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Author: Joanna Zylinska
Publisher: MIT Press
ISBN: 0262552620
Category : Photography
Languages : en
Pages : 267
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Book Description
A new philosophy of photography that goes beyond humanist concepts to consider imaging practices from which the human is absent, as both subject and agent. Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force. Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems. She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales.
Author: Joanna Zylinska
Publisher: MIT Press
ISBN: 0262552620
Category : Photography
Languages : en
Pages : 267
Get Book Here
Book Description
A new philosophy of photography that goes beyond humanist concepts to consider imaging practices from which the human is absent, as both subject and agent. Today, in the age of CCTV, drones, medical body scans, and satellite images, photography is increasingly decoupled from human agency and human vision. In Nonhuman Photography, Joanna Zylinska offers a new philosophy of photography, going beyond the human-centric view to consider imaging practices from which the human is absent. Zylinska argues further that even those images produced by humans, whether artists or amateurs, entail a nonhuman, mechanical element—that is, they involve the execution of technical and cultural algorithms that shape our image-making devices as well as our viewing practices. At the same time, she notes, photography is increasingly mobilized to document the precariousness of the human habitat and tasked with helping us imagine a better tomorrow. With its conjoined human-nonhuman agency and vision, Zylinska claims, photography functions as both a form of control and a life-shaping force. Zylinska explores the potential of photography for developing new modes of seeing and imagining, and presents images from her own photographic project, Active Perceptual Systems. She also examines the challenges posed by digitization to established notions of art, culture, and the media. In connecting biological extinction and technical obsolescence, and discussing the parallels between photography and fossilization, she proposes to understand photography as a light-induced process of fossilization across media and across time scales.
Author: Andrew Dewdney
Publisher: MIT Press
ISBN: 1912685817
Category : Photography
Languages : en
Pages : 276
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Book Description
Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.
Author: Jo-Anne Mcarthur
Publisher: Lantern Publishing & Media
ISBN: 9781590566381
Category : Nature
Languages : en
Pages : 305
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Book Description
A collection of stunning images from some of the world's leading photographers of animals in the human environment. HIDDEN: Animals in the Anthropocene is an unflinching book of photography about our conflict with non-human animals around the globe. Through the lenses of thirty award-winning photojournalists, HIDDEN shines a light on the invisible animals in our lives: those with whom we have a close relationship and yet fail to see. The animals we eat and wear; the animals we use for research, work, and for entertainment; the animals we sacrifice in the name of tradition and religion. HIDDEN is a historical document, a memorial, and an indictment of what is and should never again be. Showcased by award-winning designer David Griffin, HIDDEN represents the work of thirty photojournalists who have documented--and continue to document--animal stories. Their exhaustive and in-depth work has resulted in some of the most compelling and historic images of animals ever seen. Among them are (in alphabetical order): Aaron Gekoski, Aitor Garmendia, Amy Jones, Andrew Skowron, Britta Jaschinski, Daniel Beltrá, Djurattsalliansen, Francesco Pistilli, Jan van Ijken, Joan de la Malla, Jo-Anne McArthur, Jose Valle, Kelly Guerin, Kristo Muurimaa, Konrad Lozinski, Louise Jorgensen, Luis Tato, Murdo MacLeod, Paul Hilton, Sabine Grootendorst, Selene Magnolia, Stefano Belacchi, Tamara Kenneally, and Timo Stammberger. "The photojournalists featured in Hidden have entered some of the darkest, most unsettling places in the world. The images they have captured are a searing reminder of our unpardonable behavior towards animals and will serve as beacons of change for years to come."--Joaquin Phoenix, actor "I am, quite simply, in awe of these photographers. In a way, they are like war photographers, except witness to a war that so many people choose to suppress that exists. This takes enormous inner strength and bloody-minded determination, because they cannot save any of the animals that they photograph; they can only hope that their photos will help illuminate the mass extermination that unfolds every second of every day across the planet. To me, they are heroes. Not just for one day, but over and over and over again."--Nick Brandt, photographer
Author: Emma Marris
Publisher: Bloomsbury Publishing USA
ISBN: 163557496X
Category : Nature
Languages : en
Pages : 353
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Book Description
Winner of the 2022 Rachel Carson Environment Book Award * Winner of the 2022 Science in Society Journalism Award (Books) * Finalist for the Los Angeles Times Book Prize “Thoughtful, insightful, and wise, Wild Souls is a landmark work.”--Ed Yong, author of An Immense World "Fascinating . . . hands-on philosophy, put to test in the real world . . . Marris believes that our idea of wildness--our obsession with purity--is misguided. No animal remains untouched by human hands . . . the science isn't the hard part. The real challenge is the ethics, the act of imagining our appropriate place in that world." --Outside Magazine From an acclaimed environmental writer, a groundbreaking and provocative new vision for our relationships with--and responsibilities toward--the planet's wild animals. Protecting wild animals and preserving the environment are two ideals so seemingly compatible as to be almost inseparable. But in fact, between animal welfare and conservation science there exists a space of underexamined and unresolved tension: wildness itself. When is it right to capture or feed wild animals for the good of their species? How do we balance the rights of introduced species with those already established within an ecosystem? Can hunting be ecological? Are any animals truly wild on a planet that humans have so thoroughly changed? No clear guidelines yet exist to help us resolve such questions. Transporting readers into the field with scientists tackling these profound challenges, Emma Marris tells the affecting and inspiring stories of animals around the globe--from Peruvian monkeys to Australian bilbies, rare Hawai'ian birds to majestic Oregon wolves. And she offers a companionable tour of the philosophical ideas that may steer our search for sustainability and justice in the non-human world. Revealing just how intertwined animal life and human life really are, Wild Souls will change the way we think about nature-and our place within it.
Author: William J. Mitchell
Publisher: MIT Press
ISBN: 9780262631600
Category : Photography
Languages : en
Pages : 298
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Book Description
Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution. "An intelligent and readable approach to the digitization of images.... A useful overview of a critical subject."—New York Times Book Review Enhanced? Or faked? Today the very idea of photographic veracity is being radically challenged by the emerging technology of digital image manipulation and synthesis: photographs can now be altered at will in ways that are virtually undetectable, and photorealistic synthesized images are becoming increasingly difficult to distinguish from actual photographs. Continuing William Mitchell's investigations of how we understand, reason about, and use images, The Reconfigured Eye provides the first systematic, critical analysis of the digital imaging revolution. It describes the technology of the digital image in detail and looks closely at how it is changing the way we explore ideas, at its aesthetic potential, and at the ethical questions it raises.
Author: Joshua P. Smith
Publisher: MIT Press (MA)
ISBN: 9780262192804
Category : Photography
Languages : en
Pages : 227
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Book Description
Pictures that are made, not taken, are the focus of this exciting collection of worksby 90 American artists who are using appropriation, computer technology, performance, and numerousother sources of inspiration to stretch the limits and expand the possibilities of photographicart.
Author: Richard Bolton
Publisher: MIT Press
ISBN: 9780262521697
Category : Photography
Languages : en
Pages : 438
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Book Description
Photography's great success gives the impression that the major questions that have haunted the medium are now resolved. On the contrary, the most important questions about photography are just beginning to be asked. These fourteen essays, with over 200 illustrations, critically examine prevailing beliefs about the medium and suggest new ways to explain the history of photography. They are organized around the questions: What are the social consequences of aesthetic practice? How does photography construct sexual difference? How is photography used to promote class and national interests? What are the politics of photographic truth? The Contest of Meaning summarizes the challenges to traditional photographic history that have developed in the last decade out of a consciously political critique of photographic production. Contributions by a wide range of important Americans critics reexamine the complex—and often contradictory—roles of photography within society. Douglas Crimp, Christopher Phillips, Benjamin Buchloh, and Abigail Solomon Godeau examine the gradually developed exclusivity of art photography and describe the politics of canon formation throughout modernism. Catherine Lord, Deborah Bright, Sally Stein, and Jan Zita Grover examine the ways in which the female is configured as a subject, and explain how sexual difference is constructed across various registers of photographic representation. Carol Squiers, Esther Parada, and Richard Bolton clarify the ways in which photography serves as a form of mass communication, demonstrating in particular how photographic production is affected by the interests of the powerful patrons of communications. The three concluding essays, by Rosalind Krauss, Martha Rosler, and Allan Sekula, critically examine the concept of photographic truth by exploring the intentions informing various uses of "objective" images within society.
Author: Shelley Rice
Publisher: MIT Press
ISBN: 9780262681070
Category : History
Languages : en
Pages : 292
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Book Description
Each of the book's essays is in itself a "Parisian view." The fragmented, layered quality of the text allows the author to avoid making a linear narrative out of a subject that is enriched by multiple perspectives. Yet all of the essays revolve around a central theme: the creation of modern urban space, in both two and three dimensions, and the impact of this space on the lives of those who walked the streets of Paris of the nineteenth century.
Author: Jeannine Fiedler
Publisher: MIT Press (MA)
ISBN:
Category : Bauhaus
Languages : en
Pages : 370
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Book Description
Photography at the Bauhaus will become the definitive resource and standard reference book on its subject.
Author: Kamila Kuc
Publisher: Open Humanities Press
ISBN: 9781785420023
Category :
Languages : en
Pages : 320
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Book Description
Photomediations: A Reader offers a radically different way of understanding photography. The concept of photomediations that unites the twenty essays collected here challenges the traditional classification of photography as suspended between art and social practice. Capturing the dynamics of the photographic medium today, it also explores photography's inherent kinship with other media.
