Author: Nicolas Vauquelin (sieur des Yveteaux)
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Oeuvres Completes de Nicolas Vauquelin, Seigneur Des Yveteaux
Author: Nicolas Vauquelin (sieur des Yveteaux)
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 260
Book Description
Born to Write
Author: Neil Kenny
Publisher: Oxford University Press
ISBN: 0192593560
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
It is easy to forget how deeply embedded in social hierarchy was the literature and learning that has come down to us from the early modern European world. From fiction to philosophy, from poetry to history, works of all kinds emerged from and through the social hierarchy that was a fundamental fact of everyday life. Paying attention to it changes how we might understand and interpret the works themselves, whether canonical and familiar or largely forgotten. But a second, related fact is much overlooked too: works also often emanated from families, not just from individuals. Families were driving forces in the production—that is, in the composing, editing, translating, or publishing—of countless works. Relatives collaborated with each other, edited each other, or continued the unfinished works of deceased family members; some imitated or were inspired by the works of long-dead relatives. The reason why this second fact (about families) is connected to the first (about social hierarchy) is that families were in the period a basic social medium through which social status was claimed, maintained, threatened, or lost. So producing literary works was one of the many ways in which families claimed their place in the social world. The process was however often fraught, difficult, or disappointing. If families created works as a form of socio-cultural legacy that might continue to benefit their future members, not all members benefited equally; women sometimes produced or claimed the legacy for themselves, but they were often sidelined from it. Relatives sometimes disagreed bitterly about family history, identity (not least religious), and so about the picture of themselves and their family that they wished to project more widely in society through their written works, whether printed or manuscript. So although family was a fundamental social medium out of which so many works emerged, that process could be conflictual as well as harmonious. The intertwined role of family and social hierarchy within literary production is explored in this book through the case of France, from the late fifteenth to the mid-seventeenth century. Some families are studied here in detail, such as that of the most widely read French poet of the age, Clément Marot. But the extent of this phenomenon is quantified too: some two hundred families are identified as each containing more than one literary producer, and in the case of one family an extraordinary twenty-seven.
Publisher: Oxford University Press
ISBN: 0192593560
Category : Literary Criticism
Languages : en
Pages : 424
Book Description
It is easy to forget how deeply embedded in social hierarchy was the literature and learning that has come down to us from the early modern European world. From fiction to philosophy, from poetry to history, works of all kinds emerged from and through the social hierarchy that was a fundamental fact of everyday life. Paying attention to it changes how we might understand and interpret the works themselves, whether canonical and familiar or largely forgotten. But a second, related fact is much overlooked too: works also often emanated from families, not just from individuals. Families were driving forces in the production—that is, in the composing, editing, translating, or publishing—of countless works. Relatives collaborated with each other, edited each other, or continued the unfinished works of deceased family members; some imitated or were inspired by the works of long-dead relatives. The reason why this second fact (about families) is connected to the first (about social hierarchy) is that families were in the period a basic social medium through which social status was claimed, maintained, threatened, or lost. So producing literary works was one of the many ways in which families claimed their place in the social world. The process was however often fraught, difficult, or disappointing. If families created works as a form of socio-cultural legacy that might continue to benefit their future members, not all members benefited equally; women sometimes produced or claimed the legacy for themselves, but they were often sidelined from it. Relatives sometimes disagreed bitterly about family history, identity (not least religious), and so about the picture of themselves and their family that they wished to project more widely in society through their written works, whether printed or manuscript. So although family was a fundamental social medium out of which so many works emerged, that process could be conflictual as well as harmonious. The intertwined role of family and social hierarchy within literary production is explored in this book through the case of France, from the late fifteenth to the mid-seventeenth century. Some families are studied here in detail, such as that of the most widely read French poet of the age, Clément Marot. But the extent of this phenomenon is quantified too: some two hundred families are identified as each containing more than one literary producer, and in the case of one family an extraordinary twenty-seven.
The Hurdy-Gurdy in Eighteenth-Century France
Author: Robert A. Green
Publisher: Indiana University Press
ISBN: 0253025133
Category : Music
Languages : en
Pages : 146
Book Description
The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.
Publisher: Indiana University Press
ISBN: 0253025133
Category : Music
Languages : en
Pages : 146
Book Description
The hurdy-gurdy, or vielle, has been part of European musical life since the eleventh century. In eighteenth-century France, improvements in its sound and appearance led to its use in chamber ensembles. This new and expanded edition of The Hurdy-Gurdy in Eighteenth-Century France offers the definitive introduction to the classic stringed instrument. Robert A. Green discusses the techniques of playing the hurdy-gurdy and the interpretation of its music, based on existing methods and on his own experience as a performer. The list of extant music includes new pieces discovered within the last decade and provides new historical context for the instrument and its role in eighteenth-century French culture.
Galileo’s Glassworks
Author: Eileen Reeves
Publisher: Harvard University Press
ISBN: 0674042638
Category : Science
Languages : en
Pages : 240
Book Description
The Dutch telescope and the Italian scientist Galileo have long enjoyed a durable connection in the popular mind--so much so that it seems this simple glass instrument transformed a rather modest middle-aged scholar into the bold icon of the Copernican Revolution. And yet the extraordinary speed with which the telescope changed the course of Galileo's life and early modern astronomy obscures the astronomer's own curiously delayed encounter with the instrument. This book considers the lapse between the telescope's creation in The Hague in 1608 and Galileo's alleged acquaintance with such news ten months later. In an inquiry into scientific and cultural history, Eileen Reeves explores two fundamental questions of intellectual accountability: what did Galileo know of the invention of the telescope, and when did he know it? The record suggests that Galileo, like several of his peers, initially misunderstood the basic design of the telescope. In seeking to explain the gap between the telescope's emergence and the alleged date of the astronomer's acquaintance with it, Reeves explores how and why information about the telescope was transmitted, suppressed, or misconstrued in the process. Her revised version of events, rejecting the usual explanations of silence and idleness, is a revealing account of the role that misprision, error, and preconception play in the advancement of science. Along the way, Reeves offers a revised chronology of Galileo's life in a critical period and, more generally, shows how documents typically outside the scope of early modern natural philosophy--medieval romances, travel literature, and idle speculations--relate to two crucial events in the history of science.
Publisher: Harvard University Press
ISBN: 0674042638
Category : Science
Languages : en
Pages : 240
Book Description
The Dutch telescope and the Italian scientist Galileo have long enjoyed a durable connection in the popular mind--so much so that it seems this simple glass instrument transformed a rather modest middle-aged scholar into the bold icon of the Copernican Revolution. And yet the extraordinary speed with which the telescope changed the course of Galileo's life and early modern astronomy obscures the astronomer's own curiously delayed encounter with the instrument. This book considers the lapse between the telescope's creation in The Hague in 1608 and Galileo's alleged acquaintance with such news ten months later. In an inquiry into scientific and cultural history, Eileen Reeves explores two fundamental questions of intellectual accountability: what did Galileo know of the invention of the telescope, and when did he know it? The record suggests that Galileo, like several of his peers, initially misunderstood the basic design of the telescope. In seeking to explain the gap between the telescope's emergence and the alleged date of the astronomer's acquaintance with it, Reeves explores how and why information about the telescope was transmitted, suppressed, or misconstrued in the process. Her revised version of events, rejecting the usual explanations of silence and idleness, is a revealing account of the role that misprision, error, and preconception play in the advancement of science. Along the way, Reeves offers a revised chronology of Galileo's life in a critical period and, more generally, shows how documents typically outside the scope of early modern natural philosophy--medieval romances, travel literature, and idle speculations--relate to two crucial events in the history of science.
General catalogue of printed books
Author: British museum. Dept. of printed books
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 504
Book Description
Louis XIII, the Just
Author: A. Lloyd Moote
Publisher: Univ of California Press
ISBN: 0520075463
Category : Biography & Autobiography
Languages : en
Pages : 431
Book Description
In this fascinating biography, A. Lloyd Moote provides the first authoritative account of one of the most enigmatic figures of seventeenth-century Europe. Contrary of popular portrayals of the monarch as a hapless kind, Moote argues that Louis XIII was a ruler who powerfully shaped his people's destiny.
Publisher: Univ of California Press
ISBN: 0520075463
Category : Biography & Autobiography
Languages : en
Pages : 431
Book Description
In this fascinating biography, A. Lloyd Moote provides the first authoritative account of one of the most enigmatic figures of seventeenth-century Europe. Contrary of popular portrayals of the monarch as a hapless kind, Moote argues that Louis XIII was a ruler who powerfully shaped his people's destiny.
Anne of Austria
Author: Ruth Kleinman
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 376
Book Description
"Anne of Austria (22 September 1601? 20 January 1666) was Queen consort of France and Navarre, regent for her son, Louis XIV of France, and a Portuguese and Spanish Infanta by birth. During her regency (1643?1651) Cardinal Mazarin served as France's chief minister. Accounts of French court life of her era emphasize her difficult marital relations with her husband Louis XIII, her closeness to her son Louis XIV, and her disapproval of her son's marital infidelities."--Wikipedia.
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 376
Book Description
"Anne of Austria (22 September 1601? 20 January 1666) was Queen consort of France and Navarre, regent for her son, Louis XIV of France, and a Portuguese and Spanish Infanta by birth. During her regency (1643?1651) Cardinal Mazarin served as France's chief minister. Accounts of French court life of her era emphasize her difficult marital relations with her husband Louis XIII, her closeness to her son Louis XIV, and her disapproval of her son's marital infidelities."--Wikipedia.
Belgisch tijdschrift voor filologie en geschiedenis
Author: Société pour le progrès des études philologiques et historiques (Bruxelles)
Publisher:
ISBN:
Category : Classical philology
Languages : fr
Pages : 1030
Book Description
Publisher:
ISBN:
Category : Classical philology
Languages : fr
Pages : 1030
Book Description
The Reprint Bulletin
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 434
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 434
Book Description
Guide to Reprints
Author:
Publisher:
ISBN:
Category : Editions
Languages : en
Pages : 988
Book Description
Publisher:
ISBN:
Category : Editions
Languages : en
Pages : 988
Book Description