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Author: Christina Wald
Publisher:
ISBN:
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Languages : en
Pages : 0
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Author: Christina Wald
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Verena Olejniczak Lobsien
Publisher: Walter de Gruyter
ISBN: 311022884X
Category : History
Languages : en
Pages : 319
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Book Description
Transparency and Dissimulation analyses the configurations of ancient neoplatonism in early modern English texts. In looking closely at poems and prose writings by authors as diverse as Thomas Wyatt, Philip Sidney, Edmund Spenser, John Donne, Edward Herbert, Andrew Marvell, Thomas Traherne, Thomas Browne and, last not least, Aphra Behn, this study attempts to map the outlines of a neoplatonic aesthetics in literary practice as well as to chart its transformative potential in the shifting contexts of cultural turbulency and denominational conflict in 16th- and 17th-century England. As part of a "new", contextually aware, aesthetics, it seeks to determine some of the functions neoplatonic structures - such as forms of recursivity or certain modes of apophatic speech - are capable of fulfilling in combination and interaction with other, heterogeneous or even ideologically incompatible elements. What emerges is a surprisingly versatile poetics of excess and enigma, with strong Plotinian and Erigenist accents. This appears to need the traditional ingredients of petrarchism or courtliness only as material for the formation of new and dynamic wholes, revealing its radical metaphysical potential above all in the way it helps to resist the easy answers - in religion, science, or the fashions of libertine love.
Author: James Vigus
Publisher: Routledge
ISBN: 1351192531
Category : Literary Criticism
Languages : en
Pages : 353
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Book Description
"One of many writers inspired by Laurence Sterne's Tristram Shandy, the German novelist Jean Paul Richter coined the term 'Shandean humour' in his work of aesthetic theory. The essays in this volume investigate how Sterne's humour functions, the reasons for its enduring appeal, and what role it played in identity-construction and in the representation of melancholy. In tracing its hitherto under-recognised impact both on literary writers, such as Jean Paul and Herman Melville, and on philosophers, including Hegel and Marx, the collection reveals that Shandean humour is a Grenzganger - a point of commerce not only between Anglophone and German discourses, but also between literature and philosophy. Klaus Vieweg is Professor of Philosophy at the Friedrich Schiller University of Jena; James Vigus is postdoctoral research fellow at the Department of English and American Studies, Ludwig Maximilian University of Munich; Kathleen M. Wheeler is Reader in English Literature at the University of Cambridge."
Author: Corneliu Simut
Publisher: BRILL
ISBN: 9004275215
Category : Religion
Languages : en
Pages : 372
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Book Description
In this book, Professor Simuț shows how Christian theology started to be understood as a Gnostic philosophy of religion in the thought of the 19th-century scholar F. C. Baur. Although Baur was seen traditionally as a theologian and biblical exegete, Simuț argues that he was in fact a philosopher of religion, and it was his philosophical reading of Christian theology that informed his biblical preoccupations. Specifically, Baur’s perspective on Christian theology was heavily influenced by Jakob Böhme’s esoteric theosophy and Hegel’s religious philosophy in some key issues such as creation, Lucifer, dualism and the connection between spirit and matter coupled with that between philosophy and religion.
Author: Christina Wald
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311034338X
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
This study takes a fresh look at the abundant scenarios of disguise in early modern prose fiction and suggests reading them in the light of the contemporary religio-political developments. More specifically, it argues that Elizabethan narratives adopt aspects of the heated Eucharist debate during the Reformation, including officially renounced notions like transubstantiation, to negotiate culturally pressing concerns regarding identity change. Drawing on the rich field of research on the adaptation of pre-Reformation concerns in Anglican England, the book traces a cross-fertilisation between the Reformation and the literary mode of romance. The study brings together topics which are currently being strongly debated in early modern studies: the turn to religion, a renewed interest in aesthetics, and a growing engagement with prose fiction. Narratives which are discussed in detail are William Baldwin’s Beware the Cat, Robert Greene’s Pandosto and Menaphon, Philip Sidney’s Old and New Arcadia, and Thomas Lodge’s Rosalynd and A Margarite of America, George Gascoigne’s Steele Glas, John Lyly’s Euphues: An Anatomy of Wit and Euphues and his England, Barnabe Riche’s Farewell, Greene’s A Quip for an Upstart Courtier, and Thomas Nashe’s The Unfortunate Traveller.
Author: Roman Alexander Barton
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110516411
Category : Literary Criticism
Languages : en
Pages : 296
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Book Description
There is little doubt that sympathy plays a pivotal role in aesthetic as well as moral experience, yet also little agreement on how to describe this connection and its long history. This volume investigates the changes in the concept of sympathy as well as its rhetorical, poetical and ethical functions from antiquity to the threshold of Romanticism. The focus is on sympathy's development from a cosmological principle expressing the coherence, correspondence, and unity of all things into a theoretical key concept of intersubjectivity informing moral philosophy, criticism and literature. Thus, Sympathy in Transformation offers important insights into the many ways in which, when sympathy migrates into diverse discourses in Early Modernity, its ancient origins dwindle out of sight, while some of its central elements re-emerge in a surprising manner.
Author: Cassandra Gorman
Publisher: Boydell & Brewer
ISBN: 1843845938
Category : Literary Criticism
Languages : en
Pages : 271
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Book Description
An investigation into the remarkable "poetics of the atom" in English literary texts from the mid to late seventeenth century. The early modern "atom" - understood as an indivisible particle of matter - captured the poetic imagination in ways that extended far beyond the reception of Lucretius and Epicurean atomism. Contrarily to fears of atomisation and materialist threat, many poets and philosophers of the period sought positive, spiritual motivation in the concept of material indivisibility. This book traces the metaphysical import of these poetic atoms, teasing out an affinity between poetic and atomic forms in seventeenth-century texts. In the writings of Henry More, Thomas Traherne, Margaret Cavendish, Hester Pulter and Lucy Hutchinson, both atoms and poems were instrumental in acts of creating, ordering and reconstructing knowledge. Their poems emerge as exquisitely self-conscious atomic forms, producing intimate reflections on the creative power and indivisibility of self, soul and God. The book begins with a survey of the imaginative possibilities surrounding the early modern "atom", before considering the indivisible centres of the Cambridge Platonist Henry More's cosmic, Spenserian poetics. The focus then turns to the lyrical bond formed between atom and soul in the writings of Thomas Traherne, and from there, to the experimental sequences of Margaret Cavendish and Hester Pulter, whose poetic spaces create new worlds and imagine alternative lives. The book concludes with a study of Lucy Hutchinson's creation poem Order and Disorder, which anticipates the regeneration of fallen being in atomic and alchemical terms.
Author: Andreas Höfele
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110655004
Category : Religion
Languages : en
Pages : 244
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Book Description
Chaos is a perennial source of fear and fascination. The original "formless void" (tohu-wa-bohu) mentioned in the book of Genesis, chaos precedes the created world: a state of anarchy before the establishment of cosmic order. But chaos has frequently also been conceived of as a force that persists in the cosmos and in society and threatens to undo them both. From the cultures of the ancient Near East and the Old Testament to early modernity, notions of the divine have included the power to check and contain as well as to unleash chaos as a sanction for the violation of social and ethical norms. Yet chaos has also been construed as a necessary supplement to order, a region of pure potentiality at the base of reality that provides the raw material of creation or even constitutes a kind of alternative order itself. As such, it generates its own peculiar 'formations of the formless'. Focusing on the connection between the cosmic and the political, this volume traces the continuities and re-conceptualizations of chaos from the ancient Near East to early modern Europe across a variety of cultures, discourses and texts. One of the questions it poses is how these pre-modern 'chaos theories' have survived into and reverberate in our own time.
Author: Lindsay G. Kerr
Publisher: Boydell & Brewer
ISBN: 1855663171
Category : Humor
Languages : en
Pages : 221
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Book Description
Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.
Author: A. D. Cousins
Publisher: Routledge
ISBN: 1317181204
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
This monograph studies how, across the Folio of 1681, Marvell's poems engage not merely with different kinds of loss and aspiration, but with experiences of both that were, in mid-seventeenth-century England, disturbingly new and unfamiliar. It particularly examines Marvell's preoccupation with the search for home, and with redefining the homeland, in times of civil upheaval. In doing so it traces his progression from being a poet who plays sophisticatedly with received myth to being one who is a national mythmaker in rivalry with his poetic contemporaries such as Waller and Davenant. Although focusing primarily on poems in the Folio of 1681, this book considers those poems in relation to others from the Marvell canon, including the Latin poems and the satires from the reign of Charles II. It closely considers them as well in relation to verse by poets from the classical past and the European, especially English, present.