All the Art That's Fit to Print (And Some That Wasn't) PDF Download
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Author: Jerelle Kraus
Publisher: Columbia University Press
ISBN: 0231533233
Category : Humor
Languages : en
Pages : 281
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Book Description
From the New York Times’s former Op-Ed art director, the true story of the world’s first Op-Ed page, a public platform that prefigured the blogosphere. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury’s Garry Trudeau, and why reporter Syd Schanburg—whose story was told in the movie The Killing Fields—stated that he would travel anywhere to see Kissinger hanged, as well as Kraus’s tale of surviving two and a half hours alone with the dethroned outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse . . . Features 142 artists from thirty nations and five continents, and 324 pictures—gleaned from a total of 30,000—that stir our cultural-political pot. “To discover what really goes on inside the belly of the media beast, read this book.” —Bill Maher “In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that “art is dangerous” and sometimes necessarily so.” —Publishers Weekly
Author: Jerelle Kraus
Publisher: Columbia University Press
ISBN: 0231533233
Category : Humor
Languages : en
Pages : 281
Get Book Here
Book Description
From the New York Times’s former Op-Ed art director, the true story of the world’s first Op-Ed page, a public platform that prefigured the blogosphere. Jerelle Kraus, whose thirteen-year tenure as Op-Ed art director far exceeds that of any other art director or editor, unveils a riveting account of working at the Times. Her insider anecdotes include the reasons why artist Saul Steinberg hated the Times, why editor Howell Raines stopped the presses to kill a feature by Doonesbury’s Garry Trudeau, and why reporter Syd Schanburg—whose story was told in the movie The Killing Fields—stated that he would travel anywhere to see Kissinger hanged, as well as Kraus’s tale of surviving two and a half hours alone with the dethroned outlaw, Richard Nixon. All the Art features a satiric portrayal of John McCain, a classic cartoon of Barack Obama by Jules Feiffer, and a drawing of Hillary Clinton and Obama by Barry Blitt. But when Frank Rich wrote a column discussing Hillary Clinton exclusively, the Times refused to allow Blitt to portray her. Nearly any notion is palatable in prose, yet editors perceive pictures as a far greater threat. Confucius underestimated the number of words an image is worth; the thousand-fold power of a picture is also its curse . . . Features 142 artists from thirty nations and five continents, and 324 pictures—gleaned from a total of 30,000—that stir our cultural-political pot. “To discover what really goes on inside the belly of the media beast, read this book.” —Bill Maher “In this overflowing treasure chest of ideas, politics and cultural critiques, Kraus proves that “art is dangerous” and sometimes necessarily so.” —Publishers Weekly
Author: Chad Stebbins
Publisher: University of Missouri Press
ISBN: 9780826211637
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
All the News is Fit to Print traces Aull's transformation from struggling schoolteacher to one of the best-known small-town newspapermen in America.
Author: James T. Hamilton
Publisher: Princeton University Press
ISBN: 1400841410
Category : Business & Economics
Languages : en
Pages : 355
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Book Description
That market forces drive the news is not news. Whether a story appears in print, on television, or on the Internet depends on who is interested, its value to advertisers, the costs of assembling the details, and competitors' products. But in All the News That's Fit to Sell, economist James Hamilton shows just how this happens. Furthermore, many complaints about journalism--media bias, soft news, and pundits as celebrities--arise from the impact of this economic logic on news judgments. This is the first book to develop an economic theory of news, analyze evidence across a wide range of media markets on how incentives affect news content, and offer policy conclusions. Media bias, for instance, was long a staple of the news. Hamilton's analysis of newspapers from 1870 to 1900 reveals how nonpartisan reporting became the norm. A hundred years later, some partisan elements reemerged as, for example, evening news broadcasts tried to retain young female viewers with stories aimed at their (Democratic) political interests. Examination of story selection on the network evening news programs from 1969 to 1998 shows how cable competition, deregulation, and ownership changes encouraged a shift from hard news about politics toward more soft news about entertainers. Hamilton concludes by calling for lower costs of access to government information, a greater role for nonprofits in funding journalism, the development of norms that stress hard news reporting, and the defining of digital and Internet property rights to encourage the flow of news. Ultimately, this book shows that by more fully understanding the economics behind the news, we will be better positioned to ensure that the news serves the public good.
Author:
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 466
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Book Description
Author: New York State College of Agriculture
Publisher:
ISBN:
Category :
Languages : en
Pages : 198
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Book Description
Author: Chris Barton
Publisher: Millbrook Press ™
ISBN: 1512472174
Category : Juvenile Nonfiction
Languages : en
Pages : 44
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Book Description
A visually stunning look at innovative and eye-popping measures used to protect ships during World War I. During World War I, British and American ships were painted with bold colors and crazy patterns from bow to stern. Why would anyone put such eye-catching designs on ships? Desperate to protect ships from German torpedo attacks, British lieutenant-commander Norman Wilkinson proposed what became known as dazzle. These stunning patterns and colors were meant to confuse the enemy about a ship's speed and direction. By the end of the war, more than four thousand ships had been painted with these mesmerizing designs. Author Chris Barton and illustrator Victo Ngai vividly bring to life this little-known story of how the unlikely and the improbable became just plain dazzling. "[A] conversational, compelling, and visually arresting story . . ."—starred, Publishers Weekly "Barton's lively text is matched by Ngai's engrossing artwork, which employs dazzle techniques throughout her inventive spreads."—The Bulletin of the Center for Children's Books New York Public Library Best Books for Kids Children's Book Committee at Bank Street College Best Children's Book of the Year
Author: Boston (Mass.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 1438
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Book Description
Author: John Swett
Publisher:
ISBN:
Category : Readers
Languages : en
Pages : 366
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Author:
Publisher:
ISBN:
Category : Electronics
Languages : en
Pages : 1010
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Book Description
Some issues, 1943-July 1948, include separately paged and numbered section called Radio-electronic engineering edition (called Radionics edition in 1943).
Author: Nicole Howard
Publisher: JHU Press
ISBN: 1421443686
Category : Language Arts & Disciplines
Languages : en
Pages : 231
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Book Description
"The author explains that scientists had many concerns about putting their work into print when the printing press made that possible. This book explores both their attitudes and their strategies for navigating the publishing world"--
