Author: Mervyn McLean
Publisher: Department of Anthropology University of Auckland
ISBN:
Category : Music
Languages : en
Pages : 154
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Book Description
Mervyn Evan McLean, teacher, mentor, researcher and archivist, is the worthy recipient of this set of essays. Oceanic Music Encounters - the Print Resource and the Human Resource. The authors include colleagues and former students of an academic who was a practising ethnomusicologist only three years after the term was coined. Although most of his university career was spent at the University of Auckland, Mervyn's influence in the fields of Pacific music research and archiving were such that the contributions in this volume arc the result of both distant reputation and personal acquaintance. The volume is the product of the Study Group on Musics of Oceania within the International Council for Traditional Music, of which Mervyn has been a member for many years. The volume title is intended to encompass the span of Mervyn's professional interests, which include the role of archives in Oceanic music research and performance; material culture collections in music research and performance; the role of transcription in music research and performance; the importance of bibliographic research in tracing the connections between the past and the present; the significance of collaboration in research, particularly with scholars in other disciplines, and its significance to performance; and the colonial encounter and its implications for historical and contemporary performance.
Author: Eveline Dürr
Publisher: Routledge
ISBN: 1317409019
Category : Social Science
Languages : en
Pages : 210
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Book Description
This volume explores cultural, social and economic connections between the Americas and the South Pacific. It reaches beyond Sino-American collaborations to focus on rather neglected, and sometimes invisible, Southern linkages, asking how these connections originated and have developed over time, which local responses they have generated, and what impact these processes have in the region in terms of representational forms and strategies, new cultural practices, and empowerment of individuals in (post)colonial contexts. The volume also compares and contrasts intriguing parallels of politics and identity formation. By extending the focus beyond East Asia to the Southern Pacific region, including Island connections with the Americas, the volume provides a more comprehensive understanding of recent dynamics and shifting relations across the Pacific. By approaching the Transpacific Americas as an assemblage or relational space, which is created and becomes meaningful through multiple localities and their translocal connections, the book complicates the Euro-American distinction between "centre" and "rim". While the collection offers a distinctive geographical focus, it simultaneously emphasizes the translocal qualities of specific locations through their entanglements in transpacific assemblages within and across cultural, social and economic spheres. Furthermore, without neglecting the inextricable, historical dimension of anthropological perspectives, the focus is on the diverse and unexpected contemporary forms of cultural, social and economic encounters and engagements, and on (re)emerging Indigenous networks. Primarily based on empirical research, the volume explores face-to-face encounters, relations "from below," and transcultural interactions and relationships in, as well as ideas and conceptualizations of, cultural spaces across localities that have long been perceived as separate, but are indeed closely interconnected.
Author: Jennifer Post
Publisher: Routledge
ISBN: 1136705198
Category : Art
Languages : en
Pages : 468
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Book Description
First published in 2011. Routledge is an imprint of Taylor & Francis, an informa company.
Author: Brydie-Leigh Bartleet
Publisher: University of Hawaii Press
ISBN: 0824867033
Category : Music
Languages : en
Pages : 328
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Book Description
Community Music in Oceania: Many Voices, One Horizon makes a distinctive contribution to the field of community music through the experiences of its editors and contributors in music education, ethnomusicology, music therapy, and music performance. Covering a wide range of perspectives from Australia, Timor-Leste, New Zealand, Japan, Fiji, China, Taiwan, Malaysia, Singapore, and Korea, the essays raise common themes in terms of the pedagogies and practices used, pointing collectively toward one horizon of approach. Yet, contrasts emerge in the specifics of how community musicians fit within the musical ecosystems of their cultural contexts. Book chapters discuss the maintenance and recontextualization of music traditions, the lingering impact of colonization, the growing demands for professionalization of community music, the implications of government policies, tensions between various ethnic groups within countries, and the role of institutions such as universities across the region. One of the aims of this volume is to produce an intricate and illuminating picture that highlights the diversity of practices, pedagogies, and research currently shaping community music in the Asia Pacific.
Author: Nicholas Cook
Publisher: Oxford University Press
ISBN: 0197664008
Category : Music
Languages : en
Pages : 569
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Book Description
In today's technological and globalised world, music remains a basic dimension of society. Music, Encounter, Togetherness outlines a relational approach to music that creates space for both human agency and social relationship. Throughout the book, author Nicholas Cook puts Euro-American musical traditions into dialogue with other world music cultures, complementing theory-driven approaches with comprehensive case studies ranging from late eighteenth-century India to contemporary China, and from Debussy's encounter with Javanese music and dance to cross-cultural musicking in Australia and in cyberspace. Through these examples, Cook examines how music affords interpersonal relationship and social togetherness, and what happens when musicians from different cultures interact. Central to the book is the idea of encounter, which highlights the dynamic and processual nature of musicking, as much in therapy or at home as in the jazz club or concert hall. Western musicologists have traditionally thought of music as primarily a repertory of objects; Cook illustrates how thinking of it in processual terms--through an expanded idea of performance--can make as much sense of Western art music as of other traditions. In basing an understanding of music on acts rather than objects and focussing on people and their relationships rather than on the impersonal forces of evolutionary or stylistic histories, the book opens up ways of thinking that counter some of the dehumanising aspects of musical thinking and practice in global modernity.
Author: Dan Bendrups
Publisher:
ISBN: 0190297034
Category : History
Languages : en
Pages : 225
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Book Description
An exemplary investigation into music and sustainability, Singing and Survival tells the story of how music helped the Rapanui people of Easter Island to preserve their unique cultural heritage. Easter Island (or Rapanui), known for the iconic headstones (moai) that dot the island landscape, has a remarkable and enduring presence in global popular culture where it has been portrayed as a place of mystery and fascination, and as a case study in societal collapse. These portrayals often overlook the remarkable survival of the Rapanui people who rebounded from a critically diminished population of just 110 people in the late nineteenth century to what is now a vibrant community where indigenous language and cultural practices have been preserved for future generations. This cultural revival has drawn on a diversity of historical and contemporary influences: indigenous heritage, colonial and missionary influences from South America, and cultural imports from other Polynesian islands, as well as from tourism and global popular culture. The impact of these influences can be perceived in the island's contemporary music culture. This book provides a comprehensive overview of Easter Island music, with individual chapters devoted to the various streams of cultural influence from which the Rapanui people have drawn to rebuild and reinforce their music, their performances, their language and their presence in the world. In doing so, it provides a counterpoint to deficit discourses of collapse, destruction and disappearance to which the Rapanui people have historically been subjected.
Author: Birgit Abels
Publisher: Amsterdam University Press
ISBN: 9089640851
Category : Music
Languages : en
Pages : 340
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Book Description
Birgit Abels is a cultural musicologist with a primary specialization in the music of the Pacific and Southeast Asian islands. --
Author: Linda Ashley
Publisher: Springer
ISBN: 3319289896
Category : Education
Languages : en
Pages : 306
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Book Description
This volume looks forward and re-examines present day education and pedagogical practices in music and dance in the diverse cultural environments found in Oceania. The book also identifies a key issue of how teachers face the prospect of taking a reflexive view of their own cultural legacy in music and dance education as they work from and alongside different cultural worldviews. This key issue, amongst other debates that arise, positions Intersecting Cultures as an innovative text that fills a gap in the current market with highly appropriate and fresh ideas from primary sources. The book offers commentaries that underpin and inform current pedagogy and bigger picture policy for the performing arts in education in Oceania, and in parallel ways in other countries.
Author: Kirsty Gillespie
Publisher: ANU E Press
ISBN: 1921666439
Category : Music
Languages : en
Pages : 271
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Book Description
This book is a musical ethnography of the Duna people of Papua New Guinea. A people who have experienced extraordinary social change in recent history, their musical traditions have also radically changed during this time. New forms of music have been introduced, while ancestral traditions have been altered or even abandoned. This study shows how, through musical creativity, Duna people maintain a connection with their past, and their identity, whilst simultaneously embracing the challenges of the present.
Author: Mervyn McLean
Publisher: Mervyn McLean
ISBN: 0473288737
Category : Music
Languages : en
Pages : 231
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Book Description
For more than twenty years the standard view among anthropologists has been that Polynesians evolved from a group of settlers known as Lapita people whose characteristically dentate-stamped pottery has been found on numerous mostly Melanesian sites, and who entered Fiji more than 3000 years ago from a starting point in the Bismarck Archipelago. An alternative view that champions Micronesia as a primary area of origin for Polynesians has been in limbo as a result of the prevailing theory, but is reappraised in the present book and found once again to be in contention. The book takes an historical view of theories of origin, and provides some account of methodologies used by scholarly disciplines which have been brought to bear on the subject, including evidence from music and dance, which forms the core of the book.
