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Author: Roberta Montemorra Marvin
Publisher: Taylor & Francis
ISBN: 1000775577
Category : Music
Languages : en
Pages : 145
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Book Description
Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.
Author: Roberta Montemorra Marvin
Publisher: Taylor & Francis
ISBN: 1000775577
Category : Music
Languages : en
Pages : 145
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Book Description
Opera Outside the Box: Notions of Opera in Nineteenth-Century Britain addresses operatic “experiences” outside the opera houses of Britain during the nineteenth century. The essays adopt a variety of perspectives exploring the processes through which opera and ideas about opera were cultivated and disseminated, by examining opera-related matters in publication and performance, in both musical and non-musical genres, outside the traditional approaches to transmission of operatic works and associated concepts. As a group, they exemplify the broad array of questions to be grappled with in seeking to identify commonalities that might shed light in new and imaginative ways on the experiences and manifestations of opera and notions of opera in Victorian Britain. In unpacking the significance, relevance, uses, and impacts of opera within British society, the collection seeks to enhance understanding of a few of the manifold ways in which the population learned about and experienced opera, how audiences and the broader public understood the genre and the aesthetics surrounding it, how familiarity with opera played out in British culture, and how British customs, values, and principles affected the genre of opera and perceptions of it.
Author: Denise Gallo
Publisher: Routledge
ISBN: 1136088024
Category : Music
Languages : en
Pages : 214
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Book Description
Opera: The Basics offers an excellent introduction to four centuries of opera. Its easy to follow sections explore topics including: the origins of opera basic terminology the history of major opera genres including: serious opera, comic opera, semi-serious opera and vernacular opera. With key notes, discography and videography, this is the ideal book for students and interested listeners who want to learn more about this important musical genre.
Author: Bruno Bower
Publisher: Taylor & Francis
ISBN: 1003826032
Category : Music
Languages : en
Pages : 264
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Book Description
This book offers an innovative approach to understanding operetta, drawing attention to its malleability and resistance to boundaries. These shows have traversed (and continue to traverse) with ease the national borders which might superficially define them, or draw on features from many other genres without fundamentally changing in tone or approach. The chapters move from nineteenth-century London and Paris to twentieth-century North America, South America and Europe to present-day Australia. Some offer fresh understandings of familiar composers, such as Johann Strauss or Gilbert and Sullivan, while others examine works or composers that are less well-known. The chapter on Socialist operetta in Czechoslovakia in particular will almost certainly be a revelation to anyone from Western Europe or the US, where operetta is often understood to be a bourgeois phenomenon. As a summary of the current state of the field, this collection showcases the many possible pathways for future scholars who wish to explore it.
Author: George Tsypin
Publisher: Princeton Architectural Press
ISBN: 1568985320
Category : Architecture
Languages : en
Pages : 236
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Book Description
Shows Tsypin's works for the most important opera houses in the world, from New York's Metropolitan Opera to Milan's La Scala to Saint Petersburg's Mariinsky Theater. The book also features work outside of opera, including the MTV Video Music Awards, the Russian Pavilion for the Venice Biennale, and the Millennium Cities project for Doncaster, England.
Author: Andrew Lloyd Webber
Publisher: Hal Leonard Publishing Corporation
ISBN: 9780793522149
Category : Electronic keyboard music
Languages : en
Pages : 0
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Book Description
Author: Philip Metres
Publisher: Alice James Books
ISBN: 1938584236
Category : Poetry
Languages : en
Pages : 115
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Book Description
Using techniques of erasure, Metres seeks rhythm or language within the spare, bleak testimonies of those tortured at Abu Ghraib.
Author: Gary R. Edgerton
Publisher: University Press of Kentucky
ISBN: 9780813171722
Category : Performing Arts
Languages : en
Pages : 388
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Book Description
Thinking Outside the Box brings together some of the best and most challenging scholarship about TV genres, exploring their genesis, their functions and development, and the interaction of disparate genres. The authors argue that genre is a process rather than a static category and that it signifies much about the people who produce and watch the shows. In addition to considering traditional genres such as sitcoms, soap operas, and talk shows, the contributors explore new hybrids, including reality programs, teen-oriented science fiction, and quality dramas, and examine how many of these shows have taken on a global reach. Identifying historical continuities and envisioning possible trends, this is the richest and most current study of how television genres form, operate, and change.
Author: Andrea Goldman
Publisher: Stanford University Press
ISBN: 0804782628
Category : History
Languages : en
Pages : 387
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Book Description
In late imperial China, opera transmitted ideas across the social hierarchy about the self, family, society, and politics. Beijing attracted a diverse array of opera genres and audiences and, by extension, served as a hub for the diffusion of cultural values. It is in this context that historian Andrea S. Goldman harnesses opera as a lens through which to examine urban cultural history. Her meticulous yet playful account takes up the multiplicity of opera types that proliferated at the time, exploring them as contested sites through which the Qing court and commercial playhouses negotiated influence and control over the social and moral order. Opera performance blurred lines between public and private life, and offered a stage on which to act out gender and class transgressions. This work illuminates how the state and various urban constituencies manipulated opera to their own ends, and sheds light on empire-wide transformations underway at the time.
Author: Charles Affron
Publisher: Univ of California Press
ISBN: 0520958977
Category : Music
Languages : en
Pages : 469
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Book Description
The Metropolitan has stood among the grandest of opera companies since its birth in 1883. Tracing the offstage/onstage workings of this famed New York institution, Charles Affron and Mirella Jona Affron tell how the Met became and remains a powerful actor on the global cultural scene. In this first new history of the company in thirty years, each of the chronologically sequenced chapters surveys a composer or a slice of the repertoire and brings to life dominant personalities and memorable performances of the time. From the opening night Faust to the recent controversial production of Wagner’s "Ring," Grand Opera is a remarkable account of management and audience response to the push and pull of tradition and reinvention. Spanning the decades between the Gilded Age and the age of new media, this story of the Met concludes by tipping its hat to the hugely successful "Live in HD" simulcasts and other twenty-first-century innovations. Grand Opera’s appeal extends far beyond the large circle of opera enthusiasts. Drawing on unpublished documents from the Metropolitan Opera Archives, reviews, recordings, and much more, this richly detailed book looks at the Met in the broad context of national and international issues and events.
Author: Henry Edward Krehbiel
Publisher:
ISBN:
Category : Opera
Languages : en
Pages : 604
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Book Description
