Österreich-Armenien 1872-1936: 1895 PDF Download
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Category : Armenia
Languages : fr
Pages : 824
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Book Description
Author:
Publisher:
ISBN:
Category : Armenia
Languages : fr
Pages : 824
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Book Description
Author:
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ISBN:
Category : Armenia
Languages : de
Pages : 1112
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Book Description
Author:
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ISBN:
Category : Armenia
Languages : de
Pages : 890
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Book Description
Author: Taner Akçam
Publisher: Zed Books Ltd.
ISBN: 1848136773
Category : Political Science
Languages : en
Pages : 242
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Book Description
Taner Akçam is one of the first Turkish academics to acknowledge and discuss openly the Armenian Genocide perpetrated by the Ottoman-Turkish government in 1915. This book discusses western political policies towards the region generally, and represents the first serious scholarly attempt to understand the Genocide from a perpetrator rather than victim perspective, and to contextualize those events within Turkey's political history. By refusing to acknowledge the fact of genocide, successive Turkish governments not only perpetuate massive historical injustice, but also pose a fundamental obstacle to Turkey's democratization today.
Author:
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Category : Armenia
Languages : de
Pages : 768
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Book Description
Author: Peter M. Coan
Publisher: Barnes & Noble Publishing
ISBN: 9780760753095
Category : Immigrants
Languages : en
Pages : 474
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Book Description
Contains transcripts of interviews with over one hundred of the last surviving immigrants who came through Ellis Island to America, and includes conversations with six employees of the island in which they discuss their duties and experiences.
Author:
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Category : Austria
Languages : de
Pages : 640
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Book Description
Author: A. S. G. Blackmore
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 340
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Book Description
Author: Luis Francisco Martinez Montes
Publisher:
ISBN: 9788494938115
Category :
Languages : en
Pages : 474
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Book Description
From the late fifteenth to the nineteenth centuries, the Hispanic Monarchy was one of the largest and most diverse political communities known in history. At its apogee, it stretched from the Castilian plateau to the high peaks of the Andes; from the cosmopolitan cities of Seville, Naples, or Mexico City to Santa Fe and San Francisco; from Brussels to Buenos Aires and from Milan to Manila. During those centuries, Spain left its imprint across vast continents and distant oceans contributing in no minor way to the emergence of our globalised era. This was true not only in an economic sense-the Hispano-American silver peso transported across the Atlantic and the Pacific by the Spanish fleets was arguably the first global currency, thus facilitating the creation of a world economic system-but intellectually and artistically as well. The most extraordinary cultural exchanges took place in practically every corner of the Hispanic world, no matter how distant from the metropolis. At various times a descendant of the Aztec nobility was translating a Baroque play into Nahuatl to the delight of an Amerindian and mixed audience in the market of Tlatelolco; an Andalusian Dominican priest was writing the first Western grammar of the Chinese language in Fuzhou, a Chinese city that enjoyed a trade monopoly with the Spanish Philippines; a Franciscan friar was composing a piece of polyphonic music with lyrics in Quechua to be played in a church decorated with Moorish-style ceilings in a Peruvian valley; or a multi-ethnic team of Amerindian and Spanish naturalists was describing in Latin, Spanish and local vernacular languages thousands of medicinal plants, animals and minerals previously unknown to the West. And, most probably, at the same time that one of those exchanges were happening, the members of the School of Salamanca were laying the foundations of modern international law or formulating some of the first modern theories of price, value and money, Cervantes was writing Don Quixote, Velázquez was painting Las Meninas, or Goya was exposing both the dark and bright sides of the European Enlightenment. Actually, whenever we contemplate the galleries devoted to Velázquez, El Greco, Zurbarán, Murillo or Goya in the Prado Museum in Madrid; when we visit the National Palace in Mexico City, a mission in California, a Jesuit church in Rome or the Intramuros quarter in Manila; or when we hear Spanish being spoken in a myriad of accents in the streets of San Francisco, New Orleans or Manhattan we are experiencing some of the past and present fruits of an always vibrant and still expanding cultural community. As the reader can infer by now, this book is about how Spain and the larger Hispanic world have contributed to world history and in particular to the history of civilisation, not only at the zenith of the Hispanic Monarchy but throughout a much longer span of time.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
