Author: Pablo Marsal
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 22
Book Description
Obras para clavecin o pianoforte
Author: Pablo Marsal
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 22
Book Description
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 22
Book Description
Obras para clavicordio o piano forte
Author: Sebastián de Albero
Publisher: Asociación Ars Hispana
ISBN:
Category : Music
Languages : es
Pages : 272
Book Description
Las Obras para clavicordio o piano forte es una de las dos colecciones de música para tecla que se conservan de Sebastián de Albero (1722-1756), organista de la Real Capilla desde 1746 hasta su muerte. Las Obras están dedicadas al rey Fernando VI y Albero las concibió tanto como un regalo de agradecimiento por haber sido nombrado organista como una prueba de que merecía el puesto. Están estructuradas en seis “trípticos”, formado cada uno de ellos por tres movimientos: una Recercata (preludio de medida libre), una Fuga y una Sonata. Como complemento a la edición, se incluye una colección de seis intentos o fugas que aparece copiada en algunos manuscritos de finales del siglo XVIII. Esta colección presenta versiones de cinco de las fugas de Albero incluidas en las Obras, junto a un intento o fuga de José Teixidor (1751-ca. 1814).
Publisher: Asociación Ars Hispana
ISBN:
Category : Music
Languages : es
Pages : 272
Book Description
Las Obras para clavicordio o piano forte es una de las dos colecciones de música para tecla que se conservan de Sebastián de Albero (1722-1756), organista de la Real Capilla desde 1746 hasta su muerte. Las Obras están dedicadas al rey Fernando VI y Albero las concibió tanto como un regalo de agradecimiento por haber sido nombrado organista como una prueba de que merecía el puesto. Están estructuradas en seis “trípticos”, formado cada uno de ellos por tres movimientos: una Recercata (preludio de medida libre), una Fuga y una Sonata. Como complemento a la edición, se incluye una colección de seis intentos o fugas que aparece copiada en algunos manuscritos de finales del siglo XVIII. Esta colección presenta versiones de cinco de las fugas de Albero incluidas en las Obras, junto a un intento o fuga de José Teixidor (1751-ca. 1814).
Obras para clavecin o pianoforte: Siete minuetos
Author: Pablo Marsal
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 24
Book Description
Publisher:
ISBN:
Category : Harpsichord music
Languages : en
Pages : 24
Book Description
The Cambridge Companion to the Harpsichord
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
Publisher: Cambridge University Press
ISBN: 1107156076
Category : Music
Languages : en
Pages : 407
Book Description
Covers every aspect of the harpsichord and its music, including composers, genres, national styles, tuning, and the art of harpsichord building.
30 Sonatas for Harpsichord
Author: Sebasti‡n de Albero
Publisher: Lulu.com
ISBN: 1329660285
Category : Art
Languages : en
Pages : 150
Book Description
The 30 Sonatas of Sebastián de Albero (1722-1756), who worked for the Spanish court in Madrid along with Italian-born Domenico Scarlatti and fellow-Spaniard Antonio Soler, is a remarkable contribution to the vital Iberian keyboard literature of the 18th century. Lively, colorful, melancholy - with the Spanish-style harmonic and melodic inflections, irregular phrases, dissonances, and ingenious modulations characteristic of the best work of his contemporaries - Albero's 30 Sonatas displays his distinctive personality. While enriching the repertoire of pianists and harpsichordists, Albero's work affords new insights into the vivid and expressive music of the Iberian keyboard tradition, as well as many hours of delightful music for performance and practice. The 30 Sonatas are newly edited from the manuscript source, clearly typeset and formatted for optimal page turns, and prefaced with a biographical and editorial introduction in English, Spanish, French, and German.
Publisher: Lulu.com
ISBN: 1329660285
Category : Art
Languages : en
Pages : 150
Book Description
The 30 Sonatas of Sebastián de Albero (1722-1756), who worked for the Spanish court in Madrid along with Italian-born Domenico Scarlatti and fellow-Spaniard Antonio Soler, is a remarkable contribution to the vital Iberian keyboard literature of the 18th century. Lively, colorful, melancholy - with the Spanish-style harmonic and melodic inflections, irregular phrases, dissonances, and ingenious modulations characteristic of the best work of his contemporaries - Albero's 30 Sonatas displays his distinctive personality. While enriching the repertoire of pianists and harpsichordists, Albero's work affords new insights into the vivid and expressive music of the Iberian keyboard tradition, as well as many hours of delightful music for performance and practice. The 30 Sonatas are newly edited from the manuscript source, clearly typeset and formatted for optimal page turns, and prefaced with a biographical and editorial introduction in English, Spanish, French, and German.
Sonate per pianoforte
Author: Domenico Scarlatti
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 28
Book Description
Publisher:
ISBN:
Category : Sonatas (Harpsichord)
Languages : en
Pages : 28
Book Description
The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style
Author: W. Dean Sutcliffe
Publisher: Cambridge University Press
ISBN: 1139441094
Category : Music
Languages : en
Pages : 414
Book Description
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
Publisher: Cambridge University Press
ISBN: 1139441094
Category : Music
Languages : en
Pages : 414
Book Description
W. Dean Sutcliffe investigates one of the greatest yet least understood repertories of Western keyboard music: the 555 keyboard sonatas of Domenico Scarlatti. Scarlatti occupies a position of solitary splendour in musical history. The sources of his style are often obscure and his immediate influence is difficult to discern. Further, the lack of hard documentary evidence has hindered musicological activity. Dr Sutcliffe offers not just a thorough reconsideration of the historical factors that have contributed to Scarlatti's position, but also sustained engagement with the music, offering both individual readings and broader commentary of an unprecedented kind. A principal task of this book is to remove the composer from his critical ghetto (however honourable) and redefine his image. In so doing it will reflect on the historiographical difficulties involved in understanding eighteenth-century musical style.
Goldberg
Author:
Publisher:
ISBN:
Category : Compact discs
Languages : en
Pages : 306
Book Description
Publisher:
ISBN:
Category : Compact discs
Languages : en
Pages : 306
Book Description
A History of Spanish Piano Music
Author: Linton Powell
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Music
Languages : en
Pages : 230
Book Description
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Music
Languages : en
Pages : 230
Book Description
Musical Notation in the West
Author: James Grier
Publisher: Cambridge University Press
ISBN: 1009038230
Category : Music
Languages : en
Pages : 287
Book Description
Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.
Publisher: Cambridge University Press
ISBN: 1009038230
Category : Music
Languages : en
Pages : 287
Book Description
Musical notation is a powerful system of communication between musicians, using sophisticated symbolic, primarily non-verbal means to express musical events in visual symbols. Many musicians take the system for granted, having internalized it and their strategies for reading it and translating it into sound over long years of study and practice. This book traces the development of that system by combining chronological and thematic approaches to show the historical and musical context in which these developments took place. Simultaneously, the book considers the way in which this symbolic language communicates to those literate in it, discussing how its features facilitate or hinder fluent comprehension in the real-time environment of performance. Moreover, the topic of musical as opposed to notational innovation forms another thread of the treatment, as the author investigates instances where musical developments stimulated notational attributes, or notational innovations made practicable advances in musical style.