Notes by Mr. Ruskin on His Drawings by the Late J.M.W. Turner ... Exhibited at the Fine Art Society's Galleries ... in the Spring of 1878 PDF Download
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Author: John Ruskin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 134
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Drawing
Languages : en
Pages : 134
Get Book Here
Book Description
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 836
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 834
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: John Ruskin
Publisher:
ISBN:
Category :
Languages : en
Pages : 780
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Book Description
Author: Carmen Casaliggi
Publisher: Cambridge Scholars Publishing
ISBN: 1527588246
Category : Literary Criticism
Languages : en
Pages : 222
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Book Description
This book assesses Ruskin’s and Turner’s mutual interest in the theme of water, with particular reference to The Harbours of England (1856), Ruskin’s book on ships and marine art to which are appended Turner’s 12 illustrations of the English ports. By considering existing scholarly works on Ruskin and Turner, the book begins by demonstrating that the two, despite their widely acknowledged relations, have rarely been examined in conjunction. It raises the question as to how the subject of water inspired the intellectual, aesthetic, philosophical, and scientific climate of the nineteenth century, both in Britain and abroad, and acknowledges the significance of the relationship between Ruskin and Turner in the context of aquatic studies. Ruskin’s childhood fascination with water is examined in detail, while the scientific and spiritual importance of the subject in Modern Painters and The Stones of Venice is also emphasised and read in parallel with The Harbours of England, a detailed account of which is given, referring to both text and illustrations. Turner’s role in Ruskin’s understanding of specific water-pictures is also reconstructed. The book demonstrates that water is important as a multifaceted compendium of contemporary themes, for tradition, progress, nationalism, and patriotism find their iconography in its depiction. Considering the literary and painterly implications of wateriness, the text concludes with a reflection upon the significance of the study of water for Ruskin and Turner, and for their age.
Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 798
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: sir John Charles Robinson
Publisher:
ISBN:
Category :
Languages : en
Pages : 348
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Book Description
Author: John Ruskin
Publisher:
ISBN:
Category : Art critics
Languages : en
Pages : 398
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Book Description
Volume 1-35, works. Volume 36-37, letters. Volume 38 provides an extensive bibliography of Ruskin's writings and a catalogue of his drawings, with corrections to earlier volumes in George Allen's Library Edition of the Works of John Ruskin. Volume 39, general index.
Author: John Ruskin
Publisher: Parlor Press LLC
ISBN: 9781932559187
Category : Art
Languages : en
Pages : 192
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Book Description
Ruskin connects his theories of art with economic and practical life. He contends that content artists who strive to capture nature will produce fine art, while despondent artists who rely on tools of the machine age will produce inferior art.
Author: Margaret Holben Ellis
Publisher: Getty Publications
ISBN: 1606064320
Category : Art
Languages : en
Pages : 548
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Book Description
This book is the seventh in the Readings in Conservation series, which gathers and publishes texts that have been influential in the development of thinking about the conservation of cultural heritage. The present volume provides a selection of more than ninety-five texts tracing the development of the conservation of works of art on paper. Comprehensive and thorough, the book relates how paper conservation has responded to the changing place of prints and drawings in society. The readings include a remarkable range of historical selections from texts such as Renaissance printmaker Ugo da Carpi’s sixteenth-century petition to the Venetian senate on his invention of chiaroscuro, Thomas Churchyard’s 1588 essay in verse “A Sparke of Frendship and Warme Goodwill,” and Robert Bell’s 1773 piece “Observations Relative to the Manufacture of Paper and Printed Books in the Province of Pennsylvania.” These are complemented by influential writings by such figures as A. H. Munsell, Walter Benjamin, and Jacques Derrida, along with a generous representation of recent scholarship. Each reading is introduced by short remarks explaining the rationale for its selection and the principal matters covered, and the book is supplemented with a helpful bibliography. This volume is an indispensable tool for museum curators, conservators, and students and teachers of the conservation of works of art on paper.
