The Cambridge Companion to Gilbert and Sullivan PDF Download
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Author: David Eden
Publisher: Cambridge University Press
ISBN: 0521888492
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.
Author: David Eden
Publisher: Cambridge University Press
ISBN: 0521888492
Category : Biography & Autobiography
Languages : en
Pages : 289
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Book Description
An international team of contributors, including film director Mike Leigh, presents fresh insights into the work of Gilbert and Sullivan.
Author: Albin Zak
Publisher: Univ of California Press
ISBN: 0520232240
Category : Music
Languages : en
Pages : 278
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Book Description
This title provides a fascinating exploration of recording consciousness and compositional process from the perspective of those who make records.
Author: Steven Vande Moortele
Publisher: Cambridge University Press
ISBN: 1107163196
Category : Music
Languages : en
Pages : 305
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Book Description
The first comprehensive study of musical form in operatic and concert overtures in continental Europe between 1815 and 1850.
Author: William Berger
Publisher: Penguin
ISBN: 1101221178
Category : Music
Languages : en
Pages : 233
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Book Description
Major composers including Mozart, Wagner, Verdi, Puccini, and Strauss * Legendary singers from the great divas to the Three Tenors * What to look for and listen to at the opera * The history of opera and why it endures * Stylistic variations and basic theoretical underpinnings * Appreciating the art form * Biographies of the opera's greatest artists * A survey of classic operas
Author: Phil G. Goulding
Publisher: Ballantine Books
ISBN: 0307760464
Category : Music
Languages : en
Pages : 657
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Book Description
MAKE A SOUND INVESTMENT IN CLASSICAL MUSIC Who are the ten most important classical composers? Who in the world was Palestrina? Why did Stravinsky's "Rite of Spring" cause a riot? Which five of each important composer's works should you buy? What is a concerto and how does it differ from a sonata? Maybe you don't know the answers to these questions; author Phil Goulding certainly didn't. When Goulding first tried to learn about classical music, he found himself buried in an avalanche of technical terms and complicated jargon--so he decided to write the book he couldn't find. The result is a complete classical music education in one volume. Comprehensive, discriminating, and delightfully irreverent, Classical Music provides such essential information as: * Rankings of the top 50 composers (Bach is #1. Borodin is #50) * A detailed and anecdotal look at each composer's life and work * The five primary works of each composer and specific recommended CDs for each. * Further great works of each composer--if you really like him * Concise explanations of musical terminology, forms, and periods * A guide to the parts and history of the symphony orchestra "This book uses every conceivable gimmick to immerse readers in the richness of classical music: lists, rankings, sidebars devoted to lively anecdotes, and catchy leads." --The Washington Post "One terrific music appreciation book...The information is surprisingly detailed but concisely presented. Goulding's writing style is breezy yet mature....[He] has raised music appreciation from a racket to a service." --The Arizona Daily Star
Author: Jonathan Kregor
Publisher: Cambridge University Press
ISBN: 1316239845
Category : Music
Languages : en
Pages : 343
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Book Description
Program music was one of the most flexible and contentious novelties of the long nineteenth century, covering a diverse range that included the overtures of Beethoven and Mendelssohn, the literary music of Berlioz and Schumann, Liszt's symphonic poems, the tone poems of Strauss and Sibelius, and compositions by groups of composers in Russia, Bohemia, the United States, and France. In this accessible Introduction, Jonathan Kregor explores program music's ideas and repertoire, discussing both well-known and less familiar pieces by an array of nineteenth- and twentieth-century composers. Setting program music in the context of the intellectual debates of the period, Kregor presents the criticism of writers like A. B. Marx and Hanslick to reveal program music's growth, dissemination, and reception. This comprehensive overview features numerous illustrations and music examples and provides detailed case studies of battle music, Shakespeare settings, and Goethe's Faust.
Author: Scott L. Balthazar
Publisher: Cambridge University Press
ISBN: 1139825836
Category : Music
Languages : en
Pages : 368
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Book Description
This 2004 Companion provides a biographical, theatrical and social-cultural background for Verdi's music, examines in detail important general aspects of its style and method of composing, and synthesizes stylistic themes in discussions of representative works. Aspects of Verdi's milieu, style, creative process and critical reception are explored in essays by highly reputed specialists. Individual chapters address themes in Verdi's life, his role in transforming the theater business, and his relationship to Italian Romanticism and the Risorgimento. Chapters on four operas representative of the different stages of Verdi's career, Ernani, Rigoletto, Don Carlos and Otello synthesize analytical themes introduced in the more general chapters and illustrate the richness of Verdi's creativity. The Companion also includes chapters on Verdi's non-operatic songs and other music, his creative process, and scholarly writing about Verdi from the nineteenth-century to the present day.
Author: Library of Congress
Publisher:
ISBN:
Category : Classification
Languages : en
Pages : 174
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Book Description
Author: Miles Hoffman
Publisher: Houghton Mifflin Harcourt
ISBN: 9780618619450
Category : Music
Languages : en
Pages : 324
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Book Description
Explains terms used in classical music, from aria, Baroque, and cantata to vibrato, wind instruments, and zarzuela.
Author: Robert Philip
Publisher: Yale University Press
ISBN: 0300242727
Category : Music
Languages : en
Pages : 969
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Book Description
An invaluable guide for lovers of classical music designed to enhance their enjoyment of the core orchestral repertoire from 1700 to 1950 Robert Philip, scholar, broadcaster, and musician, has compiled an essential handbook for lovers of classical music, designed to enhance their listening experience to the full. Covering four hundred works by sixty-eight composers from Corelli to Shostakovich, this engaging companion explores and unpacks the most frequently performed works, including symphonies, concertos, overtures, suites, and ballet scores. It offers intriguing details about each piece while avoiding technical terminology that might frustrate the non-specialist reader. Philip identifies key features in each work, as well as subtleties and surprises that await the attentive listener, and he includes enough background and biographical information to illuminate the composer’s intentions. Organized alphabetically from Bach to Webern, this compendium will be indispensable for classical music enthusiasts, whether in the concert hall or enjoying recordings at home.
