Over the Hills, and Far Away: a Story of New Zealand PDF Download
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Author: C. Evans
Publisher: BoD – Books on Demand
ISBN: 3382509466
Category : Fiction
Languages : en
Pages : 394
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Book Description
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: C. Evans
Publisher: BoD – Books on Demand
ISBN: 3382509466
Category : Fiction
Languages : en
Pages : 394
Get Book
Book Description
Reprint of the original, first published in 1874. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
Author: Charlotte Evans
Publisher:
ISBN:
Category : New Zealand fiction
Languages : en
Pages :
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Book Description
Author: Charlotte Evans
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: mrs. C Evans
Publisher:
ISBN:
Category : New Zealand fiction
Languages : en
Pages : 406
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Book Description
Author: J. C.
Publisher:
ISBN:
Category : New Zealand
Languages : en
Pages : 254
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Book Description
Author: Thomas Morland Hocken
Publisher:
ISBN:
Category : Māori (New Zealand people)
Languages : en
Pages : 654
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Book Description
Author: Henry Sotheran Ltd
Publisher:
ISBN:
Category :
Languages : en
Pages : 508
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Book Description
Author: Boston Public Library
Publisher:
ISBN:
Category : English fiction
Languages : en
Pages : 256
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Book Description
Author: Tamara S Wagner
Publisher: Routledge
ISBN: 1317002172
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
In her study of the unsuccessful nineteenth-century emigrant, Tamara S. Wagner argues that failed emigration and return drive nineteenth-century writing in English in unexpected, culturally revealing ways. Wagner highlights the hitherto unexplored subgenre of anti-emigration writing that emerged as an important counter-current to a pervasive emigration propaganda machine that was pressing popular fiction into its service. The exportation of characters at the end of a novel indisputably formed a convenient narrative solution that at once mirrored and exaggerated public policies about so-called 'superfluous' or 'redundant' parts of society. Yet the very convenience of such pat endings was increasingly called into question. New starts overseas might not be so easily realizable; emigration destinations failed to live up to the inflated promises of pro-emigration rhetoric; the 'unwanted' might make a surprising reappearance. Wagner juxtaposes representations of emigration in the works of Charles Dickens, Wilkie Collins, Frances Trollope, and Charlotte Yonge with Australian, New Zealand, and Canadian settler fiction by Elizabeth Murray, Clara Cheeseman, and Susanna Moodie, offering a new literary history not just of nineteenth-century migration, but also of transoceanic exchanges and genre formation.
Author: Zoe Alderton
Publisher: Cambridge Scholars Publishing
ISBN: 1443875937
Category : Art
Languages : en
Pages : 395
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Book Description
The Spirit of Colin McCahon provides a vivid historical contextualisation of New Zealand’s premier modern artist, clearly explaining his esoteric religious themes and symbols. Via a framework of visual rhetoric, this book explores the social factors that formed McCahon’s religious and environmental beliefs, and justifications as to why his audience often missed the intended point of spiritual his discourse – or chose to ignore it. The Spirit of Colin McCahon tracks the intricate process by which the artist’s body of work turned from optimism to misery, and explains the many communicative techniques he employed in order to arrest suspicion towards his Christian prophecy. More broadly, The Spirit of Colin McCahon outlines a model of analysis for the intersection of art and religion, and the place of images as rhetorical devices within Antipodean culture. The emerging field of religion and visual culture is important not only to students of New Zealand art history, but also to a growing field of appreciation for the communicative power of images. This book provides a helpful model for examining art and literature as social and religious tools, and advances the importance of visual rhetoric within studies of art and social expression.
