Orgelwerke: Scherzino ; Gigue a la Bach ; Pastorale PDF Download
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Author: Peeter Süda
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 36
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Book Description
Author: Peeter Süda
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 36
Get Book Here
Book Description
Author: Peeter Süda
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 40
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Book Description
Author: Andres Uibo
Publisher:
ISBN:
Category : Geschichte
Languages : en
Pages : 100
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Book Description
Author: Thomas R. Nardone
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 330
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Book Description
Author:
Publisher:
ISBN:
Category : Audiocassettes
Languages : en
Pages : 1132
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Book Description
Author:
Publisher:
ISBN:
Category : Organ music
Languages : en
Pages : 322
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : et
Pages : 348
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Book Description
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457471773
Category : Music
Languages : en
Pages : 124
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Book Description
Johann Sebastian Bach's "Notebook for Wilhelm Friedemann Bach" is a collection of keyboard music Bach began compiling in around 1720. Most of the pieces included are better known as parts of the Well-Tempered Clavier and the Inventions and Sinfonias. The authorship of some of the other works in the collection is debated. 62 Selections.
Author: Walter A. Frankel
Publisher: Philadelphia : Musicdata
ISBN:
Category : Leadership
Languages : en
Pages : 190
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Book Description
Author: Christopher Anderson
Publisher: Routledge
ISBN: 1351558765
Category : Music
Languages : en
Pages : 451
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Book Description
Max Reger (1873-1916) is perhaps best-known for his organ music. This quickly assumed a prominent place in the repertory of German organists due in large measure to the efforts of Reger‘s contemporary Karl Straube (1873-1950). The personal and collegial relationship between the composer and performer began in 1898 and developed until Reger‘s death. By that time, Straube had established himself as an important artist and teacher in Leipzig and the central authority for the interpretation of Reger‘s organ music. The Reger-Straube relationship functioned on a number of levels with decisive consequences both for the composition of the music and its interpretation over a period fraught with upheaval on sociopolitical, religious and aesthetic fronts. This book evaluates the significance of the relationship between the composer and organist using primary source materials such as autograph performing manuscripts, reviews, programmes, letters and archival sources from contemporary organ building. The result is a much enhanced understanding of Reger in terms of performance practice and reception history, and a re-examination of Straube and, more broadly, of Leipzig as a musical centre during this period.
