Author: Tom Stammers
Publisher: Cambridge University Press
ISBN: 1108478840
Category : Art
Languages : en
Pages : 375
Book Description
Offers a broad and vivid overview of the culture of collecting in France over the long nineteenth-century.
The Purchase of the Past
European Clocks in the J. Paul Getty Museum
Author: Gillian Wilson
Publisher: Getty Publications
ISBN: 0892362545
Category : Art
Languages : fr
Pages : 225
Book Description
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
Publisher: Getty Publications
ISBN: 0892362545
Category : Art
Languages : fr
Pages : 225
Book Description
Among the finest examples of European craftsmanship are the clocks produced for the luxury trade in the eighteenth century. The J. Paul Getty Museum is fortunate to have in its decorative arts collection twenty clocks dating from around 1680 to 1798: eighteen produced in France and two in Germany. They demonstrate the extraordinary workmanship that went into both the design and execution of the cases and the intricate movements by which the clocks operated. In this handsome volume, each clock is pictured and discussed in detail, and each movement diagrammed and described. In addition, biographies of the clockmakers and enamelers are included, as are indexes of the names of the makers, previous owners, and locations.
Précis of the Lectures on Architecture
Author: Jean-Nicolas-Louis Durand
Publisher: Getty Publications
ISBN: 0892365803
Category : Architecture
Languages : en
Pages : 363
Book Description
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
Publisher: Getty Publications
ISBN: 0892365803
Category : Architecture
Languages : en
Pages : 363
Book Description
Jean-Nicolas-Louis Durand (1760–1834) regarded the Précis of the Lectures on Architecture (1802–5) and its companion volume, the Graphic Portion (1821), as both a basic course for future civil engineers and a treatise. Focusing the practice of architecture on utilitarian and economic values, he assailed the rationale behind classical architectural training: beauty, proportionality, and symbolism. His formal systematization of plans, elevations, and sections transformed architectural design into a selective modular typology in which symmetry and simple geometrical forms prevailed. His emphasis on pragmatic values, to the exclusion of metaphysical concerns, represented architecture as a closed system that subjected its own formal language to logical processes. Now published in English for the first time, the Précis and the Graphic Portion are classics of architectural education.
The J. Paul Getty Museum Journal
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892360186
Category : Art
Languages : en
Pages : 217
Book Description
The J. Paul Getty Museum Journal 6/7 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, sculpture, and works of art. This volume includes an editorial statement by the journal’s editors: Burton B. Fredericksen, curator of Paintings, Jiří Frel, curator of Antiquities, and Gillian Wilson, curator of Decorative Arts. Conservation problems are discussed along with articles written by K. Christiansen, B. B. Fredericksen, S. Holo, G. Wilson, B. L. Shifman, M. Shapiro, J. Frel, D. M. Brinkerhoff, C. C. Vermeule, G. Koch, S. Downey, l. Kilian-Dirlmeier, C. Cardon, F. Brommer, M. A. Del Chiaro, P. Visonà, J. Cody, R. Mellor, D. L. Thompson, E. Langlotz, P. Zazoff, S. Knudsen Morgan, M. Jentoft-Nilsen, and A. Manzoni.
Publisher: Getty Publications
ISBN: 0892360186
Category : Art
Languages : en
Pages : 217
Book Description
The J. Paul Getty Museum Journal 6/7 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, paintings, sculpture, and works of art. This volume includes an editorial statement by the journal’s editors: Burton B. Fredericksen, curator of Paintings, Jiří Frel, curator of Antiquities, and Gillian Wilson, curator of Decorative Arts. Conservation problems are discussed along with articles written by K. Christiansen, B. B. Fredericksen, S. Holo, G. Wilson, B. L. Shifman, M. Shapiro, J. Frel, D. M. Brinkerhoff, C. C. Vermeule, G. Koch, S. Downey, l. Kilian-Dirlmeier, C. Cardon, F. Brommer, M. A. Del Chiaro, P. Visonà, J. Cody, R. Mellor, D. L. Thompson, E. Langlotz, P. Zazoff, S. Knudsen Morgan, M. Jentoft-Nilsen, and A. Manzoni.
The J. Paul Getty Museum Journal
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Publisher: Getty Publications
ISBN: 0892362081
Category : Art
Languages : en
Pages : 190
Book Description
The J. Paul Getty Museum Journal has been published annually since 1974. It contains scholarly articles and shorter notes pertaining to objects in the Museum’s seven curatorial departments: Antiquities, Manuscripts, Paintings, Drawings, Decorative Arts, Sculpture and Works of Art, and Photographs. The Journal also contains an illustrated checklist of the Museum’s acquisitions for the previous year, a staff listing, and a statement by the Museum’s Director outlining the year’s most important activities. Volume 19 of the J. Paul Getty Museum Journal includes articles by Nicholas Penny, Ariane van Suchtelen, Thomas DaCosta Kaufmann and Virginia Roehrig Kaufmann, Frits Scholten, David Harris Cohen, and Dawson W. Carr.
Extravagant Inventions
Author: Wolfram Koeppe
Publisher: Metropolitan Museum of Art
ISBN: 1588394743
Category : Design
Languages : en
Pages : 308
Book Description
Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
Publisher: Metropolitan Museum of Art
ISBN: 1588394743
Category : Design
Languages : en
Pages : 308
Book Description
Catalogue published in conjunction with the exhibition "Extravagant Inventions: the Princely Furniture of the Roentgens" on view at The Metropolitan Museum of Art, New York, from October 30, 2102, through January 27, 2013.
Paris as Revolution
Author: Priscilla Parkhurst Ferguson
Publisher: Univ of California Press
ISBN: 0520323009
Category : History
Languages : en
Pages : 276
Book Description
In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
Publisher: Univ of California Press
ISBN: 0520323009
Category : History
Languages : en
Pages : 276
Book Description
In nineteenth-century Paris, passionate involvement with revolution turned the city into an engrossing object of cultural speculation. For writers caught between an explosive past and a bewildering future, revolution offered a virtuoso metaphor by which the city could be known and a vital principle through which it could be portrayed. In this engaging book, Priscilla Ferguson locates the originality and modernity of nineteenth-century French literature in the intersection of the city with revolution. A cultural geography, Paris as Revolution "reads" the nineteenth-century city not in literary works alone but across a broad spectrum of urban icons and narratives. Ferguson moves easily between literary and cultural history and between semiotic and sociological analysis to underscore the movement and change that fueled the powerful narratives defining the century, the city, and their literature. In her understanding and reconstruction of the guidebooks of Mercier, Hugo, Vallès, and others, alongside the novels of Flaubert, Hugo, Vallès, and Zola, Ferguson reveals that these works are themselves revolutionary performances, ones that challenged the modernizing city even as they transcribed its emergence. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
The J. Paul Getty Museum Journal
Author: The J. Paul Getty Museum
Publisher: Getty Publications
ISBN: 0892361433
Category : Art
Languages : en
Pages : 207
Book Description
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
Publisher: Getty Publications
ISBN: 0892361433
Category : Art
Languages : en
Pages : 207
Book Description
The J. Paul Getty Museum Journal 16 is a compendium of articles and notes pertaining to the Museum's permanent collections of antiquities, drawings, illuminated manuscripts, paintings, and sculpture and works of art. This volume includes a supplement introduced by John Walsh with a fully illustrated checklist of the Getty’s recent acquisitions. Volume 16 includes articles written by Richard A. Gergel, Lee Johnson, Myra D. Orth, Barbra Anderson, Louise Lippincott, Leonard Amico, Peggy Fogelman, Peter Fusco, Gerd Spitzer, and Clare Le Corbeiller.
Notice des bronzes antiques exposés dans les galeries du Musée National du Louvre (ancien fonds et Musée Napoléon III).
Author: Musée du Louvre
Publisher:
ISBN:
Category : Bronzes, Ancient
Languages : fr
Pages : 244
Book Description
Publisher:
ISBN:
Category : Bronzes, Ancient
Languages : fr
Pages : 244
Book Description
The Canino Connections
Author: Ruurd Halbertsma
Publisher:
ISBN: 9789088905001
Category : Archaeology
Languages : en
Pages : 0
Book Description
Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.
Publisher:
ISBN: 9789088905001
Category : Archaeology
Languages : en
Pages : 0
Book Description
Starting in the year 1828, Lucien Bonaparte, Prince of Canino, unearthed more than 2000 Greek vases on his estate near the ancient Etruscan town of Vulci. The vases were restored and found their way to archaeological collections all around the world. This volume publishes 10 papers by scholars of international repute dealing with these ceramics. The papers were presented in 2015 at a colloquium in the National Museum of Antiquities in Leiden, which acquired 96 vases from the Bonaparte collection in 1839. Specialists in the fields of museum history, Greek vase-painting, restoration and 19th century collecting practices from the Netherlands, France, Germany, Denmark, Austria, Italy and Russia have contributed to this volume, which offers the newest insights into the person of Lucien Bonaparte, his excavation practices, the history of restorations and the selling and buying of Greek ceramics in the 19th century. The results have helped to extend our knowledge of the collectors, traders and scholars, who were concerned with Greek vases during the 19th century. Their activities took place in a pivotal period, in which the black- and red figure ceramics, which had come to light in Italy during the previous centuries, were finally assigned to Greek craftsmanship instead of to Etruscan manufacture. The book also contains a concise photographic catalogue illustrating the highlights of the Leiden Canino collection.