Author: Steve Holmes
Publisher: Rio Grande Trust
ISBN: 9780971867611
Category : Antiques & Collectibles
Languages : en
Pages : 268
Book Description
Jadeite Objets d’Art Indeed the last great aesthetic discovery of the Emporer Qianlong, reigning from 1736 to 1796, hidden high amid the impenetrable forested hills of remotest Myanmar. Only decades later in 1863 would the French mineralogist Alexis Damour name the stone jadeite. This stone emerged in interesting times, an artistic golden age. The historical carvings of China for nearly seven millennia had given way to a new era. By 1880 impressionism, though disdained early in its day, was well entrenched within the artistic milieu. Affluent British, Americans and to a lesser extent the continental Europeans, the commercial class if you will, demanded new ideas and ornate objects, looking to decoration as a mark at once of quality and change. With centuries of training and skills in the arts and crafts, Chinese artisans developed a unique design and style, in effect an infrastructure, that aesthetically captured the romance and mystery of the orient, and comfortably served as the backdrop for c! arved flowers and dragons alike in rare and important jadeite carvings - carvings of both cabochons and cabinet pieces. The best of both were frequently glorified in opulent settings and homes of the affluent, a fashion trend that continued for decades, concentrated as to its high season from 1900 to 1920, yet ranging from perhaps as early as 1880 to 1940, arguably ending with the all consuming world war. Winds of change were blowing and by 1950 modernism had arrived and with that age the recent past and its relics migrated to the nations’ attics and archives, at least under the best of circumstances. And like those with even the sincerest of intentions and with the greatest respect for the past, the modernists had their respective new era lives to lead. Records lost, writings long since misplaced, carvings cautiously placed in overcrowded musty Victorian attics. And so for decades, the light has been dimly lit, perhaps as Qianlong would have wanted it, yet history has a way! of locating those pilgrims of the past who in retrospect offered a vibrant message and timeless imagery. Jadeite Objets d’Art brings to light an impressive quantity of information on the stone as well as an in-depth analysis of the epic works from the early, middle and late periods these works of art flourished. It features in vivid color many works that have never been published and focuses on seminal carvings, many of which have rarely been seen. No single publication, coupled with an extensive array of images of jadeite carvings, has heretofore concentrated solely on this dramatic and mysterious stone. Significant archival and original records have been carefully and thoroughly researched. Additionally the reader will find critical information on the stone and related data including an historical perspective, mineralization, commercialization and evaluation considerations as well as a cataloged listing of objects from an extensive and important collection and a discussion of certain of the techniques utilized by master artisans of these carvings.
Jadeite Objets D'art
Author: Steve Holmes
Publisher: Rio Grande Trust
ISBN: 9780971867611
Category : Antiques & Collectibles
Languages : en
Pages : 268
Book Description
Jadeite Objets d’Art Indeed the last great aesthetic discovery of the Emporer Qianlong, reigning from 1736 to 1796, hidden high amid the impenetrable forested hills of remotest Myanmar. Only decades later in 1863 would the French mineralogist Alexis Damour name the stone jadeite. This stone emerged in interesting times, an artistic golden age. The historical carvings of China for nearly seven millennia had given way to a new era. By 1880 impressionism, though disdained early in its day, was well entrenched within the artistic milieu. Affluent British, Americans and to a lesser extent the continental Europeans, the commercial class if you will, demanded new ideas and ornate objects, looking to decoration as a mark at once of quality and change. With centuries of training and skills in the arts and crafts, Chinese artisans developed a unique design and style, in effect an infrastructure, that aesthetically captured the romance and mystery of the orient, and comfortably served as the backdrop for c! arved flowers and dragons alike in rare and important jadeite carvings - carvings of both cabochons and cabinet pieces. The best of both were frequently glorified in opulent settings and homes of the affluent, a fashion trend that continued for decades, concentrated as to its high season from 1900 to 1920, yet ranging from perhaps as early as 1880 to 1940, arguably ending with the all consuming world war. Winds of change were blowing and by 1950 modernism had arrived and with that age the recent past and its relics migrated to the nations’ attics and archives, at least under the best of circumstances. And like those with even the sincerest of intentions and with the greatest respect for the past, the modernists had their respective new era lives to lead. Records lost, writings long since misplaced, carvings cautiously placed in overcrowded musty Victorian attics. And so for decades, the light has been dimly lit, perhaps as Qianlong would have wanted it, yet history has a way! of locating those pilgrims of the past who in retrospect offered a vibrant message and timeless imagery. Jadeite Objets d’Art brings to light an impressive quantity of information on the stone as well as an in-depth analysis of the epic works from the early, middle and late periods these works of art flourished. It features in vivid color many works that have never been published and focuses on seminal carvings, many of which have rarely been seen. No single publication, coupled with an extensive array of images of jadeite carvings, has heretofore concentrated solely on this dramatic and mysterious stone. Significant archival and original records have been carefully and thoroughly researched. Additionally the reader will find critical information on the stone and related data including an historical perspective, mineralization, commercialization and evaluation considerations as well as a cataloged listing of objects from an extensive and important collection and a discussion of certain of the techniques utilized by master artisans of these carvings.
Publisher: Rio Grande Trust
ISBN: 9780971867611
Category : Antiques & Collectibles
Languages : en
Pages : 268
Book Description
Jadeite Objets d’Art Indeed the last great aesthetic discovery of the Emporer Qianlong, reigning from 1736 to 1796, hidden high amid the impenetrable forested hills of remotest Myanmar. Only decades later in 1863 would the French mineralogist Alexis Damour name the stone jadeite. This stone emerged in interesting times, an artistic golden age. The historical carvings of China for nearly seven millennia had given way to a new era. By 1880 impressionism, though disdained early in its day, was well entrenched within the artistic milieu. Affluent British, Americans and to a lesser extent the continental Europeans, the commercial class if you will, demanded new ideas and ornate objects, looking to decoration as a mark at once of quality and change. With centuries of training and skills in the arts and crafts, Chinese artisans developed a unique design and style, in effect an infrastructure, that aesthetically captured the romance and mystery of the orient, and comfortably served as the backdrop for c! arved flowers and dragons alike in rare and important jadeite carvings - carvings of both cabochons and cabinet pieces. The best of both were frequently glorified in opulent settings and homes of the affluent, a fashion trend that continued for decades, concentrated as to its high season from 1900 to 1920, yet ranging from perhaps as early as 1880 to 1940, arguably ending with the all consuming world war. Winds of change were blowing and by 1950 modernism had arrived and with that age the recent past and its relics migrated to the nations’ attics and archives, at least under the best of circumstances. And like those with even the sincerest of intentions and with the greatest respect for the past, the modernists had their respective new era lives to lead. Records lost, writings long since misplaced, carvings cautiously placed in overcrowded musty Victorian attics. And so for decades, the light has been dimly lit, perhaps as Qianlong would have wanted it, yet history has a way! of locating those pilgrims of the past who in retrospect offered a vibrant message and timeless imagery. Jadeite Objets d’Art brings to light an impressive quantity of information on the stone as well as an in-depth analysis of the epic works from the early, middle and late periods these works of art flourished. It features in vivid color many works that have never been published and focuses on seminal carvings, many of which have rarely been seen. No single publication, coupled with an extensive array of images of jadeite carvings, has heretofore concentrated solely on this dramatic and mysterious stone. Significant archival and original records have been carefully and thoroughly researched. Additionally the reader will find critical information on the stone and related data including an historical perspective, mineralization, commercialization and evaluation considerations as well as a cataloged listing of objects from an extensive and important collection and a discussion of certain of the techniques utilized by master artisans of these carvings.
Decorative Furnishings and Objets D'art in the Louvre
Author: Musée du Louvre
Publisher: Somogy Art Publishing
ISBN: 9782757206034
Category : Decoration and ornament
Languages : en
Pages : 0
Book Description
"Over two hundred and fifty masterpieces from one of the most magnificent eras in the decorative arts are featured in this book, ranging from the splendors of courtly art under Louis XIV to the dazzling creations inspired first by Madame de Pompadour under Louis XV and then by Queen Marie-Antoinette under Louis XVI. A broad perspective on interior decoration, luxury goods, and the art market is offered through lavish furniture by the likes of André-Charles Boulle and Charles Cressent durine, the Régence, through extravagant dinner services, and through the magnificent porcelain and tapestries produced by the royal manufactories, constituting a 'moment of perfection in French art' that lasted until the Revolution. The Louvre's new rooms devoted to seventeenth- and eighteenth-century decorative arts opened in May 2014. Some two thousand items are displayed in nearly twenty thousand square feet of exhibition space, representing one of the world's finest collections of furnishings and objets d'art from the reign of Louis XIV, through that of Louis XVI. The new galleries are organized chronologically and are punctuated by spectacular period rooms that recreate the magnificent wood-paneled interiors of lavish residences and princely palaces in eighteenth-century Paris. These reconstitutions of a bygone period provide the setting for truly remarkable objets d'art from the Louvre's Department or Decorative Arts--now placed in their original intellectual and material context, these items recreate a vanished atmosphere and reveal their full meaning as well as their full beauty."--Page [4] of cover.
Publisher: Somogy Art Publishing
ISBN: 9782757206034
Category : Decoration and ornament
Languages : en
Pages : 0
Book Description
"Over two hundred and fifty masterpieces from one of the most magnificent eras in the decorative arts are featured in this book, ranging from the splendors of courtly art under Louis XIV to the dazzling creations inspired first by Madame de Pompadour under Louis XV and then by Queen Marie-Antoinette under Louis XVI. A broad perspective on interior decoration, luxury goods, and the art market is offered through lavish furniture by the likes of André-Charles Boulle and Charles Cressent durine, the Régence, through extravagant dinner services, and through the magnificent porcelain and tapestries produced by the royal manufactories, constituting a 'moment of perfection in French art' that lasted until the Revolution. The Louvre's new rooms devoted to seventeenth- and eighteenth-century decorative arts opened in May 2014. Some two thousand items are displayed in nearly twenty thousand square feet of exhibition space, representing one of the world's finest collections of furnishings and objets d'art from the reign of Louis XIV, through that of Louis XVI. The new galleries are organized chronologically and are punctuated by spectacular period rooms that recreate the magnificent wood-paneled interiors of lavish residences and princely palaces in eighteenth-century Paris. These reconstitutions of a bygone period provide the setting for truly remarkable objets d'art from the Louvre's Department or Decorative Arts--now placed in their original intellectual and material context, these items recreate a vanished atmosphere and reveal their full meaning as well as their full beauty."--Page [4] of cover.
The rise and fall of the objets d'art market since 1750
Author: Gerald Reitlinger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 742
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 742
Book Description
The Paris Salons, 1895-1914: Objets d'art & metalware
Author: Alastair Duncan
Publisher: ACC Distribution
ISBN:
Category : Art metal-work
Languages : en
Pages : 576
Book Description
This essential guide continues Duncan's survey of this key period with a study of both orfevrerie - the objects d'arts created by gold and silversmiths - and metalware. At this point in history, the distinction between the fine and decorative arts began to weaken, resulting in exquisite enamelling by such luminaries as Lalique, brilliantly fashioned household accoutrements of bronze and wrought iron and a flourishing of sculpture. Over 2,000 illustrations beautifully document these important pieces.
Publisher: ACC Distribution
ISBN:
Category : Art metal-work
Languages : en
Pages : 576
Book Description
This essential guide continues Duncan's survey of this key period with a study of both orfevrerie - the objects d'arts created by gold and silversmiths - and metalware. At this point in history, the distinction between the fine and decorative arts began to weaken, resulting in exquisite enamelling by such luminaries as Lalique, brilliantly fashioned household accoutrements of bronze and wrought iron and a flourishing of sculpture. Over 2,000 illustrations beautifully document these important pieces.
Sale
Author: Anderson Galleries, Inc
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 1092
Book Description
Sale Catalogues
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1302
Book Description
Furniture & Objets D'art
Author: Karl Freund
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Art objects
Languages : en
Pages : 256
Book Description
Sale
Author: American Art Association, Anderson Galleries (Firm)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 1662
Book Description
"Sculptors and Design Reform in France, 1848 to 1895 "
Author: Claire Jones
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Publisher: Routledge
ISBN: 1351549707
Category : Art
Languages : en
Pages : 245
Book Description
Challenging distinctions between fine and decorative art, this book begins with a critique of the Rodin scholarship, to establish how the selective study of his oeuvre has limited our understanding of French nineteenth-century sculpture. The book's central argument is that we need to include the decorative in the study of sculpture, in order to present a more accurate and comprehensive account of the practice and profession of sculpture in this period. Drawing on new archival sources, sculptors and objects, this is the first sustained study of how and why French sculptors collaborated with state and private luxury goods manufacturers between 1848 and 1895. Organised chronologically, the book identifies three historically-situated frameworks, through which sculptors attempted to validate themselves and their work in relation to industry: industrial art, decorative art and objet d'art. Detailed readings are offered of sculptors who operated within and outside the Salon, including S?n, Ch?t, Carrier-Belleuse and Rodin; and of diverse objects and materials, from S?es vases, to pewter plates by Desbois, and furniture by Barbedienne and Carabin. By contesting the false separation of art from industry, Claire Jones's study restores the importance of the sculptor-manufacturer relationship, and of the decorative, to the history of sculpture.
Foreign Relations of the United States
Author: United States. Department of State
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1144
Book Description
Publisher:
ISBN:
Category : United States
Languages : en
Pages : 1144
Book Description