Author: M. de La Motte (Antoine Houdar)
Publisher:
ISBN:
Category : Fables, French
Languages : en
Pages : 432
Book Description
One Hundred New Court Fables,
Author: M. de La Motte (Antoine Houdar)
Publisher:
ISBN:
Category : Fables, French
Languages : en
Pages : 432
Book Description
Publisher:
ISBN:
Category : Fables, French
Languages : en
Pages : 432
Book Description
Fiction Without Humanity
Author: Lynn Festa
Publisher: University of Pennsylvania Press
ISBN: 0812251318
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
Publisher: University of Pennsylvania Press
ISBN: 0812251318
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
Although the Enlightenment is often associated with the emergence of human rights and humanitarian sensibility, "humanity" is an elusive category in the literary, philosophical, scientific, and political writings of the period. Fiction Without Humanity offers a literary history of late seventeenth- and early eighteenth-century efforts to define the human. Focusing on the shifting terms in which human difference from animals, things, and machines was expressed, Lynn Festa argues that writers and artists treated humanity as an indefinite class, which needed to be called into being through literature and the arts. Drawing on an array of literary, scientific, artistic, and philosophical devices— the riddle, the fable, the microscope, the novel, and trompe l'oeil and still-life painting— Fiction Without Humanity focuses on experiments with the perspectives of nonhuman creatures and inanimate things. Rather than deriving species membership from sympathetic identification or likeness to a fixed template, early Enlightenment writers and artists grounded humanity in the enactment of capacities (reason, speech, educability) that distinguish humans from other creatures, generating a performative model of humanity capacious enough to accommodate broader claims to human rights. In addressing genres typically excluded from canonical literary histories, Fiction Without Humanity offers an alternative account of the rise of the novel, showing how these early experiments with nonhuman perspectives helped generate novelistic techniques for the representation of consciousness. By placing the novel in a genealogy that embraces paintings, riddles, scientific plates, and fables, Festa shows realism to issue less from mimetic exactitude than from the tailoring of the represented world to a distinctively human point of view.
A History of Augustan Fable
Author: Mark Loveridge
Publisher: Cambridge University Press
ISBN: 9780521630627
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This book explores the tradition of fable across a wide variety of written and illustrative media, from its origins in classical antiquity to the end of the eighteenth century and beyond. It offers both a history and a poetics of the genre, presenting a body of evidence to show the stable and transhistorical qualities of fable, while showing that many individual writers consciously employed these qualities in dynamic and witty ways highly responsive to their own historical and cultural moment. Tracing the impact of classical and European models on verse and moral fables of the eighteenth century, and the use of the fable by major writers - including Dryden, Pope, Mandeville, Swift, Gay and Cowper - in their historical and literary contexts, Mark Loveridge offers a full account of a significant form of English and European literature and suggests new ways of reading eighteenth-century literature.
Publisher: Cambridge University Press
ISBN: 9780521630627
Category : Literary Criticism
Languages : en
Pages : 308
Book Description
This book explores the tradition of fable across a wide variety of written and illustrative media, from its origins in classical antiquity to the end of the eighteenth century and beyond. It offers both a history and a poetics of the genre, presenting a body of evidence to show the stable and transhistorical qualities of fable, while showing that many individual writers consciously employed these qualities in dynamic and witty ways highly responsive to their own historical and cultural moment. Tracing the impact of classical and European models on verse and moral fables of the eighteenth century, and the use of the fable by major writers - including Dryden, Pope, Mandeville, Swift, Gay and Cowper - in their historical and literary contexts, Mark Loveridge offers a full account of a significant form of English and European literature and suggests new ways of reading eighteenth-century literature.
The English Fable
Author: Jayne Elizabeth Lewis
Publisher: Cambridge University Press
ISBN: 9780521481113
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.
Publisher: Cambridge University Press
ISBN: 9780521481113
Category : Literary Criticism
Languages : en
Pages : 248
Book Description
Between 1651 and 1740 hundreds of fables, fable collections, and biographies of the ancient Greek slave Aesop were published in England. In The English Fable, Jayne Elizabeth Lewis describes the national obsession with Aesop's fables during this period as both a figural response to sociopolitical crises, and an antidote to emerging anxieties about authorship. Lewis traces the role that fable collections, Augustan fable theory, and debates about the figure of Aesop played in the formation of a modern, literate, and self-consciously English culture, and shows how three Augustan writers - John Dryden, Anne Finch, and John Gay - experimented with the seemingly marginal symbolic form of fable to gain access to new centres of English culture. Often interpreted as a discourse of the dispossessed, the fable in fact offered Augustan writers access to a unique form of cultural authority.
Music, Myth and Story in Medieval and Early Modern Culture
Author: Katherine Butler
Publisher: Boydell & Brewer
ISBN: 1783273712
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
The complex relationship between myths and music is here investigated. Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in support of arguments about the uses, effects, morality and preferred styles of music in sources as diverse as theoretical treatises, defences or critiques of music, art, sermons, educational literature and books of moral conduct. Newly written literary stories too were believed capable of moral instruction and influence, and were a medium through which ideas about music could be both explored and transmitted. How authors interpreted and weaved together these traditional stories, or created their own, reveals much about changing attitudes across the period. Looking beyond the well-known figure of Orpheus, this collection explores the myriad stories that shaped not only musical thought, but also its styles, techniques and practices. The essays show that music itself performed and created knowledge in ways parallel to myth, and worked in tandem with old and new tales to construct social, political and philosophical views. This relationship was not static, however; as the Enlightenment dawned, the once authoritative gods became comic characters and myth became a medium forridicule. Overall, the book provides a foundation for exploring myth and story throughout medieval and early modern culture, and facilitating further study into the Enlightenment and beyond. KATHERINE BUTLER is a seniorlecturer in music at Northumbria University; SAMANTHA BASSLER is a musicologist of cultural studies, a teaching artist, and an adjunct professor in the New York metropolitan area. Contributors: Jamie Apgar, Katie Bank, Samantha Bassler, Katherine Butler, Elina G. Hamilton, Sigrid Harris, Ljubica Ilic, Erica Levenson, John MacInnis, Patrick McMahon, Aurora Faye Martinez, Jacomien Prins, Tim Shephard, Jason Stoessel, Férdia J. Stone-Davis, Amanda Eubanks Winkler.
Publisher: Boydell & Brewer
ISBN: 1783273712
Category : Literary Criticism
Languages : en
Pages : 344
Book Description
The complex relationship between myths and music is here investigated. Myths and stories offer a window onto medieval and early modern musical culture. Far from merely offering material for musical settings, authoritative tales from classical mythology, ancient history and the Bible were treated as foundations for musical knowledge. Such myths were cited in support of arguments about the uses, effects, morality and preferred styles of music in sources as diverse as theoretical treatises, defences or critiques of music, art, sermons, educational literature and books of moral conduct. Newly written literary stories too were believed capable of moral instruction and influence, and were a medium through which ideas about music could be both explored and transmitted. How authors interpreted and weaved together these traditional stories, or created their own, reveals much about changing attitudes across the period. Looking beyond the well-known figure of Orpheus, this collection explores the myriad stories that shaped not only musical thought, but also its styles, techniques and practices. The essays show that music itself performed and created knowledge in ways parallel to myth, and worked in tandem with old and new tales to construct social, political and philosophical views. This relationship was not static, however; as the Enlightenment dawned, the once authoritative gods became comic characters and myth became a medium forridicule. Overall, the book provides a foundation for exploring myth and story throughout medieval and early modern culture, and facilitating further study into the Enlightenment and beyond. KATHERINE BUTLER is a seniorlecturer in music at Northumbria University; SAMANTHA BASSLER is a musicologist of cultural studies, a teaching artist, and an adjunct professor in the New York metropolitan area. Contributors: Jamie Apgar, Katie Bank, Samantha Bassler, Katherine Butler, Elina G. Hamilton, Sigrid Harris, Ljubica Ilic, Erica Levenson, John MacInnis, Patrick McMahon, Aurora Faye Martinez, Jacomien Prins, Tim Shephard, Jason Stoessel, Férdia J. Stone-Davis, Amanda Eubanks Winkler.
British Women Satirists in the Long Eighteenth Century
Author: Amanda Hiner
Publisher: Cambridge University Press
ISBN: 1108945090
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This collection of innovative essays by leading scholars on eighteenth-century British women satirists showcases women's contributions to the satiric tradition and challenges the assumption that women were largely targets, rather than practitioners, of satire during the long eighteenth century. The essays examine women's satires across diverse genres, from the fable to the periodical, and attend to women writers' appropriation of a literary style and form often viewed as exclusively masculine. The introduction features a new theory of women's satire and proposes a framework for analyzing satiric techniques employed by women writers. Organized chronologically, the contributors' essays address a wide range of authors and explore the ways in which satiric writings by women engaged in contemporary cultural conversations, influencing assumptions about gender, sociability, politics, and literary practices. This inclusive yet tightly-focused collection formulates an innovative and provocative new feminist theory of satire.
Publisher: Cambridge University Press
ISBN: 1108945090
Category : Literary Criticism
Languages : en
Pages : 319
Book Description
This collection of innovative essays by leading scholars on eighteenth-century British women satirists showcases women's contributions to the satiric tradition and challenges the assumption that women were largely targets, rather than practitioners, of satire during the long eighteenth century. The essays examine women's satires across diverse genres, from the fable to the periodical, and attend to women writers' appropriation of a literary style and form often viewed as exclusively masculine. The introduction features a new theory of women's satire and proposes a framework for analyzing satiric techniques employed by women writers. Organized chronologically, the contributors' essays address a wide range of authors and explore the ways in which satiric writings by women engaged in contemporary cultural conversations, influencing assumptions about gender, sociability, politics, and literary practices. This inclusive yet tightly-focused collection formulates an innovative and provocative new feminist theory of satire.
The Antiquarian Magazine & Bibliographer
Author:
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 498
Book Description
Publisher:
ISBN:
Category : Archaeology
Languages : en
Pages : 498
Book Description
Homer's Original Genius
Author: Kirsti Simonsuuri
Publisher: Cambridge University Press
ISBN: 0521221986
Category : History
Languages : en
Pages : 242
Book Description
The querelle des anciens et des modernes - the question whether writers should imitate the classics or use literary forms which seemed more suited to their own era - had been debated in Europe since the earliest days of the Renaissance. This book analyses the development of the querelle following the adoption of the argument of the modernist faction of seventeenth-century France.
Publisher: Cambridge University Press
ISBN: 0521221986
Category : History
Languages : en
Pages : 242
Book Description
The querelle des anciens et des modernes - the question whether writers should imitate the classics or use literary forms which seemed more suited to their own era - had been debated in Europe since the earliest days of the Renaissance. This book analyses the development of the querelle following the adoption of the argument of the modernist faction of seventeenth-century France.
Catalogue ...of the Renowned Library Formerly at Britwell Court, Burnham, Bucks
Author: Sydney Richardson Christie-Miller
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 778
Book Description
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 778
Book Description
The Evolution of Sympathy in the Long Eighteenth Century
Author: Jonathan Lamb
Publisher: Routledge
ISBN: 1317315456
Category : History
Languages : en
Pages : 205
Book Description
This work represents a concise history of sympathy in the eighteenth and early nineteenth centuries, considering the phenomenon of shared feeling from five related angles: charity, the market, global exploration, theatre, and torture.
Publisher: Routledge
ISBN: 1317315456
Category : History
Languages : en
Pages : 205
Book Description
This work represents a concise history of sympathy in the eighteenth and early nineteenth centuries, considering the phenomenon of shared feeling from five related angles: charity, the market, global exploration, theatre, and torture.