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Author: Sergei Eisenstein
Publisher: Ungar Publishing Company
ISBN: 9780571126132
Category :
Languages : en
Pages :
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Book Description
Author: Sergei Eisenstein
Publisher: Ungar Publishing Company
ISBN: 9780571126132
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 172
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Book Description
Author: Sergei Eisenstein
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
Author: Sergei Eisenstein
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 198
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Book Description
Author: Sergei Eisenstein
Publisher:
ISBN:
Category :
Languages : en
Pages : 189
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Book Description
Author: Kevin Bartig
Publisher: Oxford University Press
ISBN: 019026957X
Category : Music
Languages : en
Pages : 177
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Book Description
Audiences have long enjoyed Sergei Prokofiev's musical score for Alexander Nevsky, a historical film that cast a thirteenth-century Russian victory over invading Teutonic Knights as an allegory of contemporary Soviet strength in the face of Nazi warmongering. The cantata that Prokofiev derived from the score has proven even more popular and remains one of his most-performed works. This critical companion explores this music and the ways in which it has engaged listeners, performers, and artists throughout the twentieth and twenty-first centuries, tracing its path from state propaganda to repertory classic.
Author: Kevin J. Harty
Publisher: McFarland
ISBN: 1476608431
Category : Performing Arts
Languages : en
Pages : 325
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Book Description
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
Author: David Bordwell
Publisher: Routledge
ISBN: 1000159094
Category : Biography & Autobiography
Languages : en
Pages : 372
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Book Description
The Cinema of Eisenstein is David Bordwell's comprehensive analysis of the films of Sergei Eisenstein, arguably the key figure in the entire history of film. The director of such classics as Potemkin, Ivan the Terrible, October, Strike, and Alexander Nevsky, Eisenstein theorized montage, presented Soviet realism to the world, and mastered the concept of film epic. Comprehensive, authoritative, and illustrated throughout, this classic work deserves to be on the shelf of every serious student of cinema.
Author: Kevin Bartig
Publisher: Oxford University Press
ISBN: 0199968063
Category : Music
Languages : en
Pages : 245
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Book Description
Sound film captivated Sergey Prokofiev during the final two decades of his life: he considered composing for nearly two dozen pictures, eventually undertaking eight of them, all Soviet productions. Hollywood luminaries such as Gloria Swanson tempted him with commissions, and arguably more people heard his film music than his efforts in all other genres combined. Films for which Prokofiev composed, in particular those of Sergey Eisenstein, are now classics of world cinema. Drawing on newly available sources, Composing for the Red Screen examines - for the first time - the full extent of this prodigious cinematic career. Author Kevin Bartig examines how Prokofiev's film music derived from a self-imposed challenge: to compose "serious" music for a broad audience. The picture that emerges is of a composer seeking an individual film-music voice, shunning Hollywood models and objecting to his Soviet colleagues' ideologically expedient film songs. Looking at Prokofiev's film music as a whole - with well-known blockbusters like Alexander Nevsky considered alongside more obscure or aborted projects - reveals that there were multiple solutions to the challenge, each with varying degrees of success. Prokofiev carefully balanced his own populist agenda, the perceived aesthetic demands of the films themselves, and, later on, Soviet bureaucratic demands for accessibility.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 152
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Book Description
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
