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Author: Mark Clague
Publisher: W. W. Norton & Company
ISBN: 0393651398
Category : History
Languages : en
Pages : 352
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Book Description
A New York Times Editors' Choice The fascinating story of America’s national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore’s Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don’t know is the story of how this everyday “broadside ballad,” one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation’s one and only anthem and today’s magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song’s use in sports, at times of war, and for political protest, he argues that the anthem’s meaning reflects—and is reflected by—the nation’s quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key’s song is the story of America itself. Each chapter in the book explores a different facet of the anthem’s story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key’s complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song’s resonance and meaning. From its first lines Key’s lyric poses questions: “O say can you see?” “Does that banner yet wave?” Likewise, Clague’s O Say Can You Hear? raises important questions about the banner; what it meant in 1814, what it means to us today, and why it matters.
Author: Mark Clague
Publisher: W. W. Norton & Company
ISBN: 0393651398
Category : History
Languages : en
Pages : 352
Get Book Here
Book Description
A New York Times Editors' Choice The fascinating story of America’s national anthem and an examination of its powerful meaning today. Most Americans learn the tale in elementary school: During the War of 1812, Francis Scott Key witnessed the daylong bombardment of Baltimore’s Fort McHenry by British navy ships; seeing the Stars and Stripes still flying proudly at first light, he was inspired to pen his famous lyric. What Americans don’t know is the story of how this everyday “broadside ballad,” one of thousands of such topical songs that captured the events and emotions of early American life, rose to become the nation’s one and only anthem and today’s magnet for controversy. In O Say Can You Hear? Mark Clague brilliantly weaves together the stories of the song and the nation it represents. Examining the origins of both text and music, alternate lyrics and translations, and the song’s use in sports, at times of war, and for political protest, he argues that the anthem’s meaning reflects—and is reflected by—the nation’s quest to become a more perfect union. From victory song to hymn of sacrifice and vehicle for protest, the story of Key’s song is the story of America itself. Each chapter in the book explores a different facet of the anthem’s story. In one, we learn the real history behind the singing of the anthem at sporting events; in another, Clague explores Key’s complicated relationship with slavery and its repercussions today. An entire is chapter devoted to some of the most famous performances of the anthem, from Jimi Hendrix at Woodstock to Roseanne Barr at a baseball game to the iconic Whitney Houston version from the 1991 Super Bowl. At every turn, the book goes beyond the events to explore the song’s resonance and meaning. From its first lines Key’s lyric poses questions: “O say can you see?” “Does that banner yet wave?” Likewise, Clague’s O Say Can You Hear? raises important questions about the banner; what it meant in 1814, what it means to us today, and why it matters.
Author: Derek Charles Catsam
Publisher: Rowman & Littlefield
ISBN: 1538144727
Category : Social Science
Languages : en
Pages : 287
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Book Description
A significant examination of how athletes have fought for inclusion and equality on and off the playing field, despite calls for them to “stick to sports.” The claim that sports are—or ought to be—apolitical has itself never been an apolitical position. Rather, it is a veiled attempt to control which politics are acceptable in the athletic realm, a designation intricately linked to issues of race, gender, ethnicity, and more. In Don't Stick to Sports: The American Athlete’s Fight against Injustice, Derek Charles Catsam carefully explores this disparity. He looks at how, throughout recent sports history in the United States, minority athletes have had to fight every step of the way for their right to compete, and how they continue to fight for equity today. From African Americans and women to LGBTQ+ and religious minorities, Catsam shows how these athletes have taken a stand to address the underlying injustices in sports and society despite being told it’s not their place to do so. While it’s impossible for a single book to tell the entire history of exclusion in the sporting world, Don’t Stick to Sports looks at key moments from the World War I era to the present to shatter the myth of sports as a meritocracy, of sports-as-equalizer, highlighting the reality as something far more complicated—of sports as a malleable world where exclusion and inclusion are rarely straight-forward.
Author: Marc Ferris
Publisher: JHU Press
ISBN: 1421415186
Category : History
Languages : en
Pages : 327
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Book Description
" In September, 2014, Baltimore and the United States will mark the bicentennial of the event that inspired "The Star-Spangled Banner." But Francis Scott Key's poem, set to a British drinking song, has not always been our anthem, nor even especially popular. Aiming at a broad readership, Ferris examines the history of the song through the generations that followed the War of 1812, the kinds of Americans who rallied behind the song, and the successful lobbying effort that in 1933 convinced Congress to adopt the music and four stanzas as our official national anthem. Since then many citizens have called for its replacement with something less warlike; people quarrel over its apparent militarism and also difficulty level. Politically, Ferris finds, the song has an interesting and somewhat tortured story. Are we the only nation on earth with a controversial national anthem?"--Provided by publisher.
Author: NMAH
Publisher: Smithsonian Institution
ISBN: 1588347249
Category : Performing Arts
Languages : en
Pages : 545
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Book Description
US history gets the star treatment with this essential guide to the Smithsonian's first permanent exhibition on pop culture, featuring objects like Muhammad Ali’s training robe, and Leonard Nimoy’s Spock ears, and Dorothy’s ruby slippers, oh my! Winner of the Popular Culture Association's Ray and Pat Browne Best Edited Reference/Primary Source Work in Popular Culture Award Entertainment Nation is a star-studded and richly illustrated book celebrating the best of 150 years of US pop culture. The book presents nearly 300 breathtaking Smithsonian objects from the first long-term exhibition on popular culture, and features contributors like Billie Jean King, Ali Wong, and Jill Lepore. Entertainment Nation offers the glitz and glamour of Hollywood, the passion and grit of star athletes, the limelight of the music industry and theater, and the amazing entertainers we love to watch, with dazzling cultural touchstones like: Music and Theater Lin-Manuel Miranda’s Hamilton costume John Coltrane’s saxophone Selena's leather outfit Film and Television Captain America’s shield Mr. Roger’s sweater Seinfeld’s puffy shirt Sports Mia Hamm’s Olympic jersey Kristi Yamaguchi’s ice skates Babe Ruth autographed baseball The book includes essays that contextualize the objects’ place in time and history, exploring how entertainment sparks conversation and debate, reveals social tensions and political power, and dictates who gets to be the hero or the villain. Taking a nostalgic look at old favorites and an exhilarating glimpse of contemporary attractions, Entertainment Nation is a love letter to pop culture.
Author: Elizabeth T. Craft
Publisher: Oxford University Press
ISBN: 0197550401
Category : Biography & Autobiography
Languages : en
Pages : 317
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Book Description
"Composer, lyricist, playwright, performer, director, theater owner, and star actor George M. Cohan (1878-1942) definitively shaped the burgeoning genre of musical comedy and the institution of Broadway in the early twentieth century. Remembered today for classic tunes like "You're a Grand Old Flag" and "Give My Regards to Broadway," he has been called "the father of musical comedy" and is memorialized with a statue in Times Square. In his day, he was famous as the "Yankee Doodle Boy" from his hit song and as the "Man Who Owned Broadway" from his musical of the same name. His songs and shows captured the spirit of an era when staggering social change gave new urgency to efforts to define Americanism. This book, the first on Cohan in fifty years and the first scholarly study on the subject, is not a biography but rather situates Cohan as a central figure of his day, placing his multifaceted contributions within overlapping historical and cultural contextual webs to examine his wide-ranging cultural impact. Chapters interweave discussion of his songs and shows with explorations of the roles he played in public life-entertainer, Broadway magnate, Irish American, celebrity, and, above all, emblem of patriotism. This approach offers not only a fuller understanding of his shows and career but also new perspectives on fundamental debates about American identity and the performing arts in the early twentieth-century United States"--
Author: Edward L. Ayers
Publisher: W. W. Norton & Company
ISBN: 039388127X
Category : History
Languages : en
Pages : 246
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Book Description
A leading historian’s absorbing narrative of America’s formative period, when voices of dissent and innovation challenged the nation. With so many of our histories falling into dour critique or blatant celebration, here is a welcome departure: a book that offers hope as well as honesty about the American past. The early decades of the nineteenth century saw the expansion of slavery, Native dispossession, mass immigration, and wars with continental neighbors. And yet eccentric visions altered the accepted wisdom; voices from the margins moved the center; acts of empathy defied self-interest. Edward L. Ayers’s rich history examines the visions that moved Frederick Douglass, Margaret Fuller, and the Native American activist William Apess to challenge vastly powerful practices and beliefs. Melville and Thoreau, Joseph Smith and Samuel Morse were similarly moved to harness their creativity to forge new paths forward. These visionaries and critics built vigorous traditions of innovation and dissent into the very foundation of the nation.
Author: Matthew J. Clavin
Publisher: NYU Press
ISBN: 1479823252
Category : Social Science
Languages : en
Pages : 285
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Book Description
How American symbols inspired enslaved people and their allies to fight for true freedom In the early United States, anthems, flags, holidays, monuments, and memorials were powerful symbols of an American identity that helped unify a divided people. A language of freedom played a similar role in shaping the new nation. The Declaration of Independence’s assertion “that all men are created equal,” Patrick Henry’s cry of “Give me liberty, or give me death!,” and Francis Scott Key’s “star-spangled banner” waving over “the land of the free and the home of the brave,” were anthemic celebrations of a newly free people. Resonating across the country, they encouraged the creation of a republic where the right to “life, liberty, and the pursuit of happiness” was universal, natural, and inalienable. For enslaved people and their allies, the language and symbols that served as national touchstones made a mockery of freedom. Deriding the ideas that infused the republic’s founding, they encouraged an empty American culture that accepted the abstract notion of equality rather than the concrete idea. Yet, as award-winning author Matthew J. Clavin reveals, it was these powerful expressions of American nationalism that inspired forceful and even violent resistance to slavery. Symbols of Freedom is the surprising story of how enslaved people and their allies drew inspiration from the language and symbols of American freedom. Interpreting patriotic words, phrases, and iconography literally, they embraced a revolutionary nationalism that not only justified but generated open opposition. Mindful and proud that theirs was a nation born in blood, these disparate patriots fought to fulfill the republic’s promise by waging war against slavery. In a time when the US flag, the Fourth of July, and historical sites have never been more contested, this book reminds us that symbols are living artifacts whose power is derived from the meaning with which we imbue them.
Author: Tom McMillan
Publisher: Simon and Schuster
ISBN: 1637587341
Category : History
Languages : en
Pages : 306
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Book Description
Our Flag Was Still There details the improbable two-hundred-year journey of the original Star-Spangled Banner—from Fort McHenry in 1814, when Francis Scott Key first saw it, to the Smithsonian in 2023—and the enduring family who defended, kept, hid, and ultimately donated the most famous flag in American history. Francis Scott Key saw the original Star-Spangled Banner flying over Baltimore’s Fort McHenry on September 14, 1814, following a twenty-five-hour bombardment by the British Navy, inspiring him to write the words to our national anthem. Torn and tattered over the years, reduced in size to appease souvenir-hunters, stuffed away in a New York City vault for the last two decades of the nineteenth century, the flag’s mere existence after two hundred years is an improbable story of dedication, perseverance, patriotism, angst, inner-family squabbles, and, yes, more than a little luck. For this unlikely feat, we have the Armistead family to thank—led by Lieutenant Colonel George Armistead, commander of Fort McHenry, who took it home after the battle in clear defiance of U.S. Army regulations. It is only because of that quiet indiscretion that the flag survives to this day. Armistead’s descendants kept and protected their family heirloom for ninety years. The flag’s first photo was not taken until 1873, almost sixty years after Key saw it waving, and most Americans did not even know of its existence until Armistead’s grandson loaned it to the Smithsonian in 1907. Tom McMillan tells a story as no one has before. Digging deep into the archives of Fort McHenry and the Smithsonian, accessing never-before-published letters and documents, and presenting rare photos from the private collections of Armistead descendants and other sources, McMillan follows the flag on an often-perilous journey through three centuries. Our Flag Was Still There provides new insight into an intriguing period of U.S. history, offering a “story behind the story” account of one of the country’s most treasured relics.
Author: Frank Andre Guridy
Publisher: Basic Books
ISBN: 1541601475
Category : History
Languages : en
Pages : 356
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Book Description
The "deep and impactful" story of the American stadium (Howard Bryant, author of Full Dissidence)—from the first wooden ballparks to today’s glass and steel mega-arenas—revealing how it has made, and remade, American life. Stadiums are monuments to recreation, sports, and pleasure. Yet from the earliest ballparks to the present, stadiums have also functioned as public squares. Politicians have used them to cultivate loyalty to the status quo, while activists and athletes have used them for anti-fascist rallies, Black Power demonstrations, feminist protests, and much more. In this book, historian Frank Guridy recounts the contested history of play, protest, and politics in American stadiums. From the beginning, stadiums were political, as elites turned games into celebrations of war, banned women from the press box, and enforced racial segregation. By the 1920s, they also became important sites of protest as activists increasingly occupied the stadium floor to challenge racism, sexism, homophobia, fascism, and more. Following the rise of the corporatized stadium in the 1990s, this complex history was largely forgotten. But today’s athlete-activists, like Colin Kaepernick and Megan Rapinoe, belong to a powerful tradition in which the stadium is as much an arena of protest as a palace of pleasure. Moving between the field, the press box, and the locker room, this book recovers the hidden history of the stadium and its important role in the struggle for justice in America.
Author: Emery Stephens
Publisher: Rowman & Littlefield
ISBN: 1538169932
Category : Music
Languages : en
Pages : 204
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Book Description
Never has there been a more urgent time to foster cultural humility, diversity, and community dialogue while addressing systemically exclusionary teaching practices in vocal music. Singing Down the Barriers offers readers from all ethnic backgrounds a space in which to better understand the historical and cultural barriers to researching, programming, and performing repertoire by composers from the African diaspora. Emery Stephens and Caroline Helton present a pedagogical guide for singers, singing teachers, students, and administrators that will assist not only with programming but also in creating sustainable, brave spaces for critical conversations on race, equity, and American music. The book is divided into three parts: Part one presents historical context for African American song from the 19th century to the 21st century. Part two examines the culture of academic institutions and provides a framework for positive change. Part three provides strategies to foster integrated communities that can explore this repertoire with respect and mutual support as well as ways to incorporate Afrocentric music into the canon. This book is a seminal resource for higher education, community music programs, private studios, and beyond, and will help support DEI initiatives for vocal music programs.
