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Author: Richard Dutton
Publisher: John Wiley & Sons
ISBN: 047099729X
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeare’s comedies on film, Shakespeare’s relation to other comic writers of his time, Shakespeare’s cross-dressing comedies, and the geographies of Shakespearean comedy.
Author: Richard Dutton
Publisher: John Wiley & Sons
ISBN: 047099729X
Category : Literary Criticism
Languages : en
Pages : 480
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Book Description
This four-volume Companion to Shakespeare's Works, compiled as a single entity, offers a uniquely comprehensive snapshot of current Shakespeare criticism. Brings together new essays from a mixture of younger and more established scholars from around the world - Australia, Canada, France, New Zealand, the United Kingdom, and the United States. Examines each of Shakespeare’s plays and major poems, using all the resources of contemporary criticism, from performance studies to feminist, historicist, and textual analysis. Volumes are organized in relation to generic categories: namely the histories, the tragedies, the romantic comedies, and the late plays, problem plays and poems. Each volume contains individual essays on all texts in the relevant category, as well as more general essays looking at critical issues and approaches more widely relevant to the genre. Offers a provocative roadmap to Shakespeare studies at the dawning of the twenty-first century. This companion to Shakespeare’s comedies contains original essays on every comedy from The Two Gentlemen of Verona to Twelfth Night as well as twelve additional articles on such topics as the humoral body in Shakespearean comedy, Shakespeare’s comedies on film, Shakespeare’s relation to other comic writers of his time, Shakespeare’s cross-dressing comedies, and the geographies of Shakespearean comedy.
Author: James K. Lowers
Publisher: Cliffs Notes
ISBN: 9780822000716
Category : Literary Criticism
Languages : en
Pages : 88
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Book Description
Richard of Gloucester crosses and double-crosses friends and foes alike in a no-holds-barred effort to solidify control of the throne once occupied by his brother, Edward IV. His antics prove fruitful until one final battle with Henry, Earl of Richmond, at the end of the War of the Roses.
Author: Samuel Johnson
Publisher: Createspace Independent Publishing Platform
ISBN: 9781721878147
Category :
Languages : en
Pages : 154
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Book Description
Notes to Shakespeare, Volume III: The Tragedies by Samuel Johnson TRAGEDIES Vol. IV MACBETH (392) Most of the notes which the present editor has subjoined to this play were published by him in a small pamphlet in 1745. I.i (393, *) Enter three Witches] In order to make a true estimate of the abilities and merit of a writer, it it always necessary to examine the genius of his age, and the opinions of his contemporaries. A poet who should now make the whole action of his tragedy depend upon enchantment, and produce the chief events by the assistance of supernatural agents, would be censured as transgressing the bounds of probability, be banished from the theatre to the nursery, and condemned to write fairy tales instead of tragedies; but a survey of the notions that prevailed at the time when this play was written, will prove that Shakespeare was in no danger of such censures, since he only turned the system that was then universally admitted, to his advantage, and was far from overburthening the credulity of his audience. The reality of witchcraft or enchantment, which, though not strictly the same, are confounded in this play, has in all ages and countries been credited by the common people, and in most, by the learned themselves. These phantoms have indeed appeared more frequently, in proportion as the darkness of ignorance has been more gross; but it cannot be shown, that the brightest gleams of knowledge have at any time been sufficient to drive them out of the world. The time in which this kind of credulity was at its height, seems to have been that of the holy war, in which the Christians imputed all their defeats to enchantments or diabolical opposition, as they ascribed their success to the assistance of their military saints; and the learned Dr. Warburton appears to believe (Suppl. to the Introduction to Don Quixote) that the first accounts of enchantments were brought into this part of the world by those who returned from their eastern expeditions. But there is always some distance between the birth and maturity of folly as of wickedness: this opinion had long existed, though perhaps the application of it had in no foregoing age been so frequent, nor the reception so general. Olympiodorus, in Photius's extracts, tells us of one Libanius, who practised this kind of military magic, and having promised [Greek: choris opliton kata barbaron energein] to perform great things against the Barbarians without soldiers, was, at the instances of the empress Placidia, put to death, when he was about to have given proofs of his abilities. The empress shewed some kindness in her anger by cutting him off at a time so convenient for his reputation. We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience
Author: Samuel Johnson
Publisher:
ISBN:
Category :
Languages : en
Pages : 92
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Author: University of Cambridge
Publisher:
ISBN:
Category :
Languages : en
Pages : 468
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Author: John Gay
Publisher: Good Press
ISBN:
Category : Drama
Languages : en
Pages : 101
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Book Description
'Three Hours After Marriage' was a restoration comedy, written in by John Gay, Alexander Pope and John Arbuthnot. The play is best described as a satirical farce, and tells the story of Doctor Fossil, a pompous aging scientist, who has just married a much younger woman, Mrs Townley who is then immediately beset by two rival suitors who try to win her affections. The wife and suitors then go to comical lengths to hide their intentions from Dr Fossil.
Author: Johnson Samuel
Publisher: Hardpress Publishing
ISBN: 9781318815258
Category :
Languages : en
Pages : 368
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Book Description
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Author: Sonya Shafer
Publisher:
ISBN: 9781616342791
Category :
Languages : en
Pages : 110
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Author:
Publisher:
ISBN:
Category : Curiosa
Languages : en
Pages : 112
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Author: George Willis
Publisher:
ISBN:
Category :
Languages : en
Pages : 112
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Book Description
