The Various Contrivances by which Orchids are Fertilised by Insects PDF Download
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Author: Charles Darwin
Publisher:
ISBN:
Category : Fertilization of plants
Languages : en
Pages : 336
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Book Description
Author: Charles Darwin
Publisher:
ISBN:
Category : Fertilization of plants
Languages : en
Pages : 336
Get Book Here
Book Description
Author: Charles Darwin
Publisher:
ISBN:
Category :
Languages : en
Pages : 416
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Book Description
Author: Retha Edens-Meier
Publisher: University of Chicago Press
ISBN: 0226044912
Category : Biography & Autobiography
Languages : en
Pages : 440
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Book Description
A quorum of scientists offer reviews and results to celebrate the 150th anniversary of 'On The Various Contrivances By Which British And Foreign Orchids Are Fertilised By Insects, And On The Good Effects Of Intercrossing' (1862). Authors of the first ten chapters follow research on the pollination and breeding systems of the same orchid lineages that interested Darwin, including temperate and tropical species. Authors on the last two chapters provide information on the floral attractants and flowering systems of orchids using protocols and technologies unavailable during Darwin's lifetime.
Author: Kirk Lougheed
Publisher: Springer Nature
ISBN: 3030345033
Category : Philosophy
Languages : en
Pages : 134
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Book Description
This book presents an original discussion and analysis of epistemic peer disagreement. It reviews a wide range of cases from the literature, and extends the definition of epistemic peerhood with respect to the current one, to account for the actual variability found in real-world examples. The book offers a number of arguments supporting the variability in the nature and in the range of disagreements, and outlines the main benefits of disagreement among peers i.e. what the author calls the benefits to inquiry argument.
Author:
Publisher:
ISBN:
Category : Bibliography
Languages : en
Pages : 786
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Book Description
Author: Ken Thompson
Publisher: University of Chicago Press
ISBN: 022667570X
Category : Nature
Languages : en
Pages : 257
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Book Description
“A survey of the botanical experimenting and theorizing that occupied Darwin’s golden years. . . . with expert evolutionary commentary.” —New York Review of Books For many people, Charles Darwin’s trip to Galapagos Islands on the Beagle, where he saw a biodiversity of birds, inspired him to write his theory of evolution. But this simplified narrative leaves out a major part of Darwin’s legacy. He published On the Origin of Species nearly thirty years after his voyages. And much of his life was spent experimenting with and observing plants. Darwin was a brilliant and revolutionary botanist whose observations and theories were far ahead of his time. With Darwin’s Most Wonderful Plants, biologist and gardening expert Ken Thompson restores this important aspect of Darwin’s biography while also delighting in the botanical world that captivated the famous scientist. We learn from Thompson how Darwin used plants to shape his most famous theory and then later how he used that theory to further push the boundaries of botanical knowledge. Both Thompson and Darwin share a love for our most wonderful plants and the remarkable secrets they can unlock. This book will instill that same joy in casual gardeners and botany aficionados alike. “In this quietly riveting study, plant biologist Ken Thompson reveals Charles Darwin as a botanical revolutionary.” —Nature “This is a fascinating insight into the scientist’s sheer delight in observing the minutiae of living organisms.” —Gardens Illustrated “Thompson revisits Darwin’s botany, showing us how insightful he was, where (rarely) he was wrong and the marvelous discoveries that have been made since. . . . Darwin himself would have loved this book.” —Jonathan Silvertown, author of Dinner with Darwin: Food, Drink, and Evolution
Author: Jim Endersby
Publisher: University of Chicago Press
ISBN: 022642703X
Category : Science
Languages : en
Pages : 313
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Book Description
The prize-winning history of the orchid: “an engaging and enlightening account of one of the Earth's most mythologized botanical wonders” (Richard Conniff, author of House of Lost Worlds). At once delicate, exotic, and elegant, orchids are beloved for their singular, instantly recognizable beauty. Found in nearly every climate, the many species of orchid have had varying forms of significance in countless cultures over time. Following the orchid’s journey from Ancient Greek medicine to twentieth century detective novels, science historian Jim Endersby explores the flower’s four recurring themes: science, empire, sex, and death. Orchids were a symbol of the exotic riches sought by 19th century Europeans in their plans for colonization. They became subjects of scientific scrutiny for Charles Darwin, who investigated their methods of cross-pollination. As Endersby shows, orchids—perhaps because of their extraordinarily diverse colors, shapes, and sizes—have also bloomed repeatedly in films, novels, plays, and poems, from Shakespeare to science fiction. Featuring many gorgeous illustrations from the collection of the Royal Botanic Gardens, Kew, Orchid: A Cultural History was awarded the Watson Davis and Helen Miles Davis Prize by the History of Science Society. It is an enchanting tale not only for gardeners and plant collectors, but anyone curious about the flower’s obsessive hold on the imagination in history, cinema, literature, and more.
Author: New York Botanical Garden
Publisher:
ISBN:
Category : Botany
Languages : en
Pages : 696
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Book Description
"Publications of the staff, scholars and students of the New York Botanical Garden during the year" in vol. 3- 1902- The list for 1901 includes March 1895-Dec.1901.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 820
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Book Description
Author: Fae Brauer
Publisher: Cambridge Scholars Publishing
ISBN: 1443884375
Category : Art
Languages : en
Pages : 302
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Book Description
With the increasing loss of biological diversity in this Sixth Age of Mass Extinction, it is timely to show that devolutionary paranoia is not new, but rather stretches back to the time of Charles Darwin. It is also an opportune moment to show how human-driven extinction, as designated by the term, Anthropocene, has long been acknowledged. The halcyon days of European industrial progress, colonial expansion and scientific revolution trumpeted from the Great Exhibition of 1851 until the Dresden International Hygiene Exhibition of 1930 were constantly marred by fears of rampant degeneration, depopulation, national decline, environmental devastation and racial extinction. This is demonstrated by the discourses of catastrophism charted in this book that percolated across Europe in response to the theories of Darwin and Jean Baptiste Lamarck, as well as Marcellin Berthelot, Camille Flammarion, Ernst Haeckel, Louis Landouzy, Félix Le Dantec, Cesare Lombroso, Thomas Huxley, Bénédite-Augustin Morel, Louis Pasteur, Élisée Reclus, Rudolf Steiner and Wilhelm Wundt, among others. This book presents pioneering explorations of the interrelationship between these discourses and modern visual cultures and the ways in which the “picturing of evolution and extinction” by artists as diverse as Roger Broders, Albert Besnard, Fernand Cormon, Hélène Dufau, Émile Gallé, František Kupka, Pablo Picasso, Carles Mani y Roig, Sophie Taeuber and Vasilii Vatagin betrayed anxieties subliminally festering over degeneration alongside latent hopes of regeneration. Following Darwin’s concept of evolution as Janus-faced, the dialectical interplay of evolution and extinction and degeneration and regeneration is explored in modern visual cultures in Australia, America, Britain, France, Germany, Russia, Spain and Switzerland at significant spatio-temporal junctures between 1860 and 1930. By unravelling the “picturing” of the dread of alcoholism, cholera, dysentery, tuberculosis, typhoid and rabies, alongside phobias of animalism, criminality, hysteria, impotency and ecological disaster, each chapter makes an original contribution to this new field of scholarship. By locating these discourses and visual cultures within the “golden age of Neo-Lamarckism”, they also reveal how regeneration was pictured as the Janus-face of degeneration able to facilitate evolution through the inheritance of beneficial characteristics in propitious environments. In striking such an uplifting note amidst the dissonant cacophony of catastrophism, this book reveals why the art and science of Transformism proved so appealing in France as elsewhere, and why visual cultures of regeneration became as dominant in the twentieth century as the picturing of degeneration had been in the nineteenth century. It also illuminates the paradoxical inversion that occurred in the twentieth century when devolution became equivalent to evolution for many Modernists. Hence, whilst this book opens with the picturing of indigenous people in Australia and North America as “doomed races” by the first publication of Darwin’s On The Origin of Species, it closes with the quest by 1930 for a regenerative suntan as dark as the skin of those indigenous people.
