Notes and Queries, Number 41, August 10, 1850 PDF Download
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Author: Various
Publisher: Litres
ISBN: 5041432112
Category : Education
Languages : en
Pages : 77
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Book Description
Author: Various
Publisher: Litres
ISBN: 5041432112
Category : Education
Languages : en
Pages : 77
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 556
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Book Description
Author:
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ISBN:
Category : Electronic journals
Languages : en
Pages : 576
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Author:
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ISBN:
Category :
Languages : en
Pages : 994
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Book Description
Author: Sean Wilentz
Publisher: Oxford University Press, USA
ISBN: 9780195040128
Category : History
Languages : en
Pages : 476
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Book Description
Focusing on the working class, Sean Wilentz explores the dramatic social and intellectual changes that took place during the early industrialization of New York City.
Author: Sébastien Allard
Publisher: Metropolitan Museum of Art
ISBN: 1588396517
Category : Art
Languages : en
Pages : 331
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p.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 14.0px Verdana} Eugène Delacroix (1798–1863) was one of the towering figures to emerge in France in the wake of Napoleon. No other artist of the nineteenth century balanced a reverence for the past with such a strong ambition and spirit of innovation. Distinguishing himself from many other talented young artists in Paris, he gained renown in the 1820s for his novel subject matter, theatrical sense of composition, vibrant palette, and vigorous painterly technique. His vast production—including some eight hundred paintings, prints in a variety of media, and thousands of drawings and pages of writing—won the admiration of countless writers and artists, including Charles Baudelaire, Paul Cèzanne, and Pablo Picasso. This comprehensive monograph closely examines the full breadth of Delacroix’s career, including his engagement with the work of his predecessors, his fascination with the natural world, his interest in Lord Byron and the Greek War of Independence, and the profound influence of his voyage to North Africa in 1832. It brings to life his relationships with his contemporaries, ranging from the painters Pierre Narcisse Guèrin and Antoine Jean Gros to Gustave Courbet, as well as his exploration of literary, historical, and biblical themes, his writing in personal journals, and his triumphant exhibition at the Exposition Universelle of 1855. Richly illustrated and encompassing the entire range and diversity of his art, from grand paintings to intimate drawings, Delacroix illuminates how this intrepid figure changed the course of European painting by heeding “a call for the liberty of art.”
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Category : Bibliography
Languages : en
Pages : 238
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Author: Ireland. Dublin University Commission
Publisher:
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Category : Education, Higher
Languages : en
Pages : 512
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Category : London (England)
Languages : en
Pages : 536
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Author: Amy E. Hughes
Publisher: University of Michigan Press
ISBN: 0472028898
Category : Performing Arts
Languages : en
Pages : 405
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Book Description
In the nineteenth century, long before film and television arrived to electrify audiences with explosions, car chases, and narrow escapes, it was America's theaters that offered audiences such thrills, with "sensation scenes" of speeding trains, burning buildings, and endangered bodies, often in melodramas extolling the virtues of temperance, abolition, and women's suffrage. In Spectacles of Reform , Amy E. Hughes scrutinizes these peculiar intersections of spectacle and reform, revealing that spectacle plays a crucial role in American activism. By examining how theater producers and political groups harnessed its power and appeal, Hughes suggests that spectacle was—and remains—central to the dramaturgy of reform. Engaging evidence from lithographs to children's books to typography catalogs, Hughes traces the cultural history of three famous sensation scenes—the drunkard suffering from the delirium tremens, the fugitive slave escaping over a river, and the victim tied to the railroad tracks—assessing how they conveyed, allayed, and denied concerns about the rights and responsibilities of citizenship. These images also appeared in printed propaganda, suggesting that the coup de théâtre was an essential part of American reform culture. Additionally, Hughes argues that today's producers and advertisers continue to exploit the affective dynamism of spectacle, reaching an even broader audience through film, television, and the Internet. To be attuned to the dynamics of spectacle, Hughes argues, is to understand how we see. Consequently, Spectacles of Reform will interest not only theater historians, but also scholars and students of political, literary, and visual culture who are curious about how U.S. citizens saw themselves and their world during a pivotal period in American history.
