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Author: Arnold Weinstein
Publisher: Princeton University Press
ISBN: 0691240256
Category : Literary Criticism
Languages : en
Pages : 544
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Book Description
Northern Arts is a magnificent and provocative exploration of Scandinavian literature and art. With intellectual power and deep emotional insights, writer and critic Arnold Weinstein guides us through the most startling works created by the writers and artists of Scandinavia over the past two centuries. Here readers will gain new perspectives on canonical giants such as Søren Kierkegaard, Henrik Ibsen, August Strindberg, Edvard Munch, Knut Hamsun, and Ingmar Bergman. Readers will also encounter popular favorites like children's writer Astrid Lindgren, and come to know the work of lesser-known masters such as the novelist Tarjei Vesaas and the painters Ernst Josephson and Lena Cronqvist. Weinstein uses the concept of "breakthrough"--boundary smashing, restlessness, and the exploding of traditional forms and values--as a thematic lens through which to expose the roiling energies and violence that course through Scandinavian literature and art. Defying preconceptions of Scandinavian culture as depressive or brooding, Weinstein invites us to imagine anew this transformative and innovative tradition of art that continually challenges ideas about the sacred and the profane, family and marriage, children, patriarchy, and personal identity. Through these works he brings us face-to-face with our most hidden selves and urges, enriching our understanding of the emotions and forces that govern our lives. Northern Arts is the essential introduction to Scandinavian literature and art, one that illuminates the fierce beauty and breathtaking reach of these incomparable works.
Author: Arnold Weinstein
Publisher: Princeton University Press
ISBN: 0691240256
Category : Literary Criticism
Languages : en
Pages : 544
Get Book Here
Book Description
Northern Arts is a magnificent and provocative exploration of Scandinavian literature and art. With intellectual power and deep emotional insights, writer and critic Arnold Weinstein guides us through the most startling works created by the writers and artists of Scandinavia over the past two centuries. Here readers will gain new perspectives on canonical giants such as Søren Kierkegaard, Henrik Ibsen, August Strindberg, Edvard Munch, Knut Hamsun, and Ingmar Bergman. Readers will also encounter popular favorites like children's writer Astrid Lindgren, and come to know the work of lesser-known masters such as the novelist Tarjei Vesaas and the painters Ernst Josephson and Lena Cronqvist. Weinstein uses the concept of "breakthrough"--boundary smashing, restlessness, and the exploding of traditional forms and values--as a thematic lens through which to expose the roiling energies and violence that course through Scandinavian literature and art. Defying preconceptions of Scandinavian culture as depressive or brooding, Weinstein invites us to imagine anew this transformative and innovative tradition of art that continually challenges ideas about the sacred and the profane, family and marriage, children, patriarchy, and personal identity. Through these works he brings us face-to-face with our most hidden selves and urges, enriching our understanding of the emotions and forces that govern our lives. Northern Arts is the essential introduction to Scandinavian literature and art, one that illuminates the fierce beauty and breathtaking reach of these incomparable works.
Author: Timothy J. Kloberdanz
Publisher: North Dakota
ISBN:
Category : Art
Languages : en
Pages : 360
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Book Description
Author: Michael Century
Publisher: MIT Press
ISBN: 0262045001
Category : Technology & Engineering
Languages : en
Pages : 277
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Book Description
An “episode of light” in Canada sparked by Expo 67 when new art forms, innovative technologies, and novel institutional and policy frameworks emerged together. Understanding how experimental art catalyzes technological innovation is often prized yet typically reduced to the magic formula of “creativity.” In Northern Sparks, Michael Century emphasizes the role of policy and institutions by showing how novel art forms and media technologies in Canada emerged during a period of political and social reinvention, starting in the 1960s with the energies unleashed by Expo 67. Debunking conventional wisdom, Century reclaims innovation from both its present-day devotees and detractors by revealing how experimental artists critically challenge as well as discover and extend the capacities of new technologies. Century offers a series of detailed cross-media case studies that illustrate the cross-fertilization of art, technology, and policy. These cases span animation, music, sound art and acoustic ecology, cybernetic cinema, interactive installation art, virtual reality, telecommunications art, software applications, and the emergent metadiscipline of human-computer interaction. They include Norman McLaren’s “proto-computational” film animations; projects in which the computer itself became an agent, as in computer-aided musical composition and choreography; an ill-fated government foray into interactive networking, the videotext system Telidon; and the beginnings of virtual reality at the Banff Centre. Century shows how Canadian artists approached new media technologies as malleable creative materials, while Canada undertook a political reinvention alongside its centennial celebrations. Northern Sparks offers a uniquely nuanced account of innovation in art and technology illuminated by critical policy analysis.
Author: Ethan Matt Kavaler
Publisher:
ISBN: 9780300167924
Category : Architecture
Languages : en
Pages : 332
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Book Description
This compelling book offers a new paradigm for the periodization of the arts, one that counters a prevailing Italianate bias among historians of northern Europe of this era. The years after 1500 brought the construction of several iconic Late Gothic monuments, including the transept facades of Beauvais cathedral in northern France, much of King's College in Cambridge, England, and the parish church at Annaberg in Saxony. Most designers and patrons preferred this elite Gothic style, which was considered fashionable and highly refined, to alternative Italianate styles. Ethan Matt Kavaler connects Gothic architecture to related developments in painting and other media, and considers the consequences of the breakdown of the Gothic system in the early 16th century. Late Gothic architecture is recognized for its sensuous and abundant ornament. Its visually rich surfaces signify wealth and magnificence, and its flamboyant geometric designs portray a system of perfect and essential forms that convey spiritual authority, while often serving as signs of personal or corporate identity. Renaissance Gothic presents a groundbreaking and detailed study of the Gothic architecture of the late 15th and 16th centuries across Europe.
Author: James Snyder
Publisher: Pearson College Division
ISBN: 9780131895645
Category : Art
Languages : en
Pages : 578
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Book Description
Offers a survey of the painting, sculpture, and graphic arts of the Renaissance in Northern Europe, discussing the era's artistic evolution, stylistic and iconographical themes, and art historical scholarship.
Author: GabrielN. Gee
Publisher: Routledge
ISBN: 135157552X
Category : Art
Languages : en
Pages : 464
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Book Description
Based on rare archival material and numerous interviews with practitioners, Art in the North of England 1979-2008 analyses the relation between political and economic changes stemming from the 1980s and artistic developments in the principal cities of the North of England in the late 20th century. Looking in particular at the art scenes of Liverpool, Manchester, Leeds, Sheffield and Newcastle, Gabriel Gee unveils a set of powerful aesthetic reactions to industrial change and urban reconstruction during this period on the part of artists including John Davies, Pete Clarke, the Amber collective, Richard Wilson, Karen Watson, Nick Crowe & Ian Rawlinson, John Kippin, and the contribution of organisations such as Projects UK/Locus +, East Street Arts, the Henry Moore Sculpture Trust and the Bluecoat Gallery in Liverpool. While the geographical focus of this study is highly specific, a key concern throughout is the relationship between regional, national and international artistic practices and identities. Of interest to all scholars and students concerned with the developments of British art in the second half of the 20th century, the study is also of direct pertinence to observers of global narratives, which are here described and analysed through the concept of trans-industriality.
Author: Jane Woddis
Publisher: Springer Nature
ISBN: 3031111621
Category : Political Science
Languages : en
Pages : 238
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Book Description
This book investigates the role of arts practitioners in cultural policy-making, challenging the perception that arts practitioners have little or no involvement in policy and seeking to discover the extent and form of their engagement. Examining the subject through a case-study of playwriting policy in England since 1945, and paying particular attention to playwrights’ organisations and their history of self-directed activity, the book explores practitioners’ participation in cultural policy-making, encompassing both “invited” and “uninvited” interventions that also weave together policy activity and creative practice. It discusses why their involvement matters, and argues that arts practitioners and their organisations can be understood as participants in civil society whose policy activity contributes to the maintenance and enlargement of democratic practices and values.
Author: Nick Neddo
Publisher:
ISBN: 1592539262
Category : Art
Languages : en
Pages : 163
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Book Description
This is an art book which highlights the possibility of using natural, organic materials as art supplies and inspiration.
Author: Adrian Gareth Green
Publisher: Boydell Press
ISBN: 9781843833352
Category : History
Languages : en
Pages : 278
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Book Description
Is North East England really a coherent and self-conscious region? The essays collected here address this topical issue, from the middle ages to the present day.
Author:
Publisher: BRILL
ISBN: 9004488316
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This book explores Basil Bunting’s continued reputation and influence in modern British poetry, and also the impact of a peculiarly ‘Northern’ inflection of Modernism (which Bunting largely defined) within the varieties of poetry being written in Britain today. The editors asked a variety of English, Scottish, Welsh and American poets and academics to reflect upon the themes, implications, impact or example of Bunting’s work in the centenary year of his birth, looking back on the beginnings of Modernism at the start of the twentieth century into which he was born, or forward into the twenty-first century in which he continues to be read and learned from: a true poetic star to steer by. The resulting collection of fourteen new essays reveals the continued ability of Bunting’s poetry both to delight and to challenge. Topics covered include the nature of influence; Celtic and Northumbrian contexts for the modern English long poem; prosodic patterns in early Bunting; Bunting as a reader of his own work; narrative sources in his poetry; the problem of patronage; his ‘rueful masculinity’; women poets and Bunting; radical landscape poetry; his translations from the Persian Hafiz and the Roman Horace; economic and social tensions in his work; the poet as ‘makar’; and a previously unpublished selection of his letters from the 1960s to the 1980s, commenting upon his own and others’ poetry and on the political condition of Britain in those years. The collection will be of interest to teachers and readers of twentieth century English and American poetry, and to those exploring the processes of literary translation. Contributors include David Annwn, Richard Caddel, Roy Fisher, Victoria Forde, Harry Gilonis, Ian Gregson, Philip Hobsbaum, Parvin Loloi, James McGonigal, Richard Price, Glynn Pursglove, Harriet Tarlo, Gael Turnbull, and Jonathan Williams.
