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Author:
Publisher:
ISBN:
Category : Dance music
Languages : en
Pages : 22
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Book Description
Author:
Publisher:
ISBN:
Category : Dance music
Languages : en
Pages : 22
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Book Description
Author: Freda Dinn
Publisher:
ISBN:
Category : Woodwind quartets (Recorders (4)), Arranged
Languages : en
Pages : 22
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Book Description
Author: Walter Bergmann
Publisher:
ISBN:
Category : Part songs
Languages : en
Pages : 16
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Book Description
Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 866
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Book Description
Author: Marie Loughlin
Publisher: Broadview Press
ISBN: 1551111624
Category : Literary Collections
Languages : en
Pages : 1333
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Book Description
The Broadview Anthology of Sixteenth-Century Poetry and Prose makes available not only extensive selections from the works of canonical writers, but also substantial extracts from writers who have either been neglected in earlier anthologies or only relatively recently come to the attention of twentieth- and twenty-first-century scholars and teachers. Popular fiction and prose nonfiction are especially well represented, including selections from popular romances, merchant fiction, sensation pamphlets, sermons, and ballads. The texts are extensively annotated, with notes both explaining unfamiliar words and providing cultural and historical contexts.
Author: Edward E. Lowinsky
Publisher: Univ of California Press
ISBN: 0520335252
Category : Music
Languages : en
Pages : 188
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Book Description
Author:
Publisher:
ISBN:
Category : World history
Languages : en
Pages : 602
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Book Description
Author: Ferdinand Justi
Publisher:
ISBN:
Category : History, Ancient
Languages : en
Pages : 578
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Book Description
Author:
Publisher:
ISBN:
Category : Recorder (Musical instrument)
Languages : en
Pages : 294
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Book Description
Author: Maureen Epp
Publisher: Routledge
ISBN: 1351540467
Category : Music
Languages : en
Pages : 310
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Book Description
The experience of music performance is always far more than the sum of its sounds, and evidence for playing and singing techniques is not only inscribed in music notation but can also be found in many other types of primary source materials. This volume of essays presents a cross-section of new research on performance issues in music of the Middle Ages and Renaissance. The subject is approached from a broad perspective, drawing on areas such as dance history, art history, music iconography and performance traditions from beyond Western Europe. In doing so, the volume continues some of the many lines of inquiry pursued by its dedicatee, Timothy J. McGee, over a lifetime of scholarship devoted to practical questions of playing and singing early music. Expanding the bases of inquiry to include various social, political, historical or aesthetic backgrounds both broadens our knowledge of the issues pertinent to early music performance and informs our understanding of other cultural activities within which music played an important role. The book is divided into two parts: 'Viewing the Evidence' in which visually based information is used to address particular questions of music performance; and 'Reconsidering Contexts' in which diplomatic, commercial and cultural connections to specific repertories or compositions are considered in detail. This book will be of value not only to specialists in early music but to all scholars of the Middle Ages and Renaissance whose interests intersect with the visual, aural and social aspects of music performance.
