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Category : Art museum directors
Languages : en
Pages : 83
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Book Description
An interview of Thomas M. Messer conducted 1994 Oct.-1995 Jan., by Andrew Decker, for the Archives of American Art, at the Americas Society, New York, N.Y.
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Category : Art museum directors
Languages : en
Pages : 83
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Book Description
An interview of Thomas M. Messer conducted 1994 Oct.-1995 Jan., by Andrew Decker, for the Archives of American Art, at the Americas Society, New York, N.Y.
Author: Daniel Horowitz
Publisher: University of Pennsylvania Press
ISBN: 0812206495
Category : History
Languages : en
Pages : 505
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Book Description
How is it that American intellectuals, who had for 150 years worried about the deleterious effects of affluence, more recently began to emphasize pleasure, playfulness, and symbolic exchange as the essence of a vibrant consumer culture? The New York intellectuals of the 1930s rejected any serious or analytical discussion, let alone appreciation, of popular culture, which they viewed as morally questionable. Beginning in the 1950s, however, new perspectives emerged outside and within the United States that challenged this dominant thinking. Consuming Pleasures reveals how a group of writers shifted attention from condemnation to critical appreciation, critiqued cultural hierarchies and moralistic approaches, and explored the symbolic processes by which individuals and groups communicate. Historian Daniel Horowitz traces the emergence of these new perspectives through a series of intellectual biographies. With writers and readers from the United States at the center, the story begins in Western Europe in the early 1950s and ends in the early 1970s, when American intellectuals increasingly appreciated the rich inventiveness of popular culture. Drawing on sources both familiar and newly discovered, this transnational intellectual history plays familiar works off each other in fresh ways. Among those whose work is featured are Jürgen Habermas, Roland Barthes, Umberto Eco, Walter Benjamin, C. L. R. James, David Riesman and Marshall McLuhan, Richard Hoggart, members of London's Independent Group, Stuart Hall, Paddy Whannel, Tom Wolfe, Herbert Gans, Susan Sontag, Reyner Banham, and Robert Venturi and Denise Scott Brown.
Author: Lucy Bradnock
Publisher: Getty Publications
ISBN: 1606064428
Category : Art
Languages : en
Pages : 218
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Book Description
Lawrence Alloway (1926–1990) was a key figure in the development of modern art in Europe and America from the 1950s to the 1980s. He is credited with coining the term pop art and with championing conceptual art and feminist artists in America. His interests as a critic and as a curator at the Solomon R. Guggenheim Museum in New York were wide-ranging, however, and included architecture, design, earthworks, film, neorealism, science fiction, and public sculpture. Early in his career he was associated with the Independent Group in London and although he was largely self-taught, he was a noted educator and lecturer. A prolific writer, Alloway sought to escape the conventions of art-historical discourse. This volume illuminates how he often shaped the field and anticipated approaches such as social art history and visual and cultural studies. Lawrence Alloway: Critic and Curator provides the first critical analysis of the multiple facets of Alloway’s life and career, exploring his formative influence on the disciplines of art history, art criticism, and museum studies. The nine essays in this volume depend on primary archival research, much of it conducted in the Lawrence Alloway Papers held by the Getty Research Institute. Each author addresses a distinct aspect of Alloway’s eclectic professional interests and endeavors.
Author: Jeffrey Abt
Publisher: Berghahn Books
ISBN: 1805392794
Category : Art
Languages : en
Pages : 318
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Book Description
Displays of Jewish ritual objects in public, non-Jewish settings by Jews are a comparatively re-cent phenomenon. So too is the establishment of Jewish museums. This volume explores the origins of the Jewish Museum of New York and its evolution from collecting and displaying Jewish ritual objects, to Jewish art, to exhibiting avant-garde art devoid of Jewish content, created by non-Jews. Established within a rabbinic seminary, the museum’s formation and development reflect changes in Jewish society over the twentieth century as it grappled with choices between religion and secularism, particularism and universalism, and ethnic pride and assimilation.
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Category :
Languages : en
Pages : 0
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Book Description
Zusammenfassung: Audiovisual testimony of a Holocaust survivor. Includes pre-war, wartime, and post-war experiences
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Category :
Languages : en
Pages : 0
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Book Description
Zusammenfassung: Audiovisual testimony of a Holocaust survivor. Includes pre-war, wartime, and post-war experiences
Author: Columbia University. Oral History Research Office
Publisher:
ISBN:
Category : History
Languages : en
Pages : 360
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Category :
Languages : de
Pages : 0
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Category : Museum architecture
Languages : en
Pages : 44
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Book Description
An interview of H. Harvard Arnason conducted 1970 March 3-9, by Paul Cummings, for the Archives of American Art. Arnason speaks of his family and educational background; the influence of the WPA Federal Art Project on museums; lecturing at the Frick Collection and Hunter College; his work as U.S. representative of UNESCO; his teaching positions and his roles as director of the Walker Art Center and trustee and vice president of the Solomon R. Guggenheim Foundation. He comments on Frank Lloyd Wright's design for the Guggenheim Museum building; competition among New York museums; conceptual art and museums; and the museum as a research center. He recalls Holger Cahill, Thomas M. Messer, Hilla Rebay, James Johnson Sweeney and others. Arnason also describes his writing projects, including his "History of Modern Art."
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Category :
Languages : en
Pages : 0
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Book Description
Zusammenfassung: Audiovisual testimony of a Holocaust survivor. Includes pre-war, wartime, and post-war experiences
