISBN: 9780875657035
Category : Art
Languages : en
Pages : 0
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Book Description
Critic Michael Ennis stated twenty-five years ago that there has never been more than a cursory overview of Texas art from the nineteenth century to the present. The Art of Texas: 250 Years now tells a deeper story, beginning with Spanish colonial paintings and moving through two and a half centuries of art in Texas. By the twentieth century, most Texas artists had received formal training and produced work in styles similar to European and other American artists. Written by noted scholars, art historians, and curators, this survey is the first attempt to analyze and characterize Texas art on a grand scale.
Author: Pauline A. Pinckney
Publisher:
ISBN:
Category :
Languages : en
Pages : 233
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Book Description
Author: Buie Harwood
Publisher: TCU Press
ISBN: 9780875651149
Category : Architecture
Languages : en
Pages : 160
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Book Description
Decorating Texas provides a broad survey with an emphasis on a wide variety of individual buildings, which exhibit an assortment of interiors and decorations by many different artists.
Author: Sam DeShong Ratcliffe
Publisher: University of Texas Press
ISBN: 0292785976
Category : Art
Languages : en
Pages : 191
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Book Description
Certificate of Commendation, American Association for State and Local History, 1994 T. R. Fehrenbach Book Award, Texas Historical Commission, 1992 San Antonio Conservation Society Citation, 1993 Dramatic historical events have frequently provided subject matter for artists, particularly in pre-twentieth-century Texas, where works portraying historical, often legendary, events and individuals predominated. Until now, however, these paintings of Texas history have never received the kind of study given to historical, fictional, and film versions of the same events. Painting Texas History to 1900 fills this gap with an interdisciplinary approach that explores these paintings both as works of art and as historical documents. The author examines the works of more than forty artists, including Henry McArdle, Theodore Gentilz, Robert Onderdonk, William Huddle, Frederic Remington, Friedrich Richard Petri, Arthur T. Lee, Seth Eastman, Sarah Hardinge, Frank Reaugh, W. G. M. Samuel, Carl G. von Iwonski, and Julius Stockfleth. He places each work within its historical and cultural context to show why such subject matter was chosen, why it was depicted in a particular way, and why such a depiction gained popular acceptance. For example, paintings of heroic events of the Texas Revolution were especially popular in the years following the Civil War, when, in Ratcliffe's view, Texans needed such images to assuage the loss of the war and the humiliation of Reconstruction. Though the paintings cut across traditional art history categories—from the pictographs of early historic Indians to European-inspired oil paintings—they are bound together by their artists' intent for them to function as historically evocative documents. With their visual narratives of events that characterized all of America's westward expansion—Indian encounters, military battles, farming, ranching, surveying, and the closing of the frontier—these works add an important chapter to the story of the American West.
Author: Philip Parisi
Publisher: Texas A&M University Press
ISBN: 9781623494889
Category : History
Languages : en
Pages : 200
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Book Description
Walk into any of sixty post offices or federal buildings in the state of Texas and you may be greeted by a surprising sight: magnificent mural art on the lobby walls. In the midst of the Great Depression, a program was born that would not only give work to artists but also create beauty and optimism for a people worn down by hardship and discouragement. This New Deal program commissioned artists to create post office murals—the people’s art—to celebrate the lives, history, hopes, and dreams of ordinary Americans. In Texas alone, artists painted ninety-seven artworks for sixty-nine post offices and federal buildings around the state. Painted by some of the best-known artists of the day, these murals sparkled with scenes of Texas history, folklore, heroes, common people, wildlife, and landscapes. Murals were created from San Antonio, Houston, and Dallas to Big Spring, Baytown, and Hamilton. The artists included Tom Lea, Jerry Bywaters, Peter Hurd, Otis Dozier, Alexandre Hogue, and Xavier Gonzalez. The images showed people at work and featured industries specific to the region, often coupled with symbols of progress such as machinery and modern transportation. Murals depicted cowboys and stampedes, folk heroes from Sam Bass to Davy Crockett, revered Indian chief Quanah Parker, and community symbols such as Eastland’s lizard mascot, Ol’ Rip. In this beautiful volume Philip Parisi has gathered 115 photographs of these stunning and historic works of art—36 in full color. He tells the story of how they came to be, how the communities influenced and accepted them, and what efforts have been made to restore and preserve them. Enjoy this beautiful book in the comfort of your living room, or take it with you on the road as a guide to the people’s art in the Lone Star State.
