No Need for an Easel or a Mahl Stick: Oil Painting for the Absolute Beginner Made Simple PDF Download
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Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1310391939
Category : Art
Languages : en
Pages : 102
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Book Description
Learn oil painting from the beginning with this art guide book. You have just purchased your first set of oil colours. Now what? A blank art surface may reflect an uncertainty of what to paint. Where does the beginner begin? Is an easel needed? What about a mahl stick, stretched canvases and a kidney-shaped palette? The aim of this book is to show that such paraphernalia are not essential. Oil paints can be odourless, clean and the starter kit may comprise just a few items that can be stored in a tool box. Infinite colours can be mixed with several pigments via a few brushes. This makes oil colours the ideal choice for the beginner who wishes to try a truly versatile art medium. Find basic oil painting exercises aimed at getting that brush moving, even if it means laying each pigment into rectangles to get to know each pigment. Exercises progress steadily onto shading, mark making and applying glazes. These rudimentary exercises provide the springboard from which to paint a first landscape and more. The myths of colour theory is dispelled, making dirty colour mixes a thing of the past. Find chapters that explore complementary colours, alla prima, glazing, using a limited palette, working with linseed oil and expressing a jigsaw of marks. Each chapter concludes with a summarizing bullet point list of what has been covered so far, helping to reinforce what has been learned. As will be seen, oil paints have many surprises in store and can be fun to try out – without the fuss, mess or cost. Includes a shopping list for the beginner, glossary and hundreds of colour images.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1310391939
Category : Art
Languages : en
Pages : 102
Get Book Here
Book Description
Learn oil painting from the beginning with this art guide book. You have just purchased your first set of oil colours. Now what? A blank art surface may reflect an uncertainty of what to paint. Where does the beginner begin? Is an easel needed? What about a mahl stick, stretched canvases and a kidney-shaped palette? The aim of this book is to show that such paraphernalia are not essential. Oil paints can be odourless, clean and the starter kit may comprise just a few items that can be stored in a tool box. Infinite colours can be mixed with several pigments via a few brushes. This makes oil colours the ideal choice for the beginner who wishes to try a truly versatile art medium. Find basic oil painting exercises aimed at getting that brush moving, even if it means laying each pigment into rectangles to get to know each pigment. Exercises progress steadily onto shading, mark making and applying glazes. These rudimentary exercises provide the springboard from which to paint a first landscape and more. The myths of colour theory is dispelled, making dirty colour mixes a thing of the past. Find chapters that explore complementary colours, alla prima, glazing, using a limited palette, working with linseed oil and expressing a jigsaw of marks. Each chapter concludes with a summarizing bullet point list of what has been covered so far, helping to reinforce what has been learned. As will be seen, oil paints have many surprises in store and can be fun to try out – without the fuss, mess or cost. Includes a shopping list for the beginner, glossary and hundreds of colour images.
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Category : Handicraft
Languages : en
Pages : 770
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Book Description
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492742287
Category : Art
Languages : en
Pages : 233
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Book Description
A bulky, comprehensive book on oil painting various subject matter. Ever had trouble drawing ellipses, mixing skin colours or painting skies? This bumper oil painting book tackles 78 such painting ‘peeves’ with suggested solutions. The Ultimate Oil Painting Solution comprise three full-length art books: Why do my Clouds Look Like Cotton Wool? a problem-solver for landscape painting; Why do my Skin Tones Look Lifeless? a problem-solver for portrait painting, and Why do my Ellipses Look Like Doughnuts? a problem-solver for still life painting. Each book can be purchased singly if interested in just one subject area. However, purchasing the three in this bundle book will work out a little cheaper than buying the three books individually. Each book comprises 26 common ‘peeves’ (in the form of chapters) associated with the oil painting area concerned, and therefore you will find 78 such peeves and suggested solutions collectively within. The book has 73,000 words, 78 chapters and around 400 images. Each book also possesses a step by step painting demonstration associated with the subject area. These are Castlerigg Stone Circle (for landscape art); David’s Oath of the Horatii (for portraiture) and painting strawberries (for still life). The ‘peeves’ selected represent common problem areas that students have experienced in my art classes. Such peeves include the rendering of foreshortenings, darkening skin colours, suggesting ripples in water, painting clouds, mixing greens, suggesting soft hair, painting noses, reflections in eyes, moisture on fruit, portrait photography, measuring tones, darkening snow colours and a myriad of other peeves. As each book are in themselves separate entities, where applicable, similar information is presented in context of landscape art, portraiture and still life painting, although the information is presented differently. Examples of this are the art materials needed for painting and the nature of pigments. However, such occurrences are mostly confined to the introductory chapters of each book and occur seldom elsewhere. Key chapters in this book cover the colour theory, perspectives, drawing ellipses, the golden section, tonal values, underglazing, art techniques, the nature of pigments, essential art materials, monochromatic painting, composing an arrangement, negative shapes, painting en plein air, drawing foreshortenings, creating mood, making a viewfinder, colour temperatures, drawing methods, the rules of reflections, painting on a budget, types of gessoes, skin colours and much, much more. The aim of this book is to find a ‘cure’ for a given issue and enable the developing artist to improve in the future. Most of all, to encourage creativity and growing confidence. Dimensions of print book: 10x8in and 234 pages.
Author: Rachel Shirley
Publisher: Rachel Shirley
ISBN: 1492727830
Category : Art
Languages : en
Pages : 83
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Book Description
Learn how to mix skin colours, paint hair and techniques for painting eyes in this oil painting book. Portrait painting is often seen as the last frontier of representational art as every detail has huge consequences upon whether a portrait looks like the person depicted. The beginner need not venture far before encountering a possible minefield of problems. Common issues might be why a portrait painting looks childish, eyes look like marbles, hair looks like a wig or noses appear skewed. Such frustrations and many others might be encountered by professional and amateur portraitists alike, whether it is to capture the highlights in eyes or to make skin tones appear three-dimensional. It is all part of learning to paint. If the issue persists, however, the problem is likely to become a creative block in portraiture. This is where this book comes in. Each issue is tackled candidly and in-depth, consisting of a description of the issue concerned, suggested solutions via the art materials required and painting exercises. In total, 26 “peeves” associated with portraiture are tackled within this book. A myriad of other matters relating to portraiture are explained, including suggested pigments to use for ethnic subjects, painting from life, portrait photography and more – in total, with countless colour images. Sections I and II within the after matter of this book provides step-by-step demonstrations for first-time explorers of skin tones. Some of the images within this book can be found in my other Oil Painting Medic Book, Portrait Painting in Oil: Ten Step by Step Guides from Old Masters. Other images have been sourced from my fine art paintings and commissions. My other book on portraiture, Portrait Painting in Oil 10 Step by Step Guides offers in-progress demos on painting old master subjects, such as that from Botticelli, Rossetti, Vermeer, Gauguin and more. Dimensions of large edition: 10x8in and 84 pages. The author has a BA Hons Degree in Fine Art from London as well as a PCET teaching qualification from Warwick.
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Category : English literature
Languages : en
Pages : 384
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Book Description
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Category : Agriculture
Languages : en
Pages : 712
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Book Description
Author: John Saunders
Publisher:
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Category :
Languages : en
Pages : 806
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Category : American periodicals
Languages : en
Pages : 184
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Book Description
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ISBN:
Category : Art
Languages : en
Pages : 538
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Book Description
Vol. for 1867 includes Illustrated catalogue of the Paris Universal Exhibition.
Author: Brian Gorst
Publisher: Watson-Guptill
ISBN: 9780823008551
Category : Art
Languages : en
Pages : 172
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Book Description
Oils are perhaps the most versatile of all paint mediums. Yet for many artists oil painting is either shrouded in mystique or considered very difficult. Filled with clear, step-by-step instructions and surefire strategies, The Complete Oil Painter is an essential, one-stop guide to becoming an expert in every aspect of this medium. Artists will discover everything they need to know about materials (pigments, supports, canvases); tools and equipment (palettes, brushes); paint application (wet-into-wet, alla-prima, glazing, impasto); form and color (light and dark, expression, color mixing); exploring themes (still life, portraiture, figure painting); and much more.
