Author: Charles Villiers Stanford
Publisher: A-R Editions, Inc.
ISBN: 1987200268
Category : Music
Languages : en
Pages : 257
Book Description
Charles Villiers Stanford wrote two cycles of songs for baritone with orchestra and chorus, setting nautical verses by the popular poet Henry Newbolt. From its premiere at the Leeds Musical Festival in October 1904, Songs of the Sea was a great success; Songs of the Fleet followed in 1910 and was transparently modeled on it (even quoting from the earlier work). Both works became very popular among amateur choral societies. Songs of the Sea was published in full score a year after its composition; it now appears in a critical edition for the first time in the present volume, which also includes the first publication of the orchestral version of Songs of the Fleet. Both works demonstrate Stanfords mastery of orchestral technique and sureness of touch. Newbolts texts alternate between heroic and sentimental moods; Stanford responded with music that is dramatic and atmosphericindeed, with some of the most remarkable textures of his whole oeuvre.
Orchestral Song Cycles
Author: Charles Villiers Stanford
Publisher: A-R Editions, Inc.
ISBN: 1987200268
Category : Music
Languages : en
Pages : 257
Book Description
Charles Villiers Stanford wrote two cycles of songs for baritone with orchestra and chorus, setting nautical verses by the popular poet Henry Newbolt. From its premiere at the Leeds Musical Festival in October 1904, Songs of the Sea was a great success; Songs of the Fleet followed in 1910 and was transparently modeled on it (even quoting from the earlier work). Both works became very popular among amateur choral societies. Songs of the Sea was published in full score a year after its composition; it now appears in a critical edition for the first time in the present volume, which also includes the first publication of the orchestral version of Songs of the Fleet. Both works demonstrate Stanfords mastery of orchestral technique and sureness of touch. Newbolts texts alternate between heroic and sentimental moods; Stanford responded with music that is dramatic and atmosphericindeed, with some of the most remarkable textures of his whole oeuvre.
Publisher: A-R Editions, Inc.
ISBN: 1987200268
Category : Music
Languages : en
Pages : 257
Book Description
Charles Villiers Stanford wrote two cycles of songs for baritone with orchestra and chorus, setting nautical verses by the popular poet Henry Newbolt. From its premiere at the Leeds Musical Festival in October 1904, Songs of the Sea was a great success; Songs of the Fleet followed in 1910 and was transparently modeled on it (even quoting from the earlier work). Both works became very popular among amateur choral societies. Songs of the Sea was published in full score a year after its composition; it now appears in a critical edition for the first time in the present volume, which also includes the first publication of the orchestral version of Songs of the Fleet. Both works demonstrate Stanfords mastery of orchestral technique and sureness of touch. Newbolts texts alternate between heroic and sentimental moods; Stanford responded with music that is dramatic and atmosphericindeed, with some of the most remarkable textures of his whole oeuvre.
The Song Cycle
Author: Laura Tunbridge
Publisher: Cambridge University Press
ISBN: 0521896444
Category : Music
Languages : en
Pages : 255
Book Description
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
Publisher: Cambridge University Press
ISBN: 0521896444
Category : Music
Languages : en
Pages : 255
Book Description
Investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song --
Twentieth- and Twenty-first-century Song Cycles
Author: Gordon Cameron Sly
Publisher: Routledge
ISBN: 9780367220266
Category : Song cycles
Languages : en
Pages : 280
Book Description
Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering "ways into" the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Publisher: Routledge
ISBN: 9780367220266
Category : Song cycles
Languages : en
Pages : 280
Book Description
Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering "ways into" the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
The Essential Canon of Classical Music
Author: David Dubal
Publisher: Macmillan
ISBN: 9780865476646
Category : Music
Languages : en
Pages : 796
Book Description
Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
Publisher: Macmillan
ISBN: 9780865476646
Category : Music
Languages : en
Pages : 796
Book Description
Identifies almost two hundred forty composers whose works are most important to an understanding of classical music, with essays on sixty of the most significant. Presented in chronological order for the Medieval, Renaissance, and Elizabethan ages, the age of the Baroque, the age of Classicism, the Romantic age, and the age of Modernism.
A New Anthology of Art Songs by African American Composers
Author: Margaret R. Simmons
Publisher: SIU Press
ISBN: 9780809325238
Category : Music
Languages : en
Pages : 220
Book Description
Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
Publisher: SIU Press
ISBN: 9780809325238
Category : Music
Languages : en
Pages : 220
Book Description
Including thirty-nine pieces for voice and piano created since 1968 by eighteen artists, ANew Anthology of Art Songs by African American Composers navigates a varied musical terrain from classical European traditions to jazz and spirituals. With nearly half of the featured songs composed by women and with others by lesser-known and emerging composers, this important collection offers a diverse, representative sampling of African American art songs and works to secure the places of these songs and artists in the canon of contemporary American music.
Art Song Cycles
Author: William Otto Miessner
Publisher:
ISBN:
Category : Children's songs
Languages : en
Pages : 64
Book Description
Publisher:
ISBN:
Category : Children's songs
Languages : en
Pages : 64
Book Description
Essays on the Song Cycle and on Defining the Field
Author:
Publisher: BRILL
ISBN: 900448874X
Category : History
Languages : en
Pages : 272
Book Description
This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.
Publisher: BRILL
ISBN: 900448874X
Category : History
Languages : en
Pages : 272
Book Description
This volume assembles twelve interdisciplinary essays that were originally presented at the Second International Conference on Word and Music Studies at Ann Arbor, MI, in 1999, a conference organized by the International Association for Word and Music Studies (WMA). The contributions to this volume focus on two centres of interest. The first deals with general issues of literature and music relations from culturalist, historical, reception-aesthetic and cognitive points of view. It covers issues such as conceptual problems in devising transdisciplinary histories of both arts, cultural functions of opera as a means of reflecting postcolonial national identity, the problem of verbalizing musical experience in nineteenth-century aesthetics and of understanding reception processes triggered by musicalized fiction. The second centre of interest deals with a specific genre of vocal music as an obvious area of word and music interaction, namely the song cycle. As a musico-literary genre, the song cycle not only permits explorations of relations between text and music in individual songs but also raises the question if, and to what extent words and/or music contribute to creating a larger unity beyond the limits of single songs. Elucidating both of these issues with stimulating diversity the essays in this section highlight classic nineteenth- and twentieth-century song cycles by Franz Schubert, Robert Schumann, Hugo Wolf, Richard Strauss and Benjamin Britten and also include the discussion of a modern successor of the song cycle, the concept album as part of today’s popular culture.
Twentieth- and Twenty-First-Century Song Cycles
Author: Gordon Sly
Publisher: Routledge
ISBN: 1000219763
Category : Music
Languages : en
Pages : 355
Book Description
Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Publisher: Routledge
ISBN: 1000219763
Category : Music
Languages : en
Pages : 355
Book Description
Twentieth- and Twenty-First-Century Song Cycles: Analytical Pathways Toward Performance presents analyses of fourteen song cycles composed after the turn of the twentieth century, with a focus on offering ways into the musical and poetic structure of each cycle to performers, scholars, and students alike. Ranging from familiar works of twentieth-century music by composers such as Schoenberg, Britten, Poulenc, and Shostakovich to lesser-known works by Van Wyk, Sviridov, Wheeler, and Sánchez, this collection of essays captures the diversity of the song cycle repertoire in contemporary classical music. The contributors bring their own analytical perspectives and methods, considering musical structures, the composers' selection of texts, how poetic narratives are expressed, and historical context. Informed by music history, music theory, and performance, Twentieth- and Twenty-First-Century Song Cycles offers an essential guide into the contemporary art-music song cycle for performers, scholars, students, and anyone seeking to understand this unique genre.
Schumann's Late Style
Author: Laura Tunbridge
Publisher: Cambridge University Press
ISBN: 0521871689
Category : Music
Languages : en
Pages : 1
Book Description
A study of Schumann's little-known music from the 1850s and its relationship to his biography.
Publisher: Cambridge University Press
ISBN: 0521871689
Category : Music
Languages : en
Pages : 1
Book Description
A study of Schumann's little-known music from the 1850s and its relationship to his biography.
A Guide to Orchestral Music
Author: Ethan Mordden
Publisher: Oxford University Press, USA
ISBN: 0195040414
Category : Music appreciation
Languages : en
Pages : 588
Book Description
This authoritative guide gives the non-musician the fundamentals of orchestral music. It begins with a general introduction to the symphony and various musical styles and then describes, chronologically, over seven hundred pieces--from Vivaldi to twentieth-century composers. Mordden also includes a glossary of musical terms and other useful aids for the music lover.
Publisher: Oxford University Press, USA
ISBN: 0195040414
Category : Music appreciation
Languages : en
Pages : 588
Book Description
This authoritative guide gives the non-musician the fundamentals of orchestral music. It begins with a general introduction to the symphony and various musical styles and then describes, chronologically, over seven hundred pieces--from Vivaldi to twentieth-century composers. Mordden also includes a glossary of musical terms and other useful aids for the music lover.