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Author: Ben F. van Veen
Publisher: Wipf and Stock Publishers
ISBN: 1666762970
Category : Religion
Languages : en
Pages : 284
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Book Description
It is common opinion in biblical scholarship that the biblical documents functioned in a sociocultural context dominated by the spoken word. Detextification is the result of addressing the complex relation between this formally acknowledged functioning in its original oral delivery and the daily praxis of biblical scholarship in which these documents function as autonomous texts in an ever-expanding universe of texts. The argument in this book is that in addition to acknowledging the difference in media (oral performance there and then versus reading text here and now), it is crucial to differentiate and explicate the mindsets behind these media. A literate reader in the present structures thought, vis-a-vis text, differently from someone intensively formed by oral-aural communication, in the moment of exposure to a performing orator. The latter perspective was Paul's in the process of his letter composition. Therefore, this is a leading question in detextification: How can a contemporary biblical scholar relate to the text of Paul's letters in such a way as to understand how the apostle envisioned his original addressees structuring their thoughts during the event of a letter's oral-aural delivery? Two test cases are provided from the Letter to the Galatians (Gal 2-3).
Author: Ben F. van Veen
Publisher: Wipf and Stock Publishers
ISBN: 1666762970
Category : Religion
Languages : en
Pages : 284
Get Book Here
Book Description
It is common opinion in biblical scholarship that the biblical documents functioned in a sociocultural context dominated by the spoken word. Detextification is the result of addressing the complex relation between this formally acknowledged functioning in its original oral delivery and the daily praxis of biblical scholarship in which these documents function as autonomous texts in an ever-expanding universe of texts. The argument in this book is that in addition to acknowledging the difference in media (oral performance there and then versus reading text here and now), it is crucial to differentiate and explicate the mindsets behind these media. A literate reader in the present structures thought, vis-a-vis text, differently from someone intensively formed by oral-aural communication, in the moment of exposure to a performing orator. The latter perspective was Paul's in the process of his letter composition. Therefore, this is a leading question in detextification: How can a contemporary biblical scholar relate to the text of Paul's letters in such a way as to understand how the apostle envisioned his original addressees structuring their thoughts during the event of a letter's oral-aural delivery? Two test cases are provided from the Letter to the Galatians (Gal 2-3).
Author: Michael Vincent
Publisher: John Benjamins Publishing
ISBN: 9789027217646
Category : Literary Criticism
Languages : en
Pages : 178
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Book Description
The works of Jean de La Fontaine have invited an extraordinary variety of readings in the three centuries since their composition. By engaging selected fables and tales with contemporary notions of intertextuality, reader reception theory, and grammatology, "Figures of the Text" raises questions about what "reading La Fontaine" meant in the 17th century, and what it means today. The study integrates a theory of reading and a theory of textual production by drawing attention to those aspects of the text that figure writing and reading, for instance: scenes of reading; other modes of writing (emblems, hieroglyphics); inscriptions and epitaphs; proper names; and citation (proverbs, maxims, allusions); the relation of represented orality to textuality, of textuality to corporeality, and of textuality to the visual arts (ekphrasis); and the archaeology of textual figures, such as labyrinths, textiles, and veils.
Author: Nduka Otiono
Publisher: Routledge
ISBN: 100039753X
Category : Performing Arts
Languages : en
Pages : 213
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Book Description
This book delivers an admirably comprehensive and rigorous analysis of African oral literatures and performance. Gathering insights from distinguished scholars in the field, the book provides a range of contemporary interdisciplinary perspectives in the study of oral literature and its transformations in everyday life, fiction, poetry, popular culture, and postcolonial politics. Topics discussed include folklore and folklife; oral performance and masculinities; intermediated orality, modern transformations, and globalisation; orality and mass media; spoken word and imaginative writing. The book also addresses research methodologies and the thematic and theoretical trajectories of scholars of African oral literatures, looking back to the trailblazing legacies of Ruth Finnegan, Harold Scheub, and Isidore Okpewho. Ambitious in scope and incisive in its analysis, this book will be of interest to students and scholars of African literatures and oral performance as well as to general readers interested in the dynamics of cultural production.
Author: Jonathan D.H. Norton
Publisher: Bloomsbury Publishing
ISBN: 0567306380
Category : Religion
Languages : en
Pages : 225
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Book Description
This is an examination of Paul's possible awareness of the plurality of Ancient Jewish Scripture. Norton-Piliavsky places Paul's work within the context of ancient Jewish literary practice, bridging the gap between textual criticism and social history in contemporary discussions. The author argues that studies of ancient Jewish exegesis draw on two distinct analytical modes: the text-critical and the socio-historical. He then shows that the two are usually joined together in discussions of ancient Jewish literature arguing that as a result of this commentators often allow the text-critical approach to guide their efforts to understand historical questions. Norton argues that text-critical and historical data must be combined, but not conflated and in this volume sets out a new approach, showing that exegesis was part of an ongoing discussion, which included mutually supporting written and oral practices. Norton shows that Josephus' and Dead Sea sectarians' use of textual variation, like Paul's, belongs to this discussion demonstrating that neither Paul nor his contemporaries viewed Jewish scripture as a fixed literary monolith. Rather, they took part in a dynamic exegetical dialogue, constituted by oral as much as textual modes.
Author: Mary Ellen Lamb
Publisher: Routledge
ISBN: 1351913603
Category : Literary Criticism
Languages : en
Pages : 389
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Book Description
Proposing a fresh approach to scholarship on the topic, this volume explores the cultural meanings, especially the gendered meanings, of material associated with oral traditions. The collection is divided into three sections. Part One investigates the evocations of the 'old nurse' as storyteller so prominent in early modern fictions. The essays in Part Two investigate women's fashioning of oral traditions to serve their own purposes. The third section disturbs the exclusive associations between the feminine and oral traditions to discover implications for masculinity, as well. Contributors explore the plays of Shakespeare and writings of Spenser, Sidney, Wroth and the Cavendishes, as well as works by less well known or even unknown authors. Framed by an introduction by Mary Ellen Lamb and an afterword by Pamela Allen Brown, these essays make several important interventions in scholarship in the field. They demonstrate the continuing cultural importance of an oral tradition of tales and ballads, even if sometimes circulated in manuscript and printed forms. Rather than in its mode of transmission, contributors posit that the continuing significance of this oral tradition lies instead in the mode of consumption (the immediacy of the interaction of the participants). Oral Traditions and Gender in Early Modern Literary Texts confirms the power of oral traditions to shape and also to unsettle concepts of the masculine as well as of the feminine. This collection usefully complicates any easy assumptions about associations of oral traditions with gender.
Author: Victor H. Mair
Publisher: Columbia University Press
ISBN: 0231153120
Category : Education
Languages : en
Pages : 662
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Book Description
In The Columbia Anthology of Chinese Folk and Popular Literature, two of the world's leading sinologists, Victor H. Mair and Mark Bender, capture the breadth of China's oral-based literary heritage. This collection presents works drawn from the large body of oral literature of many of China's recognized ethnic groups--including the Han, Yi, Miao, Tu, Daur, Tibetan, Uyghur, and Kazak--and the selections include a variety of genres. Chapters cover folk stories, songs, rituals, and drama, as well as epic traditions and professional storytelling, and feature both familiar and little-known texts, from the story of the woman warrior Hua Mulan to the love stories of urban storytellers in the Yangtze delta, the shaman rituals of the Manchu, and a trickster tale of the Daur people from the forests of the northeast. The Cannibal Grandmother of the Yi and other strange creatures and characters unsettle accepted notions of Chinese fable and literary form. Readers are introduced to antiphonal songs of the Zhuang and the Dong, who live among the fantastic limestone hills of the Guangxi Zhuang Autonomous Region; work and matchmaking songs of the mountain-dwelling She of Fujian province; and saltwater songs of the Cantonese-speaking boat people of Hong Kong. The editors feature the Mongolian epic poems of Geser Khan and Jangar; the sad tale of the Qeo family girl, from the Tu people of Gansu and Qinghai provinces; and local plays known as "rice sprouts" from Hebei province. These fascinating juxtapositions invite comparisons among cultures, styles, and genres, and expert translations preserve the individual character of each thrillingly imaginative work.
Author:
Publisher: BRILL
ISBN: 9004441727
Category : Religion
Languages : en
Pages : 375
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Book Description
Based on the paradigmatic shift in both liturgical and ritual studies, this multidisciplinary volume presents a collection of case studies on rituals in the early Christian world. After a methodological discussion of the new paradigm, it shows how emblematic Christian rituals were influenced by their Greco-Roman and Jewish contexts, undergoing multiple transformations, while themselves affecting developments both within and outside Christianity. Notably, parallel traditions in Judaism and Islam are included in the discussion, highlighting the importance of ongoing reception history. Focusing on the dynamic character of rituals, the new perspectives on ritual traditions pursued here relate to the expanding source material, both textual and material, as well as the development of recent interdisciplinary approaches, including the cognitive science of religion.
Author: Elaine Rusinko
Publisher: University of Pittsburgh Press
ISBN: 0822991691
Category : Biography & Autobiography
Languages : en
Pages : 606
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Book Description
While biographers of Andy Warhol have long recognized his mother as a significant influence on his life and art, Julia Warhola’s story has not yet been told. As an American immigrant who was born in a small Carpatho-Rusyn village in Austria-Hungary in 1891, Julia never had the opportunity to develop her own considerable artistic talents. Instead, she worked and sacrificed so her son could follow his dreams, helping to shape Andy’s art and persona. Julia famously followed him to New York City and lived with him there for almost twenty years, where she remained engaged in his personal and artistic life. She was well known as “Andy Warhol’s mother,” even developing a distinctive signature with the title that she used on her own drawings. Exploring previously unpublished material, including Rusyn-language correspondence and videos, Andy Warhol’s Mother provides the first in-depth look at Julia’s hardscrabble life, her creative imagination, and her spirited personality. Elaine Rusinko follows Julia’s life from the folkways of the Old Country to the smog of industrial Pittsburgh and the tumult of avant-garde New York. Rusinko explores the impact of Julia’s Carpatho-Rusyn culture, Byzantine Catholic faith, and traditional worldview on her ultra-modern son, the quintessential American artist. This close examination of the Warhola family’s lifeworld allows a more acute perception of both Andy and Julia while also illuminating the broader social and cultural issues that confronted and conditioned them.
Author:
Publisher:
ISBN:
Category : Arts
Languages : en
Pages : 154
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Book Description
Author: Jeffrey Masten
Publisher: Northwestern University Press
ISBN: 9780810118867
Category : Drama
Languages : en
Pages : 200
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Book Description
Volume XXX of this award-winning publication examines texts in relationship to the institutions that shaped early modern culture - the printing industry, the market-place of both texts and fashions, theatrical companies - as well as manuscript circulation, authorship, and issues relating to the family and paternity. In essays that range across the terrain of early modern culture, the contributors use a wide variety of methodologies to explore their interests and tackle fundamental questions. Renaissance Drama, an annual publication, is devoted to drama as a central feature of Renaissance culture. Displaying an interdisciplinary orientation, the essays in each volume explore the Renaissance dramatic traditions in relation to their precursors and successors and examine the impact of new forms of interpretation on the study of Renaissance plays.
