Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Concerti grossi, Arranged
Languages : en
Pages : 106
Book Description
No. 4, G major. No. 5, D major. No. 6, B♭ major
Author: Johann Sebastian Bach
Publisher:
ISBN:
Category : Concerti grossi, Arranged
Languages : en
Pages : 106
Book Description
Publisher:
ISBN:
Category : Concerti grossi, Arranged
Languages : en
Pages : 106
Book Description
Handel
Author: Frederick Herman Martens
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Symphony number five [From the New World] op. 95
Author: Antonín Dvořák
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 66
Book Description
Publisher:
ISBN:
Category : Symphonies
Languages : en
Pages : 66
Book Description
The International Cyclopedia of Music and Musicians
Author: Oscar Thompson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 2506
Book Description
A Handbook to Chopin's Works
Author: Ashton Jonson
Publisher: BoD – Books on Demand
ISBN: 3955079295
Category : Music
Languages : en
Pages : 262
Book Description
Jonson's book consists of an account of each Chopin composition, its place among the composer's work, its distinguishing features, notes of any special point of interest attaching to it and an epitome of comments and criticisms that have been made upon it. It is supplemented by biographical details and socio-historical information. The author gives a very detailed overwiew of the composer's life and work which deserves special attention in the field of Chopin studies. Reprint of the original edition from 1905.
Publisher: BoD – Books on Demand
ISBN: 3955079295
Category : Music
Languages : en
Pages : 262
Book Description
Jonson's book consists of an account of each Chopin composition, its place among the composer's work, its distinguishing features, notes of any special point of interest attaching to it and an epitome of comments and criticisms that have been made upon it. It is supplemented by biographical details and socio-historical information. The author gives a very detailed overwiew of the composer's life and work which deserves special attention in the field of Chopin studies. Reprint of the original edition from 1905.
Schubert
Author: Lorraine Bodley
Publisher: Yale University Press
ISBN: 0300268408
Category : Music
Languages : en
Pages : 738
Book Description
An insightful biography of the great composer, revealing Schubert’s complex and fascinating private life alongside his musical genius Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert’s life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one. Drawing on extensive archival research in Vienna and the Czech Republic and reconsidering the meaning of some of his best-known works, Bodley provides a fuller account than ever before of Schubert’s extraordinary achievement and incredible courage. This is a compelling new portrait of one of the most beloved composers of the nineteenth century.
Publisher: Yale University Press
ISBN: 0300268408
Category : Music
Languages : en
Pages : 738
Book Description
An insightful biography of the great composer, revealing Schubert’s complex and fascinating private life alongside his musical genius Brilliant, short-lived, incredibly prolific—Schubert is one of the most intriguing figures in music history. While his music attracts a wide audience, much of his private life remains shrouded in mystery, and significant portions of his work have been overlooked. In this major new biography, Lorraine Byrne Bodley takes a detailed look into Schubert’s life, from his early years at the Stadtkonvikt to the harrowing battle with syphilis that led to his death at the age of thirty-one. Drawing on extensive archival research in Vienna and the Czech Republic and reconsidering the meaning of some of his best-known works, Bodley provides a fuller account than ever before of Schubert’s extraordinary achievement and incredible courage. This is a compelling new portrait of one of the most beloved composers of the nineteenth century.
A Practical Approach to 18th Century Counterpoint
Author: Robert Gauldin
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
Publisher: Waveland Press
ISBN: 1478608765
Category : Music
Languages : en
Pages : 351
Book Description
Practical work in writing counterpoint! This volume emphasizes developing analytical and writing skills in the contrapuntal technique of the eighteenth century. The orientation is strongly stylistic, dealing mainly with the polyphony of the late Baroque period. Three aspects are stressed throughout: practical work in writing counterpoint, utilizing various textures, devices, and genre of the period; historical background, to establish the origins of different forms and justify the pedagogical method employed here; analysis of selections from music literature, often in voice-leading reductions. After an opening chapter that reviews some general features of the late Baroque period, there is a brief survey of melodic characteristics, and a study of procedures associated with two, three, and four voices.
The Facts on File Dictionary of Music
Author: Christine Ammer
Publisher: Infobase Publishing
ISBN: 1438130090
Category : Music
Languages : en
Pages : 513
Book Description
"The Facts On File Dictionary of Music provides in-depth explanations and examples of more than 3
Publisher: Infobase Publishing
ISBN: 1438130090
Category : Music
Languages : en
Pages : 513
Book Description
"The Facts On File Dictionary of Music provides in-depth explanations and examples of more than 3
The Violin Concerto Through a Period of Nearly 300 Years
Author: Frederic Barclay Emery
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 704
Book Description
Publisher:
ISBN:
Category : Composers
Languages : en
Pages : 704
Book Description
Bending the Rules of Music Theory
Author: Timothy Cutler
Publisher: Routledge
ISBN: 1351069152
Category : Music
Languages : en
Pages : 314
Book Description
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.
Publisher: Routledge
ISBN: 1351069152
Category : Music
Languages : en
Pages : 314
Book Description
For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.