Oriental Music in European Notation PDF Download
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Author:
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ISBN:
Category : Music
Languages : en
Pages : 536
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 536
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Book Description
Author: A.M.G. Mudaliar
Publisher:
ISBN: 9788170201243
Category :
Languages : en
Pages :
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Book Description
Author: A. M. Chinnaswamy Mudaliyar
Publisher:
ISBN:
Category : Carnatic music
Languages : en
Pages : 70
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Book Description
Author: Amanda J. Weidman
Publisher: Duke University Press
ISBN: 9780822336204
Category : Music
Languages : en
Pages : 372
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Book Description
DIVAn ethnographic history and critique of the emergence of South Indian carnatic music as a "classical" music in the 20th century./div
Author: A. M. Mudaliyar
Publisher:
ISBN:
Category :
Languages : en
Pages : 70
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Category :
Languages : en
Pages :
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ISBN:
Category : Theosophy
Languages : en
Pages : 954
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Author:
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Category :
Languages : ta
Pages : 32
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Book Description
Author: D. R. M. Irving
Publisher: Oxford University Press
ISBN: 0197632203
Category : Music
Languages : en
Pages : 353
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Book Description
Musical representations of Europe in myth and allegory are well known, but when and under what circumstances did the words "European" and "music" become linked together? What did the resulting term mean in music before 1800 and how did it evolve into the label "Western music," which features so prominently in pedagogical and scholarly discourses? In The Making of European Music in the Long Eighteenth Century, author D. R. M. Irving traces the emergence of such large-scale categories in Western European thought. Beginning in the 1670s, Jesuit missionaries in China began to refer to "European music," and for the next hundred years the term appeared almost exclusively in comparison with musics from other parts of the world. It entered common use from the 1770s, and in the 1830s became synonymous with a new concept of "Western music." Western European writers also associated these terms with notions of "progress" and "perfection." Meanwhile, changing ideas about "modern" Europe's cultural relationship with classical antiquity, together with theories that systematically and condescendingly racialized people from other continents, influenced the ways that these scholars imagined and interpreted musical pasts around the globe. Irving weaves his analyses throughout the book's historical examinations, suggesting that "European music" originates from self-fashioning in contexts of intercultural comparison outside the continent, rather than from the resolution of national aesthetic differences within it. He shows that "Western music" as understood today arose in line with the growth of Orientalism and increasing awareness of musics of "the East." All such reductive terms often imply homogeneity and essentialism, and Irving asks what a reassessment of their beginnings might mean for music history. Taken as a whole, the book shows how a renewed critique of primary sources can help dismantle historiographical constructs that arose within narratives of musical pasts involving Europe.
Author: Robert Lachmann
Publisher: A-R Editions, Inc.
ISBN: 0895797763
Category : History
Languages : en
Pages : 184
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Book Description
Includes CD of the broadcasts (2-disc set) Book URL: https://www.areditions.com/rr/rrotm/otm010.html The ethnomusicologist Robert Lachmann (1892¿1939) wrote and presented twelve radio programs entitled Oriental Music, which were transmitted by the Palestine Broadcasting Service between November 1936 and April 1937. The programs, which formed part of Lachmann¿s pioneering project to establish an ¿Oriental music archive¿ at the Hebrew University of Jerusalem, included live performances of traditional music representing the different ethnic and religious communities of Palestine, performances which were simultaneously recorded onto metal disc. This edition presents Lachmann¿s scripts with musical transcriptions of performances, transcriptions and translations of the sung texts, and selected digitally restored musical recordings (provided on the accompanying set of compact discs). The introduction and editorial commentaries explore Lachmann¿s radio lectures as they relate to his body of research on ¿Oriental music¿ and to wider concerns of scholarship, politics, and ideology. This edition will appeal to scholars of Middle Eastern cultural history and ethnomusicology, and especially to those interested in the history of sound archives, recording and broadcasting, the intellectual history of ethnomusicology, and the history, theory, and aesthetics of Middle Eastern music.
